Anthems For The Misanthropic - Hell Nation Army (Heavy Medication)
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- By The Barman
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You took notice of Scandi Rock in the ‘90s or you stayed blissfully living under a rock listening to The Smashing Pumpkins. Grunge had dissipated and the corporates were looking for a new genre to plunder. No matter what you call it, high-energy rock is hard to kill. It’s only a matter of how fast it’s played and how many chords it hangs off.
The package for Hell Nation Army says “kick ass punk and roll” and does not lie. They play high-energy rock from Berlin in the vein of Gluecifier, Heliacopters and Turbonegro. In other words, Scandi Rock that’s been landlocked.
Are You Ready To… - Squeeze the Pig (self released)
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- By The Barman
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Here's the theory: Inside every serious Aussie bluesman, prog artiste and serious muso type of an older demographic, there's a yob rocker waiting to break out and release his (or her) inner Thorpey. Turn it up to 11 and and yell: "Suck more piss!"
Some yob rockers do it with all the subtelty of a semi-trailer being driven through the wall of an outback diner, while others let their Sunbury freak flag fly with slightly more poise. That's where bands like Squeeze The Pig come in.
"Are You Ready To..." is the second EP from Perth’s Squeeze The Pig and it’s a competent mix of Oz rock blues and ‘80s garage punk. Art rockers need not apply. The band members’ ethos of fast bikes, cold beer and banging out four chords at the pub on a Saturday night is nowhere more apparent.
“On Ya Bike” is harmonica-powered blues-rock. Nothing more, nothing less. Vocalist Ian Laurie has that everyman sound to his pipes and the band is equal to the task. “The Band Is A Rockin’” mines the same vein and Steve Bee’s slide wraps itself around Peter Brown’s greasy blues harp.
Oh Yeah - Dear Thief (Sartorial Records), Holy Motor - Sloks (Voodoo Rhythm) and Comes the Light - MJ Halloran (Off the Hip)
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- By Robert Brokenmouth
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London-based trio Dear Thief's fantastic record (yep, vinyl) is a couple of years old but I doubt they've had much press.
They seem to be an occasional band rather than a constantly gigging behemoth; nonetheless they sound exactly like some sort of rabid mammoth wandered into the No studio and went berko.
Those of you who notice such things might think you're being reminded of a particularly vicious Fall gig - drums, bass, guitar - but I find myself rather startled to realise that it's time I pulled out my "Woman" LP again.
Going Underground - The Light Brigade (Full On Noise)
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- By The Barman
- Hits: 4063
Rock and roll's fascination with the doomed is a story well told. From the members of the 27 Club of Janis and Jim to Johnny Thunders, Amy Winehouse and beyond, it's a love affair that's been going on a very long time.
On the other hand, you don't have to die to be an occupant of Rock's Pantheon of Lost Causes. It's much larger than any physical graveyard and my mate Bob Short is a proud tenant.
It's not that "Going Underground" or its makers are going out of their way to sell no copies or that its investor (Bob) wants to finish deeply in the red side of the ledger. Not when there are more guitars to buy.
Even Bob knows that "recouping" is not another word for a re-constructed chicken enclosure. He's also a realist who knows the sweet, abrasive sounds of this collective will never grace the airwaves of a commercial radio station.
Lemme Alone b/w Nobody Wants Me - News (Buttercup)
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- By The Barman
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There was a pop band inside late ‘70s Melbourne punks News (aka Babeez) and it was desperately trying to break out - just like the creature in "Alien". Molly might not to have wanted to touch them with a barge pole, but here’s the irrefutable evidence of their pop tendencies, thanks to the inventive folks, Scotti and John, at Buttercup Records.
The A side is a melodic punker - a demo, no less - that motors along on two guitars and Gavin Quinn’s sing-song/singalong melody line. "Lemme Alone"could have easily stood up as a 45 in its own right back in the day, but of course Australian punk bands weren’t as prolific as today’s laptop musicians and YouTube heroes.
The flip is another demo - a piano version of the previously released Babeez track “Nobody Wants Me” revived from baked, quarter-inch tape. It’s a starkly bitter-sweet ode to finality that you can take any way you want - and it's distinctly “un-punk” in its delivery if you’re into cliches. Essential, really.
