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deniz tek

  • tokyo penny packshotPenny Ikinger’s third solo album, “Tokyo”, is on the way in Australia with launch shows in Melbourne and Sydney.

    “Tokyo” is an international collaboration with guitarist Deniz Tek from Radio Birdman and musicians from the Japanese psychedelic rock underground.

    “Tokyo” was released on Kerosene Records in Japan when Penny Ikinger performed in the Japanese capital with local band The Silver Bells last month. The Silver Bells will also back her at the Australian Tokyo album launch at Melbourne Museum’s Nocturnal on Friday, September 7.

    The Japanese version includes a bonus track - a cover of “Boys in Town” by Divinyls. “Tokyo” will also be released by Melbourne label Off The Hip Records worldwide in August. Pre-orders (A$20 within Australia or A$25 overseas, postage included) can be made by Paypal at This email address is being protected from spambots. You need JavaScript enabled to view it.

    Penny Ikinger “Tokyo”  album launch dates
    Friday 7 September - Nocturnal at Melbourne Museum with The Silver Bells, Taipan Tiger Girls, The Pink Tiles & Adalita (DJ set)
    Friday 22 September - The Union Hotel, Newtown, solo with The Maladies
    Sunday, 23 September – The Golden Barley Hotel, Enmore (solo)

  • grown up wrong banner

    This could be the best news fans of raw and real rock and roll will hear this year: Esteemed Australian label Grown Up Wrong - th forerunner of Dogmeat Records - is back in business. Owner David Laing is kicking off with a bang with two killer releases to get the ball rolling (again.)

    First  is a fantastic collection of primarily live recordings from the original Perth-based line-ups of The Scientists - back when James Baker of Victims/Hoodoo Gurus was still drumming for them. "Not For Sale: LIve 1978/79" is an archival set of recordings from the band's ragged powerpop days when they sounded like a collision between the Flamin' Groovies and The New York Dolls.

    The second release is a reissue – with extra tracks, and for the first time on vinyl – of a rare 2002 live album called “Ann Arbor Revival Meeting” by Scott Morgan's Powertrane with Deniz Tek and Ron Asheton.

  • sound of syndey 4 lgeRevived Sydney record label Method Records and Music is crowd-funding a collection of unreleased and rare recordings by some seminal Australian artists.

    “Sound of Sydney Volume 4” reprises the compilation series the label issued in the 1980s and so far includes tracks from Ups and Downs, Deniz Tek, the Hard-Ons, Happy Hate Me Nots, Even As We Speak and Fast Cars.

    “The purpose of this crowdfunding is essentially a pre-sale for the latest volume of the Sound of Sydney,” says label owner Fabian Byrne, also part of Fast Cars.

    “We want to press on vinyl as well as CD and print a really cool T-Shirt based on the album design which will feature one of legendary artist Peter O’Doherty’s brilliant paintings of Sydney."

  • electric junkElectric Junk - Jeff Dahl (Iwannabeahoople Records/Ghost Highway Recordings)

    Jeff Dahl w,as born in Stuttgart, Germany in 1955 and then relocated to Hawaii in 1960. He moved to Los Angeles and the rest is SoCal punk rock history.

    This most underrated singer-guitarist has released about 26 albums, serving time in the wonderful Angry Samoans and going on to play with with Cheetah Chrome (Dead Boys) ,members of The Germs and 45 Graves, and collaborating with Poison Idea. Not a bad rap sheet. He's now living back in Hawaii. 

    Receiving Jeff's new album, "Electric Junk", I was very exited to hear some new tunes from this living legend. Let me tell you: It just rocks with those songwriting and guitar playing skills shining like a harsh Hawaiian sun.

  • Punk/proto-punk guitar heroes, James Williamson (Iggy & The Stooges) and Deniz Tek (Radio Birdman), have joined forces for a studio album. "Two To One" is released in September 18 by US label Cleopatra Recordsand "Stable" is the lead-off video track..

