Thurston Howlers are back to headline Tiki Safari
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Sydney's cocktail-sipping frat rock kings, Thurston Howlers, are back from oblivion to headline this year's Tiki Safari.
The event is billed as "a supersonic eruption" that's going to rock Marrickville's Factory Theatre and raise more heat than Kilauea lava on Saturday, October 13.
Thurston Howlers were garage rock staples on the Sydney scene in the mid 1990s. After 20 years away, they'll be joined by an eclectic cast:
Last year’s explosive act, Pacific Dreamz Polynesian Dance Group, will deliver another mesmerising performance of island dance and drums. Rosa Maria brings a splash of garage, a hint of surf, a measure of psych and a dash of blues.
Pat Capocci is an international festival favourite, a superstar of the rockabilly scene who is guaranteed to deliver a rock’n’roll spectacular. The Hellcat III are a tumultuous trio that promise to raise the roof and get this party started with their exciting blend of traditional surf guitar and neo rockabilly.
Los Monaros will drive you to a tantalising tropical zone with their cool grindhouse surf beats.
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DJs Jay Katz, Rod Almighty and Andy Travers will keep the afternoon and evening moving. There will be food, merchandise, clothing, collectables and rum and the doors open at 3pm. Tickets are $35 in advance here and $40 on the door.
Stranger Charms b/w Web of Sound - Loveland (Hound Gawd)
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What a monster of a 45. Two songs of fuzzed-up,slamming ’60s goodness from Germany, wrapped up in a full and contemporary (although not overly so) sound.
Loveland is a vehicle for Lana Loveland, organist for the a lineup of The Music Machine and the now EU-based Fuzztones and the better half of that band’s Rudi Protudi, with whom she has recently birtheed a child. A prog rock lullaby this single is not.
“Stranger Charms” kicks off with a microsecond throb of Rudi Protudi's bass before a wall of crunching, insistent guitar from ex-Fuzztone Lenny Svilar arrives. The song sounds like a cross between the early versions of the Lime Spiders and The Stems. Lana Loveland’s clipped Germanic purr sits perfectly in the middle of the mix while Svilar’s guitar pans left and right.
The aptly-titled “Web of Sound” adds Lana’s pulsing keyboard to the mix and is a nasty slice of acidic punk. Protudi and drummer Oli Freidrich lock in and lay down a sonic bedrock for the other two to add colour. Ms Loveland has an agreeable and authoritative vocal. More serrated edge guitar takes the song out. Again, there are no surprises but so what when it's this great.
Get your mouse pointed at this link and order a copy. I'm off to find myself a copy of the Loveland album that pre-dates it.
“The Hard Stuff: Dope, Crime, the MC5, and My Life of Impossibilities” by Wayne Kramer (Da Capo)
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It’s a truism that stated fact sits at one end of the scale and fiction at the other, with the truth lying somewhere in-between. Ex-MC5 guitarist Wayne Kramer has been a divisive figure at times - the stillborn “A True Testimonial” documentary, anyone? - so parts of his story will be disputed by some.
Ultimately, though, it’s pointless buying into all that. “The Hard Stuff” is Kramer’s own story and it’s told from his own perspective. None of the other people still standing are offering alternative perspectives (although the posthumous autobiography from bandmate Mike Davis is out there, too.) On its merits, “The Hard Stuff” is a rollicking read with only a few stones left unturned.
The plotline for dummies: Kramer’s the working class Detroit kid from a broken family who shook off the handicap of an abusive stepfather and forged his own musical way. He was a founding member of the radical chic MC5 and remains a compellingly lyrical guitar player who’s influenced countless others.
“The Hard Stuff” takes us through the rise and fall of the 5, Kramer’s slide into crime, his imprisonment for drug dealing, ongoing battles with booze and smack, career revival and personal redemption through hard work and love.
The Church of Simultaneous Existence - The Aints! (ABC Records)
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Have you heard that the people at Warner Bros are working on a re-make of the Road Runner cartoon? Hollywood has unfailingly screwed up the legacy of almost every other iconic TV show with a lame makeover, so why the hell not?
Rock and roll has its own history of reinvention and Australia’s master of the art is onetime Saint, Ed Kuepper.
Kuepper’s enduring career has been through more twists and turns than Wile E. Coyote navigating a cliff-side road on an ACME corporation-sponsored suicide mission, but unlike the bird-seeking missile of cartoon fame, he usually delivers his payload with unerring accuracy.
