SQ1 – Billy Childish and CTMF (Damaged Goods)
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- By The Barman
- Hits: 5400
Billy Childish is one of those artists who lives in a special and hallowed musical place. Loved or at least admired by mainstream music taste arbiters and demographic setters, these people sit firmly on the fringes and don’t give a flying fuck. They do things their own way and that’s why the rest of us love ‘em.
Billy’s been courted by the music aristocracy and has shrugged his shoulders. He lays it all out in the surging organ-tinged opener “A Song For Kylie Minogue”, right down to a request from Beck to collaborate musically. “As long as I get to sing it, boy, and you just play,” isn’t arrogance; it’s downright genius. Who doesn’t want to co-write with that Loser and make a million bucks? Billy Childish! You want to use me poetry, Kylie? "Go ahead, girl, it’s all for free".
Service Station Flowers - Joeys Coop (Citadel Records)
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- By The Barman
- Hits: 6014
It’s tempting to do as the marketing does and label Joeys Coop’s “Service Station Flowers” as an outlet for Died Pretty guitarist Brett Myers. His distinctive sound is all over this album, like sunscreen and a rash-shirt on a redhead in summer, but this really is a record that’s more than just a billboard with all-star billing for one.
Singer Mark Roxburgh conceived Joeys Coop a couple of years ago, after the implosion of the reformed Decline of the Reptiles, and his vision was simple: He wanted to play with people whose work he’d long admired and to find an outlet for his own songs (something that Decline clearly was not.)
Nocturnal Koreans - Wire (Pink Flag)
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- By Robert Brokenmouth
- Hits: 4586
“Nocturnal Koreans” is a five-star disc in anyone’s language. There’s a lot they don’t make clear, Wire, so I’ll say it: you play Wire as if there was a huge sign on the disc itself saying PLAY LOUD.
Also, “Nocturnal Koreans” is a record you can fuck to, over and over, with the windows open and the summer heat shrivelling your skin, or the sudden antarctic blasts skimming your bodies but you don’t stop, no, you don’t stop … then you wake up in the night, Wire still seducing you, and you’re chilled to the bone and profoundly disturbed…
A night to remember as mates rally in Melbourne for Spencer P Jones
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- By Edwin Garland
- Hits: 7389
Spencer P Jones is a legend of the Australian music scene.
Spencer P Jones is a damn fine axeman.
Spencer P Jones is loved by all the countless bandmates, scattered across the globe.
Spencer P Jones is a mighty fine songwriter.
Spencer P Jones is loved by all his mates, full stop.
Spencer P Jones is also really unwell.
That's why his mates have gotten together in Melbourne to help him.
We Baptize You In The Name of Mod - The Sons of Mod (Method Records and Music)
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- By The Barman
- Hits: 4358
Mod was a prominent part of underground music in Australia in the ‘80s - especially in Sydney and Melbourne. While their obsession with fashion was both a defining trait and a limiting factor, the mods had a great collective ear for what made British music great in the ’60s. The same goes for Adelaide band, The Sons of Mod.
Led by expat Pom Andrew McCulloch (lead guitar and vocals) and with ex-Ratcat bassist Amr Zaid in the ranks, The Sons Of Mod evoke the sounds of freakbeat, a retrospective term for music from the harder-edge of the original mod spectrum. Think The Move or The Creation as prime examples.
San Franciscan Earthquake - Uther Pendragon (Guerssen)
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- By The Barman
- Hits: 4587
This is one of those “lost album” stories. It’s about a record - no, three vinyl LPs of recordings - by an obscure San Franciscan band that existed in the 1960s and ‘70s - and its body of work that was built, buried and all but forgotten for 40 years.
This is a time capsule of a band you probably never heard of. Uther Pendragon were as underground as they come. They arose out of the San Francisco Bay Area in 1966, played with the likes of Country Joe & The Fish and won local prominence. They recorded extensively for the next 10 years but didn’t release a thing. That's nada. Zilch.
They took on half a dozen different names and morphed from folkish rock into psychedelia and hard rock. They lived communally and played in an occult rock opera. The polar opposite of “Jesus Christ Superstar”, which threw a career lifeline to a gaggle of Aussie rock stars in the ‘70s.
Klondike salutes Detroit's Destroy All Monsters diva Niagara
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- By The Barman
- Hits: 5422
Chris Masuak has a new film clip to accompany his brand new CD album, “Brujita” and you’re watching its world debut. Produced by Jonathan Sequiera of Cheap Music Videos, “Niagara” is an ode to the Detroit diva, artist and singer of Destroy All Monsters and Dark Carnival fame, Niagara Detroit.
If you’re in Australia you can score a copy of the album at Redeye Records and Utopia in Sydney or Off The Hip in Melbourne. You can buy a physical copy and/or a download at Bandcamp. Don't be a Birdbrain. Do it now!
Pre-orders open as Grindhouse debuts new film clip
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- By The Barman
- Hits: 5171
LIsten up, revheads and rock dogs. The exclusive world debut of the video clip for Melbourne punks Grindhouse’s latest song is upon us. “SLR 5000” is from Grindhouse’s second album, “Crazy Pussy”, which was recorded with Red Kross and Off! legend Steve McDonald at his Los Angeles studio, The Whiskey Kitchen.
If you can't work out the narrative, here's how Grindhouse describes their video: "In a high stakes, high octane duel to the finish line Two Fingers and Dick Rider battle it out for the title of the Grindhouse 1000. But who will win? Created by the legendary mind of Mike Foxall at Art Of The Fox, it’s a drive back to a simpler, more dangerous time". Works for us.
“Crazy Pussy” is billed as “12 tracks of blazing idiocy”. It's the second album for Grindhouse and it’s being launched this Saturday at Melbourne’s Cherry Bar from 2pm with an all-star line-up that includes Meatbeaters, Killerbirds, Kit Convict & The Terrible Two, Sheriff Don Fernando, Birdcage and My Left Boot.
You can grab a copy of “Crazy Pussy” on limited edition red vinyl or CD from Conquest Of Noise now. Go here for the red platter and here for the shiny silver thing.
Kim Salmon live in Adelaide
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- By Robert Brokenmouth
- Hits: 6739
For many years now I’ve been damn glad I don’t live in Melbourne. There’s more quality musicians there per square metre than almost anywhere you can name. The worst of it is, see, I don’t like to go see a brilliant band just the once. No, that’s not how you’re called to music.
Here in Adelaide, I would relentlessly follow - and record - my favourite local bands. The Lizard Train, Bloodloss, I couldn’t get enough of. There were others I liked, but not like this. If I lived in Melbourne, I’d have to have myself cloned.
Kim Salmon, expat Perthian (we think they’ve stopped worshipping Baal, we know they no longer eat their young at Easter but the inbreeding remains a problem) and one of a handful of musicians with the strongest and most extraordinary creative imperative in the country, plays here tonight with a pickup band (the only way the gig would work).
- Buried and Dead b/w Balled of Dwight Fry - Radio Birdman (Citadel)
- Dubrovniks announce one-off Oz show
- How I stopped worrying and learnt to love the (Cherie) bomb
- A blog that will give you a Hard-On
- Black Bombers - Black Bombers (Easy Action)
- The Jungle Noise Recordings - The Monsters (Voodoo Rhythm)
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