Richard Duguay's sonic magnificence evokes rock and roll's real spirit
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- By JD Stayfree
- Hits: 4172
Bad Juju – Richard Duguay (self released)
"My empire lay in ruins..."
"You don't know if you're lost or found.."
Oh, my stars and garters! Richard Duguay is amazing! I don't get around much, anymore, ya know, I'd seen some pictures of the dude online here and there where he looked like a distant relative of Andy McCoy and Willie Deville, but I'd never heard his music until very recently and I'm a diehard fan, already.
An ex-member of Canadian band Personality Crisis and now based in Los Angeles, Duguay makes exactly the kinda music my friends and I loved growing up, when I worked at a hick record store in the middle of a midwestern cornfield and our vintage turntables and ghetto blasters were always spinnin' Dogs D'Amour, the NY Dolls, Hanoi Rocks, Bowie, Iggy, Cooper, ancient Aerosmith, all that kinda stuff.
These Glycereens shine brightest on their D4 cover
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- By The Barman
- Hits: 3083
Neon City Lights b/w Get Loose – The Glycereens (Evil Tone)
‘Tis a taster for the forthcoming album from this well-credentialled Brisbane unit with past members of Boondall Boys, Mad Macka and Happy Times. You don’t expect bands to lead with their best track so the assumption is that it's is a flag for what’s to come with the top shelf stuff held in reserve. “Neon City Lights” isn’t bad but drags a tad and doesn’t really go anywhere, and falls short of the poppier songs that dotted the first album, “Hangin’ On”.
There’s major love, however, for the B side “Get Loose”, a cover of a rune from the late New Zealand band The D4, where The Glycereens' brand of fuzzed-out, bubblegum punk really shines. Vocalist Heli Puhakka brings an appealing vocal blend of snot and cool to the party and her and Sol M Robinson’s guitars create a block of buzzing fuzz that’s fit to singe ears. The engine room sounds brutal on this, too. There are still copies on black vinyl here.
Take me to the river
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- By The Barman
- Hits: 3530
Sleight of Hand – River of Snakes (self released)
The fuzz pedal is one of the greatest inventions of the 20th Century - and Melbourne’s River of Snakes sound like they have shares in it. Let’s hope that canny investment buys the three members a mansion each in the exotic locations of their choice.
The band has been around for a decade. The commercial music world may have moved in a wholly different direction since then, but their sound has stayed firmly rooted in the share-house, college radio universe of the ‘90s…a time when guitars were king and punk - or whatever you wanted to call it - briefly looked like it might drive a stake through the heart of blandness. Of course, that ridiculous but romantic notion was not to be…
Loki's compelling journey into atmospherics
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- By Robert Brokenmouth
- Hits: 3323
The Trap - Velatine (Spooky Records)
Store Atmospherics - Velatine (Spooky Records)
Well, pop tarts, you're all wondering what the fuck to do during lockdown (apart from fucking, fighting, boozing and drugging), so here I am to sprinkle sparkles of hope and joy...
This is my first and probably last music review for 2021. So this will be short, but sweet.
As I may have reflected, we live in a golden age of music, where the vast majority of what is popular is unbelievably smug and gittish.
Unlike, to take one label by way of example, Spooky Records (sometime home of such mainstays as The Beasts of Bourbon, 6 Ft Hick, Sun God Replica, Shifting Sands, The Braves, Spencer P. Jones, Brian Henry Hooper, Lost Talk, Harry Howard and the NDE, and a host more), whose releases are exciting, curious, intriguing and often downright addictive.
The Number of the Surf Beat
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- By The Barman
- Hits: 4385
Swamped – The Quick Sixes (Outtaspace)
There’s an awkward charm to the sound of The Quick Sixes that’s hard to resist. Equal parts twang, space retro blues and garage shimmy, this Geelong quartet is a cross between Brisbane’s late, lamented Hewkawis, The Modern Lovers and Shutdown66 (but with better manners.)
The Gee-troit Sound is long gone but if you think of The Quick Sixes as Barwon Heads Beat you can’t go wrong. It's surf music for the loveless and landlocked. It'll occasionally make you cry into your beer. It's sometime a little loose around the edges, but it's a load of fun. Variety is a by-word, too.
Drunk and Disorderly Podcast Episode 39 - Red and The Black Edition
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- By The Barman
- Hits: 3888
The Celebrity Roadie, Peter Ross, joins The Barman for a special Red and The Black edition of Drunk and Disorderly. Playlist after the fold.
Episode 38 of Drunk and Disorderly is live
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- By The Barman
- Hits: 3281
Featuring tracks from Molting Vultures, Datura4, The Stooges, The Dry Retch, Peter Black, Mick Medew, Johnny Casino, Smalltown Tigers, The Bot Bots, David Johansen, Paul Collins’ Beat and Sunnyboys.
The Monaros proudly let their skid marks show
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- By Ron Brown
- Hits: 4300
Bogan Rd – The Monaros (self-released)
Hello I-94 Barflies. The Monaros’ “Bogan Rd” is the latest release from Warnambool’s hardest working band. Shit, this must be their seventh or eighth long-player and it’s chock-a-block full of humour and wit.
Just listen to “Parma”. It’s a classic tune about, well, a Chicken Parmigiana. “Ring A Root’,”Kick It Long” and “Dunlop Volleys” are all so bloody Australian. This is a CD to get drunk to, stoned to and maybe not get fucked to – although the track “King Brown” is kind of sexy.
From Japan with love
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- By Robert Brokenmouth
- Hits: 3280
Rock'n'Roll Undead – Mad3 (Rock'n'Roll Kingdom)
Upon the Dentigire - 2yago: (Zygeltigit)]
These albums by Japanese bands Mad3 and 2yago were pressed into my hands by one, Paul Slater, who runs the 3D Radio show ”'It's Always Rock'n'Roll” out of Adelaide on Monday nights (and whose adverts occasionally send him to Facebook Jail.) Paul is one of those music nutters who often knows the people who make the music, and has travelled overseas (France, Japan, UK) just for the bands (rather than the touristy T-shirts, towels and gastro).
Mad3 is built around guitar hero Eddie Legend (I-94 Bar readers will know him from the 5.6.7.8s) and are simply incredible. They're one big, bad, really sharp and clever rock'n'roll rollercoaster road trip - you're dragged kicking and squealing into a comic-character world of underground surfer/phantom/doom guitar noir. Play very fucking loud. Eddie has an incredible guitar sound.
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