RocknRoll Machine - Turbonegro (SLR/Burger Records)
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- By The Barman
- Hits: 3696
Consensus is that Turbonegro peaked with 1998’s “Apocalypse Dudes” and have been delivering ever-diminishing returns since then. There might be some truth to that but since “RocknRoll Machine is the band’s fifth studio album since then, that’s a lot of backsliding over 20 years.
Let’s cut the Denim Demons some slack here. “Dudes” was a masterpiece, a clever and visceral cop of many of rock’s great moments, unashamedly woven into a punk-glam merkin and proudly worn in public. You liked “Ass Cobra” better? Buy yourself a sailor hat.
“Self-parody” is a term many reverred acts have had thrown at them - often by critics who can’t abide a band playing to its own strengths, or not knowing that a purple patch of three or four consecutive great albums is a rarity for a long-running outfit. Just ask the Ramones- if you can find one still living) - or the Cramps (although they did morph into something approaching a conventional rock band.)
Collaborators and friends give Brian Hooper's posthumous album a St KIlda welcome
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- By Patrick Emery
- Hits: 6967
It was the sort of rock’n’roll crowd you would have expected to find in St Kilda. Weathered old punks, redoubtable rock dogs, wandering spirits from a bygone era. Lots of black, some punk rock bling, a room full of fading memories of lost nights and wasted days.
And so much love. Love for rock’n’roll, and love for the late Brian Hooper, whose new album, "What Would I Know?" was being launched, with a cast of his loyal friends and rock’n’roll family.
The obligatory "I missed the opening act" apology: It’s a long hike across town by public transport, especially when there’s a connecting bike ride in there as well. The fact that my household was engrossed in a compelling episode of "Peaky Blinders" rendered it inappropriate for me to spirit out of the place in time to see Joel Silbersher and Charlie Owen revive their Tendrils project.
Serendipitously, but sadly, the last time Tendrils appeared on stage was at Brian’s fundraising gig. Everyone I spoke to said it was, as always, memorable. Hopefully next time Tendrils play it will be free from the spectre of tragedy.
First Australasian tour announced for Texan legend Alejandro Escovedo
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- By The Barman
- Hits: 3732
Legendary Mexican-American singer-songwriter Alejandro Escovedo will tour Australia for the first time in March 2018 on the back of his acclaimed new immigration-themed album The Crossing.
Escovedo is a seminal figure in Texan music and one of the most acclaimed American songwriters of his generation. He’s a recipient of the Americana Music Association's Lifetime Achievement Award and will be honored with the Townes Van Zandt Songwriter Award at next year’s Austin Music Awards.
Alejandro has released 11 solo albums and contributed to numerous others, as both band member and guest. His songs have been recorded by the likes of Lucinda Williams, Steve Earle, Ryan Adams, Cowboy Junkies, and Calexico, and he’s shared stages with everyone from Bruce Springsteen to John Prine to Mott The Hoople’s Ian Hunter.
Alejandro’s latest album, "The Crossing", released in September 2018 on Yep Roc and one of the most acclaimed of his career, looks at matters of immigration and the broken Promised Land that is America through the focused and unflinching poetry Alejandro is known for.
It includes cameos from underground rock royalty in the personages of MC5 guitarist Wayne Kramer, Stooges guitarist James Williamson and Peter Perrett and John Perry of The Only Ones, Texan country great Joe Ely and acclaimed novelist and Richmond Fontaine/Delines songwriter Willy Vlautin.
REM’s Peter Buck and the Velvet Underground’s John Cale have both served as Alejandro’s sidemen in addition to being his producers, a role also filled by legendary Bowie and T.Rex producer Tony Visconti, who produced a run of three albums for Alejandro spanning 2008-12.
They reign in Spain and now Adelaide says Yes to Senor No
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- By Robert Brokenmouth
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God bless those wonderful creative people who say: "Screw this boring world, I'm gonna do what I want to do". Because, when all is said and done, we won't be here forever, and if what you fancy makes other people dance and leap about like they've got uncool illnesses, so much the better.
Yeah, yeah, I know. Everyone who claims to love rock'n'roll has their own idea of what rock'n'roll is.