So make no mistake: “The Church of Simultaneous Existence” is a controlled demolition that’s worthy of comparisons to his most seminal work.
Everything’s Gonna Be Alright – Handsome Jack (Alive Naturalsounds)
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A word about words: Albums should be all about music, but descriptors count because they convey an identifiable concept of what the music sounds like. Lockport, New York, Handsome Jack’s record label, Alive Naturalsounds, calls them “boogie soul”. That cap fits…so you know the rest about wearing it.
Fourteen years into the game and “Everything’s Gonna Be Alright” is the third long-player for Handsome Jack since they kicked off as a trio of precocious teens in a ubiquitous garage. Two of the three members remain - drummer Bennie Hayes is a newcomer - and while stability like that is a rarity, it’s also a virtue.
Guitarist Jamison Passuite summons up John Fogerty with his rich and resonant vocal on opening track “Keep On”; other places he echoes Southern rock and Stax soul. Throw in some Delta blues and the rest of this sure-footed, grooving album doesn’t stray far from the inspirational well. Many, if not most, of their influences seem to have been around before these guys were born. Is that a bad thing?
Electric Demon - The Deadvikings (Zodiac Killer Records)
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They might not be Japan’s most prolific rock and roll band but The Deadvikings’ two full-length albums each pack a considerable punch. This one dates from early in their 11-year history and delivers their Hellacopters style jams in spade-loads.
The Deadvikings toured last year’s “Libertatia” in Australia - well, in Sydney - and they're back in 2018, confusingly pushing their first CD from 10 years ago. Ours is not to reason why...
"Electric Demon" has some wayward moments (the ragged "The Ripper" and the low-key opening title track, which sounds underdone) but for the most part, it's surging high-energy rock songs. They're clearly in the thrall of the 'Copters and their Scandi Rock contemporaries, but this is hardly a bad thing when done right.
Born Out Of Time festival just days away
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Do you have tickets yet for the garage punk gig of the year? It's on in Sydney this Saturday night and you can buy a ticket for Born Out Of Time #1 here. All pre-sales will receive a free CD of bands playing the series of bills.
Presented by Off The Hip Records and I-94 Bar., the first of a swries of shows will feature Grindhouse, The Crusaders, The Beat Taboo, Aberration and The Devours. Make a beeline for Marrickville Bowling Club. Doors open at 7pm and the event runs until 1am.
Get Off My Wah Wah…And Suck This – Bored! (Bang! Records)
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Issued as a cassette in 1988 in a limited run of 300, these are the first recordings of Bored! Expect no studio wankery or sonic polishing, other than the obvious mastering from cassette to vinyl. This is how the band sounded when they were a bunch of pups from Geelong, playing on the floor of their local record store.
Bang! Records is run by a couple of Basque Country rock and roll fanatics who have championed Beasts of Bourbon and various spin-offs, a host of scuzzy Downtown Manhattan noise-makers and the so-called Geetroit Sound. This recycled gem is on LP only and follows 2016’s “Piggyback” compilation of lost recordings on the same label.
While chowing down on early Stooges songs might be ho-hum in these Post Pop Reunion times, Bored! was really pushing envelopes in post-punk Melbourne and its environs. That explains the three-in-a-row inclusion of “I Wanna Be Your Dog”, “No Fun” and “TV Eye”. “No Fun” especially has intuitively weaving guitar fireworks from Dave Thomas and John Nolan that should make your jaw gape.
Sydney bands get behind 2RRR
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Underground music would be even further below the radar without community radio. That's why a group of Sydney-Central Coast bands are putting their weight behind a fund-raiser for 2RRR next month.
Aberration, The Balkan Grill, The On and Ons and The Baddies (pictured right) are playing North Ryde RSL on October 7. The gig runs from noon and admission is $20 at the door.
2RRR Fundraiser
Aberration
+ The Balkan Grill
+ The On and Ons + The Baddies
North Ryde RSL
- Oct 7
(Noon-6pm)
- Are you ready for the Space Boozzies?
- Japanese protopunks The Deadvikings set sail for Sydney's shores
- Long Shadows, High Hopes. The Life and Times of Matt Johnson and The The by Neil Fraser (Omnibus Press)
- Bolt From The Blue - Warped (Conquest of Noise)
- Jesus Loves My Heroin II - Various Artists (Hurtin’ Records)
- Vale Bad Seeds keyboardist Conway Savage
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