Tragic news as Spencer P Jones wrestles "inoperable" cancer
- Details
- By The Barman
- Hits: 13125
Much-loved Australian rocker Spencer P Jones is terminally ill and may have months to live.
Spencer’s wife, Angie, confirmed the news on Facebook about 5.30 this afternoon. In a statement, she wrote:
First of all Spencer & myself would like to thank everyone in the community for all the love & support since Spencer was struck down with illness in 2015, rendering him unable to pursue his creative musical career.
For the past two years, we have been under the wing of the wonderful peeps at Royal Melbourne Hospital. Unfortunately after another scan in March this year the doctors found a cancer tumour in Spencer's liver.
In short , as a result Spencer has now been diagnosed with inoperable liver cancer.
Rumours that Spencer’s health had hit a new hurdle had been circulating for weeks. His Beasts of Bourbon bandmate, Brian Henry Hooper, passed away on April 20, just days after a benefit show for him while he fought cancer.
Roxy - Tonight’s the Night Live – Neil Young (Reprise)
- Details
- By The Barman
- Hits: 3488
There’s a Neil Young biography (maybe one of the earliest about him) by Johnny Rogan from 1982 that documents the great man’s “Ditch Trilogy” period in some detail. A section about Neil’s 1973 UK tour - before the release of “Tonight’s The Night” – makes him sound unhinged.
Rogan’s telling has Young believing his own audience patter that he’s “in Miami Beach” (tagline: “It’s cheaper than it looks”) and delivering ramshackle, desolate songs that the audiences had never heard before – when all the punters wanted was a run-through of the hit album “Harvest.”
Besides criticising the op shop stage décor, Rogan painted Young as near incoherent, bombed out of his brain on whatever was handy and mumbling. It’s like the man’s mind was a bottle short of a full case of Corzo.
Lick My Wounds/Firestorm – SC/TC (self released)
- Details
- By The Barman
- Hits: 4196
Never became obsessed with that Oz Rock thump-clomp beat to the same extent as many, if not most, around me, but there’s no denying the global impact of the Alberts sound. This two-song CD single contains primo examples of the same, courtesy of the ubiquitous Simon Chainsaw (“SC”) and his new partner in rawk, Tony Currenti (“TC”).
For those about to confess ignorance, Tony Currenti was the session drummer on AC/DC’s seminal “High Voltage” and on hits for Stevie Wright (“Black Eyed Bruiser”) and, um, John Paul Young (“I Hate The Music”.) He would have joined Acca-Dacca fulltime, too, but for the facts he already had a band and touring on the back of his Italian citizenship would have exposed him to that country’s military draft.
Tony owns a Sydney pizza shop (Torino’s at Penshurst) and plays on occasional AC/DC tribute bills. Globe-trotting Simon Chainsaw has relocated from Brazil to Australia and roped in Currenti for recordings and live shows over a chianti and Pizza Margherita. The result is a combo of that trademark Chainsaw punk-pop roar and good ol’ fashioned Oz Rock.
Currenti’s not big on dramatic fills but drives his big Ludwig kit (the same one he played for Acca Dacca) like a reliable old bus. He fairly nails the feel to the floor on the OK rocker, “Lick My Wounds”, but the second song is where it all comes together. “Firestorm” is wall-to-wall guitars with a seriously solid beat and a rocking hook. The drums were produced by Mark Scully (ex-Ratcat, Deadly Hume) and sound ace. It's a free download here or use the link on the Bandcasmp page to ask Simon for a physical copy.
1/2
Death of the Vinyl Boom - Alien Nosejob (self released)
- Details
- By The Barman
- Hits: 3664
In the truest sense of DIY, this bedroom-recorded EP comes with hand-drawn inserts or a cover either smeared in blood or bearing glued-on pieces of a smashed 45. Shades of The Psychosurgeons with the red and white corpuscle edition and the music’s of a similar mind.
Alien Nosejob is Jake Robertson (of Ausmuteants, Hieropants and Frowning Clouds) and the four songs are bedroom recordings, augmented by a full-blown horns section in one instance. “Caffeine OD” sound slike early Devo on a meth trip with its stuttering guitar and jerky rhythms fitting perfectly.
The Cramps tackled the topic first but songs about flies should proliferate in Australia. We’re infested with them. “Flyblown” marries an odd juvenile melody to lyrics about wanting to be a fly. It’s equal parts aggravating and addictive. “Sydney Sizzles” and “Over The Bridge” are a pigeon pair of punk rockers; the former doesn’t do a lot for me before the horns kick in, a la “Prehistoric Sounds”, while the latter scoots along like a Wipers tune before whipping itself into a furious breakdown with more horns.
All in all, pretty wonderful and this Bandcamp link makes it so easy to procure.
