Queen of Soul PP Arnold and her ace band give us all a lesson
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- By Steve Lorkin
- Hits: 6293
A PP Arnold show is more than a “gig“, it really is a live performance music history of somebody who has had an extraordinary career as a vocalist since 1964.
Word of the amazing shows in Melbourne had reached Sydney and slowly but surely the room started to fill up (including a front seated section for some of her more mature age fans.)
Whoever assembled her backing band should be congratulated.Thy comprised three-quarters of You Am I who IMHFO don’t get nearly enough credit for being the great musicians they are (Andy Kent should be singled out for really nailing the bass parts), with James Black (the bloke from Rockwiz) and vocalist Talei Wolfgramm joining them.
Tuckerbox - Aberration (Crankinhaus Records)
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- By Ron Brown & The Barman
- Hits: 5022
Aberration are one of those bands who you have probably heard of word of mouth. Did you ever see them live back in the ‘80s? No recordings survive so you just have to believe they where good if you didn’t see them kicking around Sydney in 1983-87.
Aberration were playing high-energy British metal/punk until as the liner notes to this album “Tuckerbox” attest, destructive forces took their toll. The band split with little to show for their wild live reputation.
Fast forward 35 years. “Tuckerbox” is the first release for Aberration, one member of which survives in Alan Creed. It‘s newly-recorded and 10 tracks of sheer raw power.
Polaris Oblique - Seedy Jeezus (Blown Music)
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- By Robert Brokenmouth & Patrick Emery
- Hits: 3698
Melbourne band sell out. Again.
Seedy Jeezus: "Polaris Oblique". Rhetorical question: how do three hairy men make so much bloody racket? And why is it so damn good?
Patrick Emery's given this one four bottles in the review below, but you know what? bugger him with an awkward object, it's five or more easy. Thwack this on the car stereo and you'll be making sharp turns and mounting sidewalks in no time. 'Polaris Oblique' is big, heavy, and soaks like alcohol into a villain's hanky.
The Seedies know their shit, they know their rock'n'roll; Lex Waterreus (gesundheit) (he's the talented swine with the voluminous guitar and the brilliant artwork) sounds like Plant on a good day, and one must assume he has the whacking great dong to match.
April 4th, 1978 – Sonic’s Rendezvous Band (Easy Action)
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- By The Barman
- Hits: 5623
This recording is where it all started for recent Sonic’s Rendezvous Band fans. Originally issued in 1998 as “Sweet Nothing”, it was the first non-bootleg, live recording that stood up, sonically speaking, and both the CD and LP pressings sold out quickly.
A second disc of live and tweaked studio stuff (“City Slang”) surfaced a year later and we’ve been fairly spoiled with a flow of material since then.
“Sweet Nothing” was an ear-opener in all senses of the term. No longer did you need to listen to “Strikes Like Lightning” or any of the other lamentably poor quality boots and ponder why nobody in Detroit in the mid-‘70s owned a boombox with a decent microphone.
The steady stream of releases peaked with Easy Action’s lavish 2006 “Sonic’s Rendezvous Band” box set, a six-disc CD collection that included rehearsals, other live recordings and a spruced-up version of this show. Now, this vinyl release has arrived as part of the annual Record Store Day hoopla.
Power to burn on the LP version of "disasterpiece"
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- By Staff writers
- Hits: 4014
It’s said every great CD release deserves to come out on vinyl and the folks at Buttercup Records have been listening.
They’ve obliged by making Melbourne band Powerline Sneakers’ wonderful “disasterpiece” album, originally issued by Kasumuen Records on CD only, available on wax.
“disasterpiece” was one of The Barman’s choices in his 2017 Top Ten and it was easy to hear why. Gritty, hooky and raucous tunes from veteran survivors of bands like Powder Monkeys, Splatterheads and Ripe, it’s spent lots of time in the CD player and is reviewed here.
Limited to 300 hand-numbered copies on vinyl, it’s the usual bang-up Buttercup job - three colour variants, spectacular new artwork by Glenn Smith, double-sided insert and download card. Follow this link to order a copy before they're gone.
The Ark - The Vacant Lot (Damn You)
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- By The Barman
- Hits: 4254
It’s said that the only good thing to come out of Australia’s national capital is the Federal Highway, but it’s not true. Canberra’s also spawned some decent punk rock, and here’s more evidence.
It’s not a hanging offence if you’ve never heard of The Vacant Lot. Molly Meldrum never made their acquaintance either. If he had, he would have hated them. Take that as a plus.
The Vacant Lot grew out of the Australian National University campus in 1978. Canberra had a small but energetic punk or new wave scene by then. Wearing less Detroit leather than Sydney, not as ragged and oppressed as bands from Brisbane and not as artfully smacked out as the Melbourne crew, it was a community that tolerated - no, encouraged - music that didn’t fit with convention.
Paradox – Neil Young and The Promise of The Real (Reprise)
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- By The Barman
- Hits: 3080
Neil Young shouldn’t be allowed near a Super 8 movie camera, let alone a big screen. If his girlfriend, The Mermaid Lady, wants to make her own movies, she’s rich enough to go right ahead. Just be merciful and don’t make them compulsory viewing.
This is the soundtrack to a Mermaid Lady movie. Her directorial debut, no less. Apparently, the fillum is a rambling, plot-less Netflix download in which Neil and his band (aka The Spawn of Willie Nelson) appear as outlaws and cowboys, who "pass the days digging for treasure while they wait for the full moon to bring its magic, the music and let the spirits fly."
The above review comes from a friend and the media release. I can’t vouch for it myself. What I do know is that Neil needs to stick to making music. It’s his strength.
Behind The Shade – James Williamson and the Pink Hearts (Leopard Lady Records)
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- By The Barman
- Hits: 8832
Plenty of people won’t “get” this record. That’s the inherent risk when you move forward and don’t stay comfortably treading water in one swimming pool.
It’s the second solo album for James Williamson (third if you count the live one with The Careless Hearts) and “Behind The Shade” doesn’t kiss-off his substantial Iggy & The Stooges legacy. More pointedly, it reinforces that Williamson is no one-trick pony.
Of course you should know James for inventing one of the most brutal guitar styles ever. Iggy himself paid him a back-handed compliment by saying that his former collaborator filled every possible space in their band’s soundscape. He did say it was to the point of claustrophobia, or words to that effect.
Two Nights With Satan - 300 St Claire (Conquest of Noise)
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- By The Barman
- Hits: 5180
Yes, 300 St Claire were another of those noisy, intense and hard-as-a-cheap-pub-steak bands that were around in a crowded Sydney backyard at the cusp of the 2000s and never made a substantial mark anywhere else. They self-released an EP, gigged around and more or less fell off the radar before the decade was half-done.
My own memories include taking away tinnitus from a support they played to Asteroid B612 at the Iron Duke in Sydney one Friday night. By the time Johnny Casino and Co came on, the damage had been done, and every note The Big Fella played fell on ringing ears.
As is the way these days, 300 St Claire has reformed - to have fun and sink a few beers, the members will tell you - so now is a good time for their long, lost EP to resurface on Conquest of Noise, complete with extras. It’s every bit as bludgeoning as you’d expect.
- Butterflyin’ - New York Dolls (Easy Action)
- It's 2018 and we still need Lunch
- Blues Trash - Reverend Beat-Man and the New Wave (Voodoo Rhythm) and In My Room - The Gun Club (Bang! Records)
- Ex-Stooge James Williamson's new album looms
- Sydney to celebrate 45 years of Volcanic Rock
- Follow Your Instinct - Guttercats (Pop The Balloon/Ghost Highway/Beluga Records)
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