Japan’s Iconic blues punk band King Brothers are returning to Australia in September and local label Cheersquad has announced a limited edition 12-song tour LP to coincide.
Known as Japan's most dangerous live act and their unique blend of barbed-wire blues and toxic punk rock, King Brothers promise a tour that will leave crowds breathless. This will be the band's first Australian tour since 2016.
The tour LP, “Hell Oh! Oz”, will be limited to 300 copies - 150 in fluro-green and 150 in green/white marble - with a download card and will be released on August 23. It’s available for pre-order here.
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Peter Simpson, former member of The Dubrovniks and The Spectre’s Revenge, has stepped back into the spotlight with a new single, “Letter to London”.
Described as “a piece of ragged rock/pop”, “Letter to London” ruminates on a long-distance relationship that has run its course. Simpson plays guitar and sings, bass is by Marco Gal and Dom Simpson plays drums.
It’s been a long, stop-and-start journey for Simpson, who was a keyboardist in Perth pop band Teeny Weenys when he relocated to Sydney in 1980. The band broke up despite Double Jay airplay and Simpson performed in various groups before switching to guitar and fronting The Spectre’s Revenge.
Playing an eclectic style of rock that drew on everything from surf instrumentals to acoustic ballads to a kind of punk jazz. The band’s only official release, 1985’s “No Moon at Midnight “b/w “(I wanna be like) Maynard G Krebbs”, reached number one on the alternative charts in Sydney and Melbourne.
In the meantime, various other Perth expatriates had gathered in Sydney in bands such as The Scientists and Hoodoo Gurus. In 1987, Simpson got together with some ex-members of these bands to form The Dubrovniks.
A couple of hit indie singles and an ARIA-award-nominated debut album made The Dubrovniks bigger than anyone had anticipated, and they were soon touring Europe, recording a second album, and even breaking into the mainstream Top 40.
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That's Gentle Ben on stage at Binic last month or The Bubble Boy from Seinfeld. You be the judge. Photo by @dujouraulendemain
It’s a line in the media release that we just have to use: “Like the one-night stand you hoped to never see again, Gentle Ben & His Shimmering Hands are back to ruin your life, break your heart and make your loins quiver”.
The Brisbane “haute couture swamp rockers” (their words again, not ours) left France a few days ago in a smouldering, postcoital ruin, after smashing out 13 shows over 15 days, playing at a former tobacco factory under a big-top, in a 14th century pub, and in front of 10,000 fanatical French fans at Binic.
Gentle Ben turn their sights to the East Coast of Australia this month to unleash their new album, “Brut” on French label Beast Records. It's available in Australia through Spooky Records and it's procurable here.
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The Brisbane music scene was devastated by the loss of stalwart performer Alan "Fred" Noonan in May 2024 following a long illness. Fred’s extensive community of bandmates will come together for ‘and event, "Rocky’s Boogie", at the Tivoli in Brisbvane this Saturday, August 10 to celebrate Fred’s legacy from the last 40-plus years.
It is no exaggeration to say that Fred was a Brisbane punk rock legend. Prior to co-founding Blowhard in 1989, Fred was a member of pioneering punk bands Brothers Of Feedback, New Improved Testament and Public Execution (who supported Dead Kennedys in 1984).
Fred was with Blowhard from 1989 to 1993 (and intermittently since). In 1991, via his cowpunk alter-ego Rocky Outcrop. He formed side-project The Fred Band, which ended up being one of Brisbane’s longest-lasting musical legacies. After leaving Blowhard in 1993, Fred co-founded Sixfthick, another enduring Brisbane institution.
Fred also took Brisbane punk's status to the international stage, undertaking several overseas tours with Sixfthick and The Jim Rockfords and finding a second home in France's Brittany region.
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The Fadeaways at The Crowbar the night before. Shona Ross photo.
The Fadeaways (JP)
+ Jupiter 5
+ Dirtbag
MoshPit Bar, St Peters, NSW, Australia
Sunday, July 14 2024
Sometime in the 1970s, American garage rock started to become in vogue among a hip crew that lived in a few households of each other in the inner city of Sydney. It was an area that was home to Deniz Tek, a medical student from Michigan, Rob Younger and John Needham among others. Their reference point was the ”Nuggets” compilation, put together by Lenny Kaye from the Patti Smith Group.
