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big daddy K

  • shark-armFirst heard this outfit on Big Daddy K's Sydney community radio show (2RR, 6pm AEDT Saturday nights). They'd released a single ("Dog's Breakfast" b/w "Stitched", and I was smitten. So I got in touch. Turns out the band have released an LP, but as so many do, it's virtual at present.

    You'll excuse me. Many, many bands show their influences. Sometimes these are subtle or complex. When I first listened to "Any Port..." I thought they were familiar with Chris Walsh's bass in The Moodists... but no, apparently not. They've taken the bits of bands which have most impressed them, and created... some sort of powerful monster.

    Shark Arm are anything but subtle. They've taken aspects of The Birthday Party - but not the bits the Jesus and Mary Chain took - the violence at gigs, the shriek-y feedback, the singer leaning on the the guitarist onstage, and - of course - the big hair. None of that. Instead, we're looking at a two-piece (drums, and guitar/ vox) who use ugly bass loops, sing clearly about ugly truths, and whose guitarist has learned about space as well as position.

  • big daddy k 2023

    1. R.I.P Ron Peno and Louis Tillett
    To start on a sad note we lost Two of our greatest vocalist/Front men within days of each other in August last year - Louis Tillett and Ron Peno.

    I don't have any of Louis Tillett’s albums apart from The Wet Taxis’ “From The Archives” record, but had seen his live performances lots of times over the years.  Of course, there were his legendary shows with Paris Green during their residency at The Sandringham Hotel in Newtown in the late '80's, and I recall seeing him solo on piano at Bar Broadway in the early '90s.  The last performance I saw him was at The Factory Theatre which I think was one of his last gigs.