Drunk and Disorderly: Episode 36
- Details
- By The Barman
- Hits: 5355
Yee-ha! Episode 36 is live. You’ll hear from S to S, Heartbrokers, James Williamson and The Pink Hearts, Alejandro Escovedo, The Conspirators, The Hellacopters, Shifting Sands, The Sand Pebbles, Suzie Stapleton, The Scientists, P76, The Yardbirds, Stiff Richards and Mark Taylor (Lipstick Killers).
Dirty Stash - The Beat Taboo (Off The Hip)
- Details
- By The Barman
- Hits: 5365
This is swampy, tub-thumping, blues-y bayou rock and roll with more meat on its bones than a fat lady in a St Kilda cake shop at lunchtime. Of course it's from Melbourne, but it probably's done time washing dishes in a Memphis roadhouse, soaking up Alex Chilton stories.
The Beat Taboo take their cues from so many different places that you could easily name-drop half-a-dozen influences and come up winning and grinning. I suppose the Cramps are the obvious one (dig the "Human Fly" references on "Splinter Beach") but that's a tag that's as limiting as it's lazy.
Looked at their whole career, the Cramps were really a portal leading back to a rich assortment of '50s rockers and freaks. To whom, The Beat Taboo (and plenty of other garage-y bands) owe a deep debt.
Can I Drive Your Commodore? – Grindhouse (Off The Hip)
- Details
- By The Barman
- Hits: 7090
There’s a school of thought that says continual exposure to dumb rock and roll will lower your I.Q. by a significant degree. Well, fuck that. You don’t need to be a Rhodes Scholar to enjoy hard and fast, Real Rock Action. But don’t be getting off on your snobbery trip, either.
Rock and roll can be thoughtful, intelligent and insightful. That doesn’t stop it also being thicker than a San Franciscan fog. Chuck Berry had his subversive moments, but “Johnny B Goode” ain’t one of them. Little Richard: “A whop bop a lu lop a-whop bam boo”? What the fuck is that about? Don’t even mention “Ob-la-di ob-la-da”. It’s a shit song anyway.
The point is that you can like smart rock and simultaneously roll around in the swill trough. It shouldn’t be one or the other. They’re not mutually exclusive. The Franklin School were flat out wrong. (Look ‘em up if you don’t know.) High art is one thing but getting high (or drunk) mindlessly at warp speed is another. Even if you're not into over-indulging, rock and roll is as much about fun and having a laugh as anything else. And it doesn’t get much funnier than middle-aged Melbourne punks Grindhouse.
New Christs plan four shows before lay-off
- Details
- By The Barman
- Hits: 4414
Emmy Etie photo.
The New Christs are playing their last gigs for some time, with Rob Younger going back on active duty with Radio Birdman, and they’re going out with a flurry that includes two interstate gigs.
Friday, July 6 finds them fronting up for two sets at Beaches Hotel at Thirroul in New South Wales for free. On Saturday, July 7 they’ll return to the scene of their Marrickville Bowling Club triumph with James McCann and the New Vindictives almost a year ago with precisely the same bill.
On Saturday, July 14 they’ll play a rare Melbourne show at the Cherry Bar, again with James McCann and the New Vindictives plus Penny Ikinger. And Saturday, July 21 finds them headlining the Fly By Night Musos Club in Fremantle, Western Australia, with The Volcanics and The Shakeys supporting. This will be the New Christs' first-ever WA show.
Solo Ed (By Request) and fresh The Aints! gigs roll out
- Details
- By The Barman
- Hits: 3775
It wouldn’t feel normal in Australia if it wasn’t raining Ed Kuepper shows. Already announced as the Melbourne headliners for this year’s Reclink Community Cup at Melbourne’s Victoria Park on June 24, Kuepper's new favourite band The Aints! are playing an additional show at Geelong’s Barwon Club Hotel the night before.
Joining Kuepper in The Aints! are Sunnyboys bassist Peter Oxley, Paul Larsen (drummer for both The Celibate Rifles and The New Christs) plus solo jazz performers Alister Spence (keyboards), Eamon Dilworth (trumpet) and an additional brass section. Tickets for The Aints! play The Saints with special guests Ausmuteants are on-sale here.
- Jack Howard's Epic brass bookended by solo Steve Lucas and Penny Ikinger shows
- Brilliant Disaster & I Know My Way In The Dark - Paul K and The Killer Elite (Beacon Hill Records)
- Get a Hard-On for vinyl at these shows
- RIP Andy MacQueen (Exploding White Mice, Pro-Tools)
- Queen of Soul PP Arnold and her ace band give us all a lesson
- Tuckerbox - Aberration (Crankinhaus Records)
Page 152 of 281