In Australia, the album’s availability coincided with us taking a fresh look at our home-grown ‘60s bands, many of them also purveyors of perfect three- minute slaps of attitude and beat that were recorded with amps about to blow and guitars that could be purchased for 20 pounds.
The Purple Hearts, Missing Links and The Creatures were the more obvious names to drop. The more obscure a single you could talk about, the cooler you were, and the actual items became the Holy Grail, to be played while you read your imported copy of Creem magazine.
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The Stems have kicked off their 40th anniversary year with a new single ahead of their national tour, a live LP and dates in Europe.
“Falling from the Sky “is the band’s first recording since their 2007 album “Heads Up”. Recorded at Revolver Studios and mixed at Pet Rock studios in Perth, it features original members Dom Mariani, Julian Matthews, Dave Shaw and current guitarist Ashley Naylor (Even, The Church, Paul Kelly).
Dom: “I’d written the song about five years ago and had always envisaged the Stems doing it if we ever had the opportunity to record it. Lyrically, it’s a commentary on how attitudes change as one gets older and a little more cynical about things with the hope of love as the redeeming theme in the choruses.
“Dave and I initially tracked the song with Dave suggesting the groove and fuzz tone idea.
:It worked great and we sent it across to Jules to add his distinctive bass and backing vocals.
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Hard-Ons are celebrating 40 years of punk rocking in public with tours of both Australia and Europe, and the release of new music - and the release of that stalled full-length feature film, The Most Australian Band Ever”.
The single "Buzz Buzz Buzz"is out today on Cheersquad Records & Tapes and is the first taste of the current Hard-Ons line-up's yet-to-be announced third album. It's a Tim Rogers/Peter Black co-write and a promise of great things to come.
“The Most Australian Band Ever” is directed by Jonathan J. Sequeira for production companies Living Eyes and Play Vintage. Sequeira made the acclaimed 2017 Radio Birdman documentary, ”Descent Into The Maelstrom”.
The film will premiere on October 16 at SXSW in Sydney with a screening and Q&A at the Dendy Newtown. Here's a taste:
Perfectly timed with the band’s anniversary, “The Most Australian Band Ever” offers insight into the band's long existence, with plenty of live footage and interviews and guest appearances from Dave Faulkner (The Victims, Hoodoo Gurus), Ross Knight (Cosmic Psychos), Jerry A (Poison Idea), Steven Hanford aka Thee Slayer Hippy (Poison Idea) and Rob Younger (Radio Birdman).
The film has a particular focus on the Hard-Ons' early days, the obstacles - some self-inflicted - which they've had to overcome, and the legacy they've built.
The Hard-Ons' 40th Anniversary Australian Tour Oct - Nov 2024
OCT
18 - Soapbox, Brisbane
24 - Sussex Inlet Tavern, Sussex Inlet
25 - La La La’s, Wollongong
26 - Paddo RSL, Sydney
27 - Hamilton Station Hotel, Newcastle
31 - Altar, Hobart
NOV
1 - The Tote, Melbourne
2 - Singing Bird Studios, Frankston
3 - Red Hill Hotel, Castlemaine
4 - Barwon Club, Geelong
7 - Amplifier, Perth
8 - Indian Ocean Hotel, Scarborough
9 - Froth & Fury, Adelaide
Tickets
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The Strike-Outs – The Strike-Outs (Evil Tone Records)
The debut LP by Sydney duo The Strike-Outs is the duck’s nuts, the bees’ knees and all the other animal physiology that lies between. Twelve songs in 24 minutes, so brevity is at its core. But so are dynamics. a feral energy and a musicality that divorces it from standard two-chord thrash punk.
The Strike-Outs-are brothers Simon Vines on guitar and vocals and Adam Vines on drums. They used to be Thee Evil Twin until they shed a bassist. No bottom end? No problem. Simon’s tone and a kick drum high in the mix compensate just fine.
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Australian music industry charity, Support Act, has launched an appeal on behalf of iconic Perth-based punk/garage-rock figure and drummer James Baker, founding member of legendary outfits The Victims, The Scientists, The Hoodoo Gurus, The Beasts of Bourbon and The Dubrovniks.
James was diagnosed with terminal liver cancer nine years ago and now requires constant care, which means his partner Cathy has to give up full-time work to support him. James and Cathy have been working with a specialist medical team to keep James around for as long as possible. A target of $50,000 has been set to assist with medical and household expenses associated with James' palliative care.
You can donate here.
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