Hurt Me - Johnny Thunders (Easy Action)
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- By The Barman
- Hits: 6803
The back catalogue of Johnny Thunders is way overdue for re-issue treatment. It’s coming up to 24 years since the talented but terminal ex-Doll checked into a New Orleans hotel and checked out on life. "ho better to revive his recorded legacy than Easy Action?
Whatever your stance on how the media portrayed Thunders, the guy was a walking contradiction. When it came to his image as Rock’s Most Wasted Human Being (aka The Guy Who Makes Keef Look Like a Schoolboy), he alternately kicked against it or embraced it with open, track-marked arms. “Hurt Me” was a poignant collection of stripped-back covers and standards - and a departure of sorts for JT, coming as it did five years after the bleary-eyed party that was “So Alone.”
BRUCE! take new EP on the road
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- By The Barman
- Hits: 5515
No-nonsense four-piece stoner-punk powerhouse BRUCE! have been flat out since releasing their 2012 full-length debut and are heading back out on the road with a series of extensive Australian dates.
The Wollongong locals have shared stages with the mightiest of all mighty rock lords, including Turbonegro, Supersuckers, Brant Bjork, Regurgitator, Beasts of Bourbon, Cosmic Psychos, Tumbleweed, and most recently supporting Violent Soho in Sydney on their sold-out Australian tour.
The Man Who Rode The Mule Around The World – John Schooley (Voodoo Rhythm)
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- By The Barman
- Hits: 5206
Austin, Texas, resident John Schooley was a substantial blip on the I-94 Bar radar in the mid-1990s when Australian label Dropkick put out one of his records (“ You Won't Like It ... 'Cuz It's Rockn'Roll!”) with his band The Hard Feelings.
Here was a guy who crunched rootsy Americano with raucous garage grit in the most emphatic fashion. “You Won’t Like It...” even scored a write-up in Rolling Stone - but died a comercial death when the label head was struck down with cancer and couldn’t press up any more copies. Thankfully, he recovered - and Schooley, too, is still kicking. Like a mule.
Legalize Everything – Frowning Clouds (Rice is Nice/Saturno)
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- By The Barman
- Hits: 5046
Do you take album titles at face value? Let's take this legalisation of everything one step further. In an ideal world, we could also frame a law to make listening to worthwhile music compulsory. Frowning Clouds would be one of the first cabs off the rank.
Earlier this year, Frowning Clouds supported Sunnyboys and The Stems at a sold-out theatre show in Sydney. It was a prestigious gig. Among the pre-show chatter at the pub, I heard a comment that Frowning Clouds had been "psychedelised."
Pop Crimes: The Songs of Rowland S. Howard in Adelaide
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- By Robert Brokenmouth
- Hits: 8178
From the spectacle of the Rolling Stones the previous night, I awaken somewhat seedy and blasted. It’s been a huge week, dealing with our Beasts of Bourbon documentary, taking note of Stoneswatch, seeing the Stones on a stage half a soccer pitch away and now… Rowland, who would have been 55 the previous day (AKA Stonesday here in Adelaide).
Ho to the Wheatsheaf Hotel on a borderline suffocating hot day, where Alison Lea’s photographs of young Rowland (the infamous late 1980 Adelaide tour, where scrawny Nick Cave painted a skull and tentacles on his chest, performed topless with the paint running to buggery and beyond.) If you’ve seen the cover of the Nick the Stripper 12”, that’s Alison’s photo. If you need more information go here.
There were two sets, the first being These Immortal Souls, and the second devoted to Rowland’s solo work. It wasn’t the line-up for the Melbourne shows; Hugo Race wasn’t there, nor was his sister Angela, nor Ed Kuepper.
I haven’t been so profoundly moved all year. Partly because, after interviewing him on many occasions and brought him down to Adelaide for a few gigs, I knew Rowland reasonably well. Which meant that seeing these songs being performed by his friends had me rather teary. It was painful to watch, confronting, nasty even; more poignantly, his words are now far more loaded…
The Rolling Stones in Adelaide
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- By Robert Brokenmouth
- Hits: 8563
Voula Williamson photo
For the last two weeks, Stones fever, ably abetted by the broadsheet newspaper, has hit Adelaide.
Not for everyone, of course, mostly fogeys. Of which I am one.
In the days running up to the gig, Stoneswatchers staked out their hotel, their rehearsal ‘room’ (disused Glenside Mental Hospital, not that there’s any shortage of clientele, just that funds are a bit short apparently).
Lost Songs of the Confederacy - James King and the Lonewolves (Stereogram Recordings)
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- By Gus Ironside
- Hits: 7742
"Will you nail yourself on to a cross for me? Will you blow your fucking brains out with a gun for me?"
James King and the Lonewolves have a reputation that precedes them; evolving out of the Glasgow punk scene in the late '70s and early '80s, the band quickly became renowned as hard-drinking sociopaths whose mercurial live shows featured a punked-up Velvets' approach. Curiously, their singles tended to showcase the catchy pop side of their repertoire, which die-hard fans felt was unrepresentative of the band.
Powder Monkeys classic set for re-issue on vinyl
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- By The Barman
- Hits: 5590
Finally seeing the light of day again and for the first time on vinyl, the classic 1995 Powder Monkeys album "Time Wounds All Heels" is about to drop.
Originally released on the Dog Meat label and comprising the power-trio line-up of Tim Hemensley, TJ Ray and John Nolan, the band at this point were an absolutely unstoppable force, a powerhouse comparable to the finest moments from the MC5, Motorhead and Black Flag.
Re-Licked - James Williamson (Leopard Lady)
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- By Robert Brokenmouth, The Barman and Bob Short
- Hits: 19571
Okay. Let's get one thing straight. This album is great. Here's your six bottles, James. (Last time I tried to give you six bottles for something, the Barman turned me down but now we seem fine with that kind of thing). Now, if the Barman would do a quick edit we could be three for three. Six. Six. Six. Apt.
Of course there are elephants in the room. Great hulking elephants and the occasional five foot one elephant. I guess we'll just have to tackle them head on. (Can I pun my way through this whole review? ) As a spoiler, I've read Robert's review because I know he'll have a different take to me. I haven't read the Barman's because it is always funny how often we write the same review. There could be some overlap.
- Taking your licks with James Williamson
- Beasts of Bourbon documentary to make Melbourne, Adelaide debuts
- Ghost Songs - Delaney Davidson (Casbah Records)
- 3D Live to Air - The Billion Dollar Bums (Billion Dollar Music)
- Circus in Town - Love Child (Love Child)
- Let’s Go To A Disco! - Captain Spud (Spudland)
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