The Velvet Underground. Complete Released Works. Part Three
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- By Robert Brokenmouth
- Hits: 9818
The Velvet Underground and Nico, Now - finally - we come to one of those albums that is insanely iconic (that peeling banana for a start), that you’re told is essential, but which so many people have and rarely listen to because - whisper it - they don’t really like it.
Characters like me, of course, love it (to put it mildly). Around about the time I first heard this LP (I was 12 or 13, my friend Paul had bought it in a chain record shop, filed in the comedy section) I recall talking to some older musicians in 1980, stalwarts of Adelaide’s piddly live scene. To them, the VU were “weird”, and therefore not worthy of examination. The Stooges, incidentally, were widely regarded as a joke, plunking, laboured plodders. The musicians I’m talking about were people who took Frank Zappa seriously (but dismissed Beefheart) and rejoiced when ELO came along (if I had a dollar for every bozo who forcibly showed me how super ELO sounded on their expensive new imported speakers …).
Is it possible that God doesn’t want Ozzy or Eric Clapton up there with Motorhead and Schubert, Bach, Bowie, Keith Emmerson and Bolan, and Robert Quine and Renestair EJ and Thelonious Monk and Charlie Mingus and Brett Smiley and Art Pepper and all the others … talk about spoiling the atmos …
Coleum Versus - Jim Dickson (Citadel Records)
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- By The Barman
- Hits: 5803
He mighr be embarassed by it being said, but Jim Dixon is the Grand Old Bass Man of Sydney’s rock and roll scene.
Since dropping in as a member of raw Brisbane band The Survivors at the tail end of the ‘70s to relocating and driving the bottom end for The Passengers and many more, he’s been as much a fixture as cold beer and sticky carpets.
Active duty in London with the Barracudas and then back home to play with the likes of Louis Tillett, Penny Ikinger, the New Christs, the Deniz Tek Group and Radio Birdman, Gentleman Jim is omnipresent as both player and punter. Along the way he’s supplemented his music by working in a record store, running his own curry kitchen and, more lately, bussing tourists around Greater Sydney’s natural wonders.
Into Our Arms: Nick Cave and the Bad Seeds triumph in Sydney
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- By Ed Clayton-Jones
- Hits: 6051
Lax Charisma photo
Alexa Clayton-Jones and I went out to see Nick Cave and the Bad Seeds last night at Sydney's voluminous and brand new International Convention Centre.
It blows my mind that for a few weeks in 1984, I played in the Bad Seeds, and I’m remembering bouncing around Europe in an old GMC wagon and some of the more colourful venues we played.
R.I.P. Jim Atkins of The Kelpies, Bedhogs
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- By The Barman
- Hits: 7660
Ashley Thomson photo
Jim Atkins, singer in The Kelpies, The Bedhogs and other '80s Sydney punk bands, has passed away in a Darwin hospice after a long battle defying cancer. He was aged 56.
Friends posted news on Facebook a few days ago that Jim (aka Jim Bedhog aka James Gelding) was extremely unwell. News of his passing landed today and sparked a string of online tributes.
PJ lets Adelaide (and the Thebarton Theatre) shake
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- By Robert Brokenmouth
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PJ Harvey makes her point. Adelaide laps it up. Alison Lea photo
BAM BAM BAM BAM BAM BAM
Poor old Thebby.
BAM BAM BAM BAM BAM BAM
Poor old Thebby, and its heritage-listed planks.
BAM BAM BAM BAM BAM BAM
After posting on Facebook that bits of poor old Thebby’s ceiling were falling around them, I’m fairly sure Sunn 0)))) had to turn down the volume a few months ago. Not that we noticed.
Henry Hugo, Andrew McCubbin, Michael Plater and friends in Adelaide
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- By Robert Brokenmouth
- Hits: 5940
Who the fuck does Henry Hugo think he is?
Argentinian. Lives in the evil gnome capitalist capital, Zurich. Will only eat meat-lovers pizzas. No poncy vegetables or fruit for this Dark Lord carnivore. Would probably munch on dwarves if he could catch them unawares. One of these sentences is a fib.
And here he is, this Henry Hugo, writing songs like "Cold Night in Warrnambool", "Deep Lead Creek" and a whole host of others inspired by … erm, well. Us. Orstrilians. Strayans.