And, it's a suspicion of mine that a hell of a lot of rock'n'roll bands exist because no-one is playing the kind of rock'n'roll they want to hear (this may have been one of Kim Salmon's reasons for re-emerging with another Scientists in 1982).
Last week we saw The Animals, sharp and bright as a new nail, rejoicing in the simple power and beauty of the r'n'b explosion, and the determination to stay stable in a troubled world.
Thrills and spills with The Animals of 2018
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- By Robert Brokenmouth
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Original and current Animals drummer John Steel. Mandy Tzaras photo.
Can't take her anywhere. This writer's photographer pissed and moaned about the walk from the car to the venue in the usual female preposterous high heels, wibbling and wobbling all over the shop. That'll larn me, in future I'll drop her off outside before parking the car.
Anyway, Jello-On-Springs tipped most of her first glass of white all over me while we were chatting with a friend (I'm sure I deserved it) in The Gov's rather lovely Front Bar (they always have a band on there, so the locals and regulars have some live music if they're not interested in, say, Tweefolkies, The Smythes or Iggy and the Squeezevomits).
Yeah Yeah Yeah - Wrong Turn (Cobra Snake Neck-Tie Records)
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- By Ron Brown
- Hits: 3760
Hello I-94 Bar abusers and users. Well, it's Friday afternoon and the Farmhouse has been rocking to the new EP by Melbourne band Wrong Turn. This rockabilly-garage rock three-piece have just released their wonderful record on Cobra Snake Neck-Tie Records.
Kicking off this mini masterpiece is the title track, a rolling, stomping, rocker that, well, just fucking rocks. Ian Wettenhall (guitar and vocals_ sounds like he is having one hell of a good time. Myles Gallagher pounds those skins (he’s one hard hitter) while Pipon (aka Duane Pipe) on bass keeps the tempo with coolness to burn. Great opening track.
Track two is my personal favorite; “Gimme More” is where Myles’s drumming really stands out. Thumping bass with a stand-out guitar riff. It don't get any better. Oh, and it features an awesome lead break. “Gimme More”? Yes please, gentlemen.
Australia: Just say Yes to Senor No
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- By The Barman
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High-energy veterans Senor No from Basque Country (don't call it Spain) are embarking on their first Australian tour this month but their Anipoddean connection already runs deep.
Senor No was born in Donostia/San Sebastian, Basque Country in 1993, after the dissolution of the seminal Spanish group La Perrera. The band released their first LP with No Tomorrow Records in 1994 and toured Spain and surrounding areas relentlessly while recording five more albums and more than a dozen singles.
Senor No was the very first release for the seminal Spanish label Bang! Records which is a label responsible of releasing some of Australian best bands overseas.
LIke Shifting Sands through the hourglass, these are the days of their lives
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- By The Barman
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Izzy Mellor and Geoff Corbett. Cyrille Bellec photo.
Sydney rock and roll fans are in for a special treat on November 17 when a roadshow of diverse but related Brisbane acts rolls into town. Marrickville Bowling Club will bear witness to the spectacular, self-destructing antics of Six Ft Hick, fronted by Geoff and Ben Corbett. The undercard is full of quieter moments, with Gentle Ben & his Shimmering Hands - a vehicle for Ben - and Shifting Sands, led by Geoff.
A Whole Wide World of love for Rocket Man
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- By Patrick Emery
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Wreckless Eric. Zac Bonnell photo.
“I will never have anything said against that man!” Eric Goulden, aka Wreckless Eric, is waxing lyrical about a fellow traveller in the English rock’n’roll and pop scene.
You’d be forgiven for thinking Eric might be talking about the late Ian Dury, the iconoclastic poet-cum-musician who provided a rough template for Eric’s own career, or maybe one of the sundry punk rockers who attached themselves to Stiff Records around the same time Eric bounced into popular consciousness with the now classic "Whole World World". Maybe even Joe Strummer? Pete Shelley?
- Rotting Out - Black Heart Breakers (self released)
- Cabaret of Daggers - Tav Falco (ORG Records)
- Trade Winds – Johnny Casino (Citadel/La Villa Nova)
- Legendary Melbourne venue Bombay Rock comes alive again to the sound of punk rock
- Convolutions of The Brain - Donovan’s Brain (Career Records)
- Stars line-up to play with PP Arnold on her encore Oz tour
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