Girlschool live in Kansas City, USA
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- By Tom Couch
- Hits: 4779
It was with great interest to learn that Girlschool were doing a tour of the U.S.A. Evidently, they haven't toured the U.S.A. in over 20 years. When I discovered that they were playing a date in Kansas City, I decided to go.
Girlschool are touring with Crucified Barbara from Sweden. There were also two other acts as support.
Expat Masuak heads Aussie rock celebration
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- By The Barman
- Hits: 5256
Europe might be getting a taste of a substantially reconfigured Radio Birdman this month but their former guitarist Chris Masuak isn’t standing still.
With a new album in the can (recorded with his band The Viveiro Wave Riders) the Spain-based Masuak is star attraction at a gig billed as “The Australian Rock Festival - The Legacy of Radio Birdman In Spain” on June 19.
Bar Flora Disco is the venue, in Masuak’s adopted home of Viveiro, and the gig will be shot for a forthcoming Birdman documentary by Australian filmmaker Jonathan Sequeira. Support will come from surf-punk outfit The Sonic Race.
Attack of the Cannibal Zombie Businessmen - The Higsons (Sartorial Records)
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- By Robert Brokenmouth
- Hits: 4628
What a daft name for a band. Their Wikipedia page (trust it if you dare) asserts that they are a “funk-punk’ band ‘in the 1980s”. Formed in 1980, disbanded ‘by mutual consent’ (says Wikipedia) in 1986.
Charlie Higson - formerly of punk outfit The Right Hand Lovers (oo-er, missus, mine’s a large one) - David Cummings and Terry Edwards formed The Higsons. Charlie Higson is now described as an actor, author, writer, producer, comedian etc etc and he’s bloody well known around the UK, mostly from The Fast Show. If you can’t place him yet, it doesn’t matter.
Demon Blues – Datura4 (Alive-Naturalsound)
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- By The Barman
- Hits: 7896
It’s a truism that most record labels take a few releases to find their feet and assert their character and Patrick Boissel’s LA-based Alive-Naturalsound is no different.
Starting life as the Bomp-associated imprint Alive-Total Energy in the early ’90s with a deep dive into Detroit Rock, it’s reached extensively into garage, soul and power-pop territories to be a home to The Black Keys, Swamp Dogg and Paul Collins, among others.
But it’s in the area of hard-edged, ‘70s style guitar rock that has Alive has most recently found a happy niche, with the likes of Americans Buffalo Killers (semi-pastoral crunch) and Radio Moscow (Hendrix-tinged psych jams) especially standing out. They’ve now been joined by Datura4 from Fremantle, Western Australia.
Bystander and Destroyer - The Vendettas (self released)
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- By The Barman
- Hits: 3612
The term Oz Rock is a catch-all phrase that’s scope is broader than a Queensland cow cocky’s accent but there’s something inherently recognisable about the music. The best of it is urgent and full of dynamics.
Once upon a time it was forged in year-long tours of a vast circuit of massive beer barns; nowadays it’s as much a creation of the odd gig in small-ish, grungy bars and digitally-assisted backshed studios.
Which brings us to Melbourne band The Vendettas and their second album. This isn’t a bad record but it’s very much music made with eyes on the prize. While that target isn’t going to be mainstream airplay in their home country, it could be a contract with a label in a bigger market. Many are called but few are chosen. The Vendettas might just do the business in Europe like Airborne or follow The Lazys to Canada.
Jon Spencer Blues Explosion bring back the love
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- By The Barman
- Hits: 4046
The Jon Spencer Blues Explosion is back with a brand new album and Australian tour in August 2015. “Freedom Tower - No Wave Dance Party 2015” is the album name and reputed to be a product of spontaneity.
Rehearsed and polished in a string of secret gigs and unannounced opening slots in New York City theatres, hotel bars, and dives (often under assumed names), and recorded at the legendary Daptone House Of Soul in Bushwick, “Freedom Tower” is described as “a document of New York City, a chronicle of grit and terror and love!”
The Empty Hearts – The Empty Hearts (429 Records)
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- By Geoff Cahir
- Hits: 4682
A while ago a mate gave me the thumbs up about Blondie Drummer Clem Burke's new band Empty Hearts. I figured anything Burke's involved in is gonna be top shelf stuff - and how right I was this time.
The Hearts formed in early 2014 as a supergroup of sorts, comprising Chesterfield Kings bassman Andy Babuik, Elliott Easton (The Cars) on guitar, Burke and Wally Palmer (The Romantics) out front on vocals.
"90 Miles Down a Dead End Street" kicks things off at a frenetic pace with some focussed intent, lots of “na na na's added in. Easton's killer riff helps blast-off single "I Don't Want Your Love" off. A chorus you only dream about follows.
Wire - Wire (Popfrenzy Records)
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- By Robert Brokenmouth
- Hits: 4920
This is Wire’s most across-the-board album. It’s lush, glorious, dirty, savage, sublime, clever in a street-smart way, jagged in a crying-jag way, it builds and grows and gathers you up and crushes and … and ‘Wire’ is just way, way too good for a band who’ve been touring and recording since 77. Five bottles. At least. So don’t bother reading any further, right, order it here. Then, when the bastard arrives, PLAY LOUD.
See, I come from an era where BOF meant Boring Old Fart, and that meant, not so much anyone over 30 (although that was often the case) but anyone shoving out lazy LPs, with maybe two or three half-decent songs on them. Ill-considered, slothful slush. If you can’t recall offenders from those days, I can bet you can name offenders from today.
“Wire” is way, way too good for old fuckers. If a band in their 20’s presented this to any major record company they’d be signed to a 20-year deal with the Fuck You Up and Rip You Off International label in no time flat.
Boris with Last Days of Kali and Crypt in Australia
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- By Robert Brokenmouth
- Hits: 6266
Well, Boris in Adelaide on Sunday night were brilliant. Who are they?
Boris have been around since 1992, put out their first CD ‘single’ in ‘96, and have released 23 more LPs of their own songs (including three this year, and two last year) and 12 collaborative LPs, not including three collections of rarities and live material. They’re not huge in their home country of Japan, or indeed anywhere else, really. But those who know them cannot get enough and are total addicts.
I first heard them in 1996, when a mate, Paul, came back from Japan with “Absolutego”, put the bastard on and left it playing. After 45 minutes, and my third “Paul, which track is this..?” I got the same answer: “Oh, still the first one.” I demanded to see the disc. The song went for over an hour, and was (and is) fabulous. Lots of changes, altered states, tempo alterations…the lot. It’s like a long LP which keeps returning to its central theme which, not speaking Japanese, I have no idea of whatsoever. But you keep returning to it.
- Evil Moods - Movie Star Junkies (Voodoo Rhythm)
- The funding decision that reveals a CASM between someone's ears
- Looking for Johnny: The Legend of Johnny Thunders (Chip Baker Films/Jungle Records)
- Friends launch online campaign to help Scott Morgan start over
- BellRays announce replacement Aussie dates
- Jesus Drives a Sandman b/w Solicit - The Fools (self released)
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