This is... TROATT and We Want Beer - Troatt (EC Productions)
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A few weeks back, The Barman used the term “avant-garde” to describe a rather unpleasant band from Adelaide.
Got me thinking. Twattypedia reckons “avant-garde” means "people or works that are experimental, radical, or unorthodox with respect to art, culture, or society. It may be characterised by nontraditional, aesthetic innovation and initial unacceptability, and it may offer a critique of the relationship between producer and consumer”.
Which I think is kind of bollocks. This is what the Tate (that's an art museum) (in London) (England) has to say;
Birdman tag-team with The Stems for two-weekend run
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Radio Birdman is embarking on a short, sharp Australian tour with Citadel label-mates The Stems in tow. The five-date run will include Spanish band Los Chicos as guests on three gigs.
Tickets are on sale via venue websites.
Radio Birdman
+ The Stems
OCT
25 – Factory Theatre, Sydney
+ The LangLangs
26 – The Gov, Adelaide
+ Sunday Reeds
NOV
1 – The Triffid, Brisbane
+ Los Chicos
2 – Coolangatta Hotel
+ Los Chicos
4 – Croxton Ballroom, Melbourne
+ Los Chicos
More Filth than you can poke a stick at
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There's some more news about that one-off show featuring Filth with the Celeibate Rifles at Oxford Art Factory in Sydney on September 11.
A limited edition vinyl EP will be issued on the night, featuring four songs originally played by Filth in a run of just 150 copies. Roll-over the image to check out the tracklist. They are not recording by the original line-up.
"Do You Feel Lucky, Punk" is the name of the event and tickets are on sale here.
It's part of the broader Sedition 2019 Celebration of Public Art and Protest in Sydney during the 1970s, more of which we'll be bringing you soon. Check it out here if you can't wait.
And don't delay if you want to see The Aints!, Flaming Hands, Shy Impostors and The Professors at Paddington RSL on August 31 as part of Sedition.
Those tickets won't last long and are selling here.
Someday, a real rain will come and wash this Filth off the streets
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Bob Short and Noel from Filth.
One of the trace elements of Sydney’s punk history will be exhumed on September 11 when Filth supports the Celibate Rifles at Oxford Art Factory, as part of the Sedition festival.
Filth sprouted from Radio Birdman’s fertile Oxford Funhouse scene and spawned the Psychosurgeons and the Lipstick Killers. Nihilistic and self-destructive, Filth presaged a richly diverse and extreme musical movement based in pubs like The Grand and The Civic.
Loud, fast and full of body fluids that were generously shared with audiences when the mood took them, Filth attracted fans who are even more deranged than them and were rarely invited back by venue operators. One show at Bondi with a nascent X remains infamous for both the repair bill and the number of fans sent to hospital.
New Chris Masuak album ready to drop
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The new album from Chris Masuak and the Viveiro Wave Riders is out in early August on I-94 Bar Records and we’ve opened pre-orders. The lead-off track "1776" is embedded above. Place an order here.
“Address to the Nation” is full of trademark Masuak melodies and power with harmonies, a wide-ranging record where powerpop gems rub shoulders with bristling, muscular rock and roll, and punk. It’s in a similar vein to its predecessor, “Brujita”, but a touch harder-edged and more pointed, with lyrical insights about life, love and the sorry state of geopolitics, all powered by Klondike's ace Spanish band There’s also a healthy dose of satire, lurking deep in its grooves.
If you pre-order, your copy of the CD will be sent the day the album arrives back from the pressing plant. You’ll also receive a full digital copy, with bonuses, shortly before. If you're in the market for vinyl, we'll keep yuou posted.
The Last Great Ride – Dark Carnival (Bang! Records)
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More like The Lost Great Ride because it's been hard to find in any format, this vinyl re-issue of Dark Carnival’s 1997 studio swansong tells you all you need to know about this Detroit ensemble. Bang! Records have given it a re-master job and restored two tracks that were found on the CD version but omitted from an earlier LP edition.
Dark Carnival was built around vocalist Niagara and guitar god Ron Asheton with a floating cast of players, who were a Who’s Who of the denuded but defiant Michigan punk underground. A direct descendent of Destroy All Monsters, Dark Carnival thanklessly played in and around Detroit for years, even making it to Australia for a lengthy 1991 tour.
Of course, they never got their due accolades. There’s one universal truth that’s harsher than the menu at a homeless shelter in the Cass Corridor in winter and it’s this: Being a Best Kept Secret is great for your cool kid cred but doesn’t buy you more than a cup of shitty Starbucks coffee. Ron (R.I.P.) had to wait for the Stooges revival, and Niagara for her painting career to take off, to make it onto the broader cultural radar. As the Carnies make clear, life really is for sissies but it’s infinitely easier when you can pay the rent.
You Will Not Be Spared b/w Late - Beast Bones (Iceage Productions)
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- By Robert Brokenmouth
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Don't listen to Beast Bones if you have a hangover. Genuinely disturbing, eerie and quite quease-making, "You Will Not Be Spared" comes from Aussie label Iceage Productions (who brought you the mighty Monolith ... what? you must have this CD. No? Get on it), and a slew of other underground musics which can be found here.
Over the years Iceage has released "music by Arthur Cantrill, Primitive Calculators, Robin Fox, Bonnie Mercer, Ollie Olsen, Ernie Althoff, Mad Nanna, Shane Fahey, Matthew Brown and Sean Baxter amongst others"; and describe their label as "specialising in electronic, experimental, noise, drone and industrial music from all over the globe" - which I suppose is true enough.
All-star cast announced as rare Flaming Hands film-clip unearthed
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Flaming Hands have announced their line-up, six weeks out from their Sedition Festival show at Paddington RSL on August 31, and it’s an all-star cast.
Founders Julie Mostyn-Gilbert (vocals) and Jeff Sullivan (acoustic guitar) will be joined by Cub Calloway (guitarist with the Saints, New Christs and Ed Kuepper and The Yard Goes On Forever), bassist Warwick Gilbert (Radio Birdman, Hitmen, The Rats), Barton Price (The Models) on drums, John Hoey (Died Pretty, New Christsw) on keys and Phil Hall (Sardine v, Drop Bears and Lime Spiders) on sax.
Coinciding with this news, a rare 35-year-old Flaming Hands clip for single “The Edge” has resurfaced online.
The Mark of Cain announces first tour in five years
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The Mark Of Cain returns to the stage this October performing their debut album “Battlesick” in its entirety.
Originally released in 1989 via indie Adelaide label Dominator, Battlesick sounded like no Australian album before or since. Tracks like “Wake Up”, “Dead Man’s Mail”, “The Setback”, “Call in Anger” and the title track addressed the fear of dreams, the threat of death, anger over disappointment and personal setbacks; not exactly the subject matter of an era when Kylie Minogue was queen and Ratcat were primed to become the pinnacle of the underground.
- Tenterhooks – Lost Talk (Spooky/ Lost Talk)
- The Sound of My Broken Heart b/w Do The Harold Holt/White Rabbit - Dead Rabids (Full On Noise)
- Shake and Bake - Left Lane Cruiser (Alive Natural Sounds)
- Russian Spy b/w Many Secrets - The Neighbourhood Strange (Strange)
- ZIPPA DEEDOO WHAT IS/WAS THAT/THIS? - Dave Graney & The MistLY (Cockaigne)
- An act of Sedition to celebrate Sydney music's glory days
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