Well. There’s a lot of people in Australia. Millions born here, born and bred, who are, frankly, so repulsive in themselves they should be taken out to sea, tied to an old fridge and set free…
Henry Hugo is, like several other overseas-born artists, an honorary Australian. He loves Australian culture, the country, the people, how and why we live here. It’s not a political thing. He’s not a potential Swiss immigrant who complains about the cowbells, or a Muslim grumpy because we don’t [fill in the assorted blanks here], nor is he a reffo.
Listen to "Miracle of Sin" from Powerline Sneakers
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- By The Barman
- Hits: 4724
Here’s your first taste of the looming release by Melbourne’s Powerline Sneakers, whose album will be out early this year on Kasumen Records.
The band features ex Powdermonkeys guitarist John Nolan, with Sly Faulkner (guitar-vocals), Katie Dixon (bass, ex-Ripe) and Mark Hurst (drums, Gutternsipes.) Powerline Sneakers recorded their album with Paul Maybury (Rocket Science) and mastered it with Mikey Young (Eddy Current Suppression Ring). More news as it comes to hand.
Shy Impostors open the vault to celebrate reunion show
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- By The Barman
- Hits: 4381
A slew of previously unheard tracks from short-burning but bright Sydney band Shy Impostors is about to be released on Citadel Records, to coincide with the band playing a one-off reunion in support of the Sunnyboys’ Sydney show on February 4.You can pre-order your copy here.
Shy Impostors were active in 1979-80 and their ranks included future Sunnyboys Richard Burgman and Peter Oxley. Fronted by singer-songwriter Penny Ward and also featuring drummer Michael Charles (Lipstick Killers, Screaming Tribesmen, Mick Medew & The Mesmerisers), they played infectious, raucous and melodic pop music.
In February of 1980 the band recorded seven songs at Palm Studios, Sydney. Two of these tracks, “At The Barrier” b/w “Seein' Double”, were posthumously released late in 1980 on Sydney's Phantom label. The other five languished in the vaults.
During 2016 all seven tracks were restored from original master tapes and mixed by producer Jason Blackwell. The resulting self-titled CD is a long overdue retrospective giving yet another intriguing insight into the formative years of Sydney's post Radio Birdman indie music explosion.
Tracklisting:
Captain Fast (P Ward) (3:08 m:s)
At The Barrier (P Ward) (2:57 m:s)
When Night Comes In (P Ward) (3:22 m:s)
Sweet Defender (P Ward) (1:55 m:s)
My Sin Is My Pride (The Astronauts) (2:32 m:s)
She Can't Win (P Ward) (2:31 m:s)
Seein' Double (P Ward/M Charles) (3:32 m:s)
It's Just That They've Missed You: Julie Mostyn on the return of the Flaming Hands
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- By The Barman
- Hits: 9960
Jeff Sullivan and Julie Mostyn. Steve Teece photo
The dictionary defines serendipity as “a pleasant surprise” and it's a term that scientists working in medical research are fond of using. It’s also at the heart of how the looming reformation of beloved Sydney band the Flaming Hands came about.
Singer Julie Mostyn is on the phone from the Coffs Harbour home she shares with husband Warwick Gilbert, onetime bassist and graphic artist for Radio Birdman. She clearly remembers serendipity’s intervention on that very same landline, late in 2016.
“It was one of those life-changing phone calls…one that shocks you out of something you’ve been trying to get out of for a while,” she recalls.
“It was a call from Peter Oxley of the Sunnyboys, and he said: ‘Would you consider reforming the Flaming Hands?’ And I thought for half a second and said: ‘Yeah, that’d be good’.”
Talk about timing. It was as good as any excuse for Julie to ditch her day job in a local bank and embark on what's not so much a career revival as a chance to revisit great times, renew old partnerships and - maybe - push the musical boat out just a little further.
More on that last point later. More immediately, it means Flaming Hands supporting the Sunnyboys at the Sydney show of their February Australian tour, with similarly reformed friends, Shy Impostors, opening the gig.
Flaming Hands were Sydney’s best soul and psych pop band, a potent and popular outfit based around Julie Mostyn’s passionate voice and guitarist Jeff Sullivan’s emotion-baring songs.
- The Prehistorics, The Stukas & The Dunhill Blues live in Sydney
- The Velvet Underground. Complete Released Works. Part Two
- The Velvet Underground. Complete Released Works. Part One
- Intergalactic Sex Tourists - The Sex Organs (Voodoo Rhythm)
- It’s Psychological - Happy Times (Swashbuckling Hobo)
- The Outskirts of Your Heart - Pat Todd & The Rank Outsiders (Hound Gawd! Records)
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