Go here before they run out. The 45 comes in the usual range of limited edition Buttercup variants.
Red Church - Marilyn Rose Veil (Marilyn Rose Veil) and Afloat - The Near Jazz Experience (Sartorial Records)
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- By Robert Brokenmouth
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I had these two on, over and over, back to back while I was cooking, driving and then again the other night. And then again, and again. There's a cool groove about both; and while I prefer "Afloat" to "Red Church", my tastes ain't yours (thankfully).
"Red Church" is nothing like "Afloat", when each finishes, the start of the next is a bit like getting to the top of a staircase and trying to climb another step which isn't there. A bit startling. Could be dangerous.
The seven songs on "Red Church" all favour Veil's huge voice; and here she must owe a debt of thanks to the very talented guitarist Henry Hugo, the ex-Argentinian New Australian (via Switzerland - and no, he's not a banker or a money lender in his spare time).
Most of Hugo's songs he recorded in Zurich, with overdubs and mixing by Hugo and Dugald Jayes (who adds an air of brash mystery to the proceedings) in Melbourne. Mark Steiner helped by recording Gunnar Motland's drums on a couple of tracks. Lyrics and vocals ... this is where "Red Church" comes to life.
The Haunted Writings of Lionel Johnson, the Decadent Era’s Dark Angel - Edited and with an essay by Nina Antonia (Strange Attractor Press)
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- By Robert Brokenmouth
- Hits: 5540
Nina Antonia crops up at the I-94 Bar yet again. Perhaps best known for:
- Her compelling, astonishing book (the first if you discount Morrissey's) on The New York Dolls (a band renowned for decadence at a time when decadence was almost a rite of passage),
- Her bio of Johnny Thunders (the film currently out doesn't use her research, so you can guess what it'll be like),
- Hr bio of Peter Perrett,
- And a book with Pete Doherty.
One begins to rather wonder about Antonia's fascination with doomed, beautiful men...
As she reveals in "The Prettiest Star" (nominally the story of Brett Smiley) she's clearly drawn like a moth to a flame; and she's been writing in solitude and sacrifice for well over 30 years ... suffice to say she should be better known.
Wreckless Eric is having one for the road
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- By The Barman
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After more than two weeks of raved-about Australian shows, English punk-era singer-songwriter Wreckless Eric heads home shortly. But before he does – and after he plays his sole WA show at the Rosemount (with guest Joe Bludge) on Monday November 26 - he’ll be playing one last gig in Melbourne, this Tuesday November 27 at the Merri Creek Tavern in Northcote.
Opening for Eric on the night will be the Merri Creek Tavern’s publican, much-loved singer-songwriter, Weddings Parties Anything mainman and Wreckless Eric superfan Mick Thomas. Fans of either artist – Wreckless Eric or Mick Thomas – won’t want to miss this super intimate show, so get your tickets here.
Egomania - Hank Van Hell (Sony)
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- By The Barman
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Most people outside of his native Norway would think it’s been a long time between drinks (or other substances) for Hank von Hell, The Artist Formerly Known as Hank von Helvete of death-punters Turbonegro.
Lifestyle issues twice rendered him an ex-member of his old band and he finally pulled the pin on them in 2010. A second spell in rehab (via a conversion to Scientology) put him back on his feet. Since then, he’s been a radio host, starred in a film, written an autobiography, appeared as a judge on Norwegian Idol, married a model and fatheried a daughter. All of which proves that fact is stranger than fiction when you consider Hank kick-started his career singing about having an erection..
Hank had a number-one hit in Norway as a solo artist in 2009 and fronted the post-Turbonegro supergroup Doctor Midnight and the Mercy Cult for a time. He’s now back on the boards in his own right with the release of “Egomania”, a record that might be a concept album themed loosely on the pitfalls of performing.
- RocknRoll Machine - Turbonegro (SLR/Burger Records)
- Collaborators and friends give Brian Hooper's posthumous album a St KIlda welcome
- First Australasian tour announced for Texan legend Alejandro Escovedo
- They reign in Spain and now Adelaide says Yes to Senor No
- Thrills and spills with The Animals of 2018
- Yeah Yeah Yeah - Wrong Turn (Cobra Snake Neck-Tie Records)
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