The first thing you hear when the stylus drops on Radio Birdman’s “What Gives?”, “Aloha Steve & Danno”, ”Descent Into The Maelstrom”, “Do The Moving Change” or The Visitors’ “Hell Yes” are the drums.

Solid, to the point, perfectly simple, lots of swing and dead on the money, That drummer’s name is Ron Keeley, who also played with Radio Birdman precursor The Rats (with Warwick Gilbert and Rob Younger), The Other Side (with Rob Younger) , The Hitmen (with Chris Masuak and Warwick Gilbert) and Comrades of War. 

I wanted to hear Ron’s story first-hand and have a beer or three with him in his adopted home of Woking, Surrey,l just outside of London. It's only a short, 17,000-mile trip from Sydney, Australia. We met in The Crown, a wonderful old-style “wet pub” (no food, no gambling, no TV - just drink, so what’s not to like?) in July 2023.

Read on at your own peril.

Legendary Australian guitarist Charlie Owen is playing select solo shows in Canberra and New South Wales in October that will reflect on his career of amazing collaborations. 

His band history includes Beasts of Bourbon, the New Christs,  Tex ,Don & Charlie, Tendrils and Working Class Ringos, and he’s collaborated with Paul Kelly, Chrissie Amphlett and Louis Tillett.

His show “Searching for Charlie Owen” involves him playing and talking his way through his own back pages and shows why he’s regarded as one of our greatest guitarists.

Charlie will be joined on the bill at Smiths Alternative in Canberra on October 28 by special guest Penny Ikinger, the former Wet Taxis member and a solo artist in her own right.  Tickets are here.

And the show at MoshPit Bar in St Peters, Sydney, on Saturday, October 29 will also involve a support bracket from Penny Ikinger, again in solo mode. The line-up will be opened by MD Horne and Matt Allison. 

Tickets numbers for Sydney are capped and are available here.

_{Richard Sharman photo.}

The label "Elder Statesman" doesn’t do Ed Kuepper justice. His career started in 1973 and spans the Saints, Laughing Clowns, The Aints! and scores of bands bearing his own name. His solo work explores a wide range of musical styles, including punk (whatever that is), folk, rock, blues, and jazz. 

His landmark solo records, "Electrical Storm” (notably his first) and "Honey Steel's Gold" (his break-out effort) were recently re-mastered and re-issued. Sounds like a good excuse for an Australian tour, not to mention an interview at the hands of Robert Brokenmouth. Here’s how it played out. 

It’s Time - Pocketwatch (self released)

Pocketwatch sprang out of the garage and onto the Sydney music scene just on a year ago, and within months were a “must see” with their infectious and full-on energy shows.  

Capturing the spirit of 1977 and the melodic British punk of The Jam and The Clash, they had lashings of melodic hooks. Their youngest member was only 15-years-old which limited the venues they could play. Despite that handicap, they had a work ethic - and it showed. They became tighter with every gig and delivered some blistering shows.

Songwriter Angus Ross emerged out of his bedroom with a batch of songs he’d been creating for a fews years and teamed with the amazing rhythm section that is Jamie Woodward on bass and Sam McInerney-Wand on drums. 

The Loud Hailers.
Hollywood Hotel, Surry Hills, NSW
Thursday, August 14, 2023 

Photos: Nick Bleszynski 

Sydney was once a dangerous place.

As a teenager from the bush, I had read about live music venues like French’s and The Southern Cross Hotel; actually being there was a baptism of fire. 

It was the music that attracted me to the inner city in – particular, Surry Hills. It was the heart of a city where there was a pub with music on every corner, and where you could see your first band at 8pm and move from one venue to the next. You could still be watching a band at 3am in Kings Cross – even on a week night.  

It was dangerous yet romantic, a place of beauty with a view of its Harbour but one with a dark undercurrent of lawlessness, corruption and gangs that went back to the Rum Rebellion.

Australia's Cosmic Psychos have racked up 40 years and will play three very special shows in rural Castlemaine, Victoria - a short stagger from mainman Ross Knight’s farm.

The main shindig takes place at the Theatre Royal on December 1-3 with Cosmic Psychos rounding up all their favourite bands (and some very impressive surprise guests) for a wild weekend down at Knighty’s local. 

In addition to the big bash, there will be more events and parties around town so grab some mates, load the esky and fang it to Victoria’s goldfield country for a big ol’ bender.And, because it’s their anniversary, Cosmic Psychos also want to kick back and enjoy the festivities, so they’ve roped in some very special bands to headline each show.

Mother - Members of The Professors (self released)

You'd think that all the barrels had been scraped. It's not as if there hasn't been a pile of annotated double CD sets purporting to present a Nuggets-style reproduction of the punk/new wave, not-so-halcyon Australian sounds of the late ‘70s.

Okay, I know that Filth were recorded at the Adelaide University gig but I can only assume those tapes have vanished.

But other than that, what could be still out there?

I should have known something was up when late '70s inner-Sydney raised guitarist Bruce Tindale started posting gleeful pictures of yore on his Facebook page. This morning I was rudely awakened by a ding on my phone. The ding led to this.

The Truth Is In The Sound We Make 
by Carlton Sandercock and Per Nilsen
Wintergarden Books 

It is The Last Word in illustrated Stooges books.

Big statement, and the competition has been stiff. 

Change my mind. 

First there was 2009’s lavish “Stooges: The Authorized and Illustrated Story” by Robert Matheu (R.I.P.) and Jeffrey Morgan that chronicled the band’s two careers in pictures and essays. 

Ten years later, photographer Ed Caraeff’s “Iggy & the Stooges: One Night at the Whisky” was a beautiful visual document of a 1970 Los Angeles show during the recording. of “Fun House”. It was limited in scope but evocative in execution.  

A few years later, “Iggy & The Stooges: Raw Power” by the late Mick Rock followed. Rock not only captured the memorable image on the cover of “Raw Power”, taken at the Stooges’ only UK show, but a slew of images of the boys during downtime.

“Total Chaos” by Iggy and Jeff Gold contained rare documents and handbills, but was mainly text and most of the live photos were familiar.  

So Wintergarden Books (publishing arm of Easy Action Records), has scooped the pool with this 300-page, hard cover behemoth. 

Should Have Smelt a Rat – The Howlin’ Rats (self released)

 The debut album from this Newcastle, Australia, trio is an auspicious one. Its sound harks back to the early ‘70s, and it sits out in the blues rock cosmos like an orphan child of Chain, Blue Cheer and the early Deep Purple. 

Unlike the body of work that Chain left behind, it’s light on for the boogie beat. The Howlin’ Rats cook up a main of prog rock-tinged doom with a mild sense of psychedelics-induced foreboding on the side. It’s the blues, Scotty, but probably not as you know it. Someone get them on a bill with Datura4.

The Howlin’ Rats came about from a jam at a 2019 open mic at Hiss & Crackle Records in Newcastle’s Wallsend Delta when nobody else showed up.