Make your Festive Season jangle for free
- Details
- By The Barman
- Hits: 4661
Tis the season to be jolly, as if you didn’t know, and Perth-based international pop collective The JAC have a Xmas present for us all.
The JAC is Perth musician Joe Algeri whose bands include Jack and the Beanstalk, The Britanincas, The Outryders and, most recently, The Jangle Band.
Each year, Algeri releases a Xmas song. On “Christmas Without Maria” Joe’s on vocals and guitar and he’s ably assisted by The Christmas Crew. On this recording, they’d be Briitannicas bassist Herb Eimerman (USA), Swedes Steffan Johansson (the Lemon Clocks, the Melted Hearts) on drums and Lars Brusell on keys, Finn Andy J Prinkkila (the Lieblings, the Sugarrush) on guitar and Paul Colombini (The Outryders) on guitar. Egomaniac Music personnel Erika Algeri and Lydia Algeri assist on backing vocals.
Recorded over the Internet in various studios around the world, it’s a free Bandcamp download - so get to it.
24 Hours To Nowhere - Hugo Race Fatalists (Rough Velvet/Glitterhouse)
- Details
- By Robert Brokenmouth
- Hits: 4282
Brilliant. Not my favourite Race record, but nonetheless, another of his albums I’ll be listening to over and over, year in and year out.
Why? Well, apart from anything else, this is one of the most commercially accessible LPs I’ve heard Hugo do. And I’m sure this is more or less by accident.
Blue & Lonesome - Rolling Stones (Polydor)
- Details
- By Robert Brokenmouth & The Barman
- Hits: 5978
Four bottles? No, five. I s'pose.
In conversation with one of Sydney’s veteran rock’n’rollers, Doc Ellard of Chickenstones made the point that, to some extent, the early Stones were “trying to get away from being English, because of what America and Americana represented: freedom, freedom of expression, expansion, wealth and exotica”.
You don't need to be Big Ears to catch these Noddys
- Details
- By The Barman
- Hits: 4655
Blink and you’ll miss them. The Wollongong band that got away, The Mutated Noddys, are playing one reformation show at Jane’s Cafe in their hometown on December 23.
With their roots firmly planted in the Detroit and ’60s punk scenes, the Noddys blazed away for the best part of a decade in the 1980s and early ‘90s, playing many high-profile supports and recording an EP and an as yet unreleased album with producer (and fan) Rob Younger.
Apart from a one-off in Sydney in 2010 to support GBH, the Noddys haven’t been sighted since and have no plans to play any other gigs due to one member living in the USA. Crapulous Gee Saw and Oceedeecee (yes, that’s a Ramones tribute band) will support there, Tickets are a bargain at $5 on the door and Jane’s is at 40 Flinders Street in North Wollongong.
Mean Old Twister - Deniz Tek (Career/Citadel)
- Details
- By The Barman
- Hits: 5982
It’s hard to imagine Deniz Tek fans being disappointed by his latest release. Radio Birdman fans, maybe not so much.
While Deniz’s last album, “Detroit”, was a brooding, introspective and dark reflection on urban and personal relationship decay, “Mean Old Twister” paints with a broader aural palette. Sax, harmonica and keys are woven into the sound at strategic points, to enhance Tek’s trademark guitar and guitar player’s vocal.
A bunch of old Wild Things who made my heart sing
- Details
- By Robert Brokenmouth
- Hits: 6830
Chris Allen and Chris Britton up front of The Troggs, 2016-style. Mandy Tzaras photo
The original Troggs were Ronnie Bond (drums), (guitar), Reg Presley (vocals) and Pete Staples (bass), and their first hits began over 50 years ago. Along the way, they profoundly influenced ‘60s garage rock (not to mention glam) and seem likely to have been the inspiration for “Spinal Tap" when a spirited recording session was recorded, edited and bootlegged ("The Troggs Tapes").
Those reasons alone would be good enough to shell out your $70+change and hurry along to the fine establishment on Port Road in Adelaide, The Gov.
Scrotal sacs and mankinis: Just another quiet afternoon in the City of Churches, really
- Details
- By Robert Brokenmouth
- Hits: 4925
X3 Lodge dpoing what they do, live in Adelaide.
“X Factor”, I see from that reliable source of intelligence, has been rocked by accusations of performer manipulation and general bastardry. Strange place, Facebook. You can set up any FB page hating all manner of innocents, and they’re fine with that. Indeed, I should imagine Channel 7 pay large sums to FB to ‘get their message across’.
We all know Facebook is filled with the ‘politics’ (a rash word to use in a music review, I admit) of the modern age. Post a picture of a mum suckling an infant - a mundane enough sight as you head to work each day, or as you munch a burger and chug a thick shake at the local cholesterol emporium - and you’re banned because you “don’t meet community standards”.
Another Heroic Friday night
- Details
- Hits: 6580
In an alternative universe where justice prevails, Leadfinger would be spending their Friday night cranking out a two-hour set to a packed Hordern Pavilion. Five-thousand sweaty people would be singing along to every word of every song from their newest - superb - album.
Instead, they’re middle-of-the-bill and out front of a half-full Factory Floor in Marrickville. And the thing is, to watch them and to listen to those brilliant songs played with such passion and fire and love, you wouldn’t know the difference on stage.
This was only my second Leadfinger show. My first was at the Blood Bank Benefit for Mick Blood in 2014. I’d heard of them but not heard them. I spent the next 40 minutes standing there with my jaw on the ground going “Who the fuck are these guys and where have they been all my life?” Now to be fair, I had waged a blitzkrieg on sobriety that day and only remember general amazement, and a scorching cover of “City Slang”, but I blabbered about them for ages to everyone I spoke to in the real and cyber worlds.
Vale L.A. author and Imperial Dogs frontman Don Waller
- Details
- By The Barman
- Hits: 9371
Another one has passed. Hot on the heels of Norton Records co-founder Billy Miller comes news of the loss of Los Angeles writer, scenster and proto-punk singer Don Waller.
A founding member of the semi-legendary "Back Door Man" fanzine and indie record label, Waller had written extensively for Mojo, USA Today, Billboard, Variety, Radio & Records, L.A. Weekly, L.A. CityBeat and the Los Angeles Times.
The second-generation LA native was the author of best-selling "The Motown Story" (Scribner's, 1985). Waller also wrote more than 40 sets of liner notesand was a consultant to TV co ntent providers.
Long before that, Waller was a member of proto-punk outfit the Imperial Dogs -- who wrote and recorded the original version of "This Ain't The Summer Of Love", later re-recorded by Blue Oyster Cult. The band recently unearthed an hour-long video performance, "The Imperial Dogs: Live! In Long Beach (October 30, 1974)", released in 2009 and available from theimperialdogs.com
Don is survivied by his partner Natalie Nichols. To honour Don Waller's passing, we've unearthed this September 2009, interview by leading Australian documenter of the pre-and-punk scenes, former Dog Meat Records owner David Laing.
- Cobra’s Blood - Kit Convict & Thee Terrible Two (Off The Hip)
- Dumb-World - Negatives, Reals and Judas Iscariot & The Traitors = 1974-1978 (Loaded Skull Discs/Shock)
- R.I.P. Billy Miller of Norton Records
- Bigger Than Life - Jack Lee (Alive Natural Sounds)
- The Man He Used To Be: Stewart Cunningham tells the Leadfinger story
- Thrills & Chills – The New Trocaderos (Uncle Mike's RnR)
Page 194 of 277