    Williamson and Tek met at a memorial show for founding Stooges guitarist Ron Asheton in 2011 and reconnected when Williamson finally made it to Sydney with Iggy & The Stooges in 2013. They’ve since become neighbours in Hawaii. Although generationally separated,  they share roots in the fertile Ann Arbor/Detroit high energy rock scene of the late '60s and early ‘70s.

  • dtg china

    You thought Donald Trump and Kim Jong-Un were breaking new ground in geopolitics? Deniz Tek and solo band are undertaking a quick-fire tour of China this week. 

    The seven-date tour includes a Shanghai screening of "Descent Into the Maelstrom". The shows are being organised with the assistance of Shanghai-based Round Eye, a band comprised of US expats who have previously played Chinese gigs with M.O.T.O. and Paul Collins Beat. .  

  • the undermines albumIt’s taken me a little while to get to this one, and I wish I’d got here sooner.

    There’s 12 tracks, nine by guitarist Dylan Webster, three by other guitarist Jason Sharples. With your bass by Dave Lundquest, drums by Serge Ou (no, really, that’s what it says here) and vocals by Michael Preiss… we’re looking at a band capable, if we read the back of the CD right, of constructing and delivering the twin guitar assault.

    Do they?

    My oath they do.

  • Tokyo front coverIt's a long time between Penny Ikinger records but the results are usually worth the wait. "Tokyo" follows "Penelope" (2010) and "Electra" (2003) and is as evocative as ever but with a slightly rockier disposition.

    "Tokyo" was recorded with a batch of top-notch Japanese psychedelic musicians, with heavy input from Radio Birdman's Deniz Tek. The latter's influence is evident - not just in some flammable splashes of lead guitar but also in the odd lyric. That Four Winds Bar sure has done some mileage since being name-dropped by Blue Oyster Cult all those years ago...

    Even so, "Tokyo" is very much a Penny Ikinger record. Gone are the days where she needed to be referenced as "a past member of Wet Taxis" or as "Nico defrosted". As clever as that last marketing line was, Nico ultimately shut out the world. Penny embraces its musical possibilities and has her own distinctive voice.

  • swc wideFrank with The Streetwalkin' Cheetahs.

    TOP TEN ALBUMS

     Cheap Trick – "In Another World" 
    The masters of hard rock power-pop return with another banger. What year is this? How is it possible these guys are still so good? 

    The Wildhearts – "21st Century Love Songs"
    Ginger
    is one of my favorite songwriters and this Wildhearts album is a ferocious reminder that he is still at the peak of his powers.

    The Darkness – "Motorheart"
    My favorite Darkness album since their debut, this one has swagger, hooks, and lots of blistering guitar riffs!

  • dylan webster 20221. Do The Pop! Festival, October 2022 - Port Campbell, VIC.
    One of the best rock n roll experiences I’ve had since the glory days of the Big Day Out in early-to-mid-1990s. A good sized, easy going crowd, all (mostly) attending for two good reasons: beer and rock 'n' roll. An exceptional line-up featuring a range of established and up-and-coming bands. Big thanks to Mick Simpson of Grindhouse and friends for organising what will go down as one the great inaugural festival events. No question this is my Number One pick for 2022. 

    2. Howlin’ Threads EP "Of The Sea"(Meinshaft Records)
    It was great to self-release this 4 x track EP featuring contributions from a wicked array of Australian rock n roll legends, including Penny Ikinger (Wet Taxis) on vocals, Deniz Tek (Radio Birdman) and Kent Steedman (Celibate Rifles) on lead guitar, James McCann (Harpoon) on slide and harmonica, and Brent Williams (New Christs) on keys. I’ll be forever grateful for the opportunity to work with all these amazing people. For those keen to own one, a few Deniz Tek autographed copies are available here.

     

  • FranklinAvery williams tekStudio work: Jqmes Williamson and Deniz Tek. Franklin Avery photo.

    It’s a back to basics, guitar album but “Two To One”, the joint effort from James Williamson (Iggy & the Stooges) and Deniz Tek (Radio Birdman), had a complicated gestation that birthed a record in the nick of time. 

    Commissioned by Los Angeles label Cleopatra Records a year out from its planned release, most of its 11 songs were worked up in face-to-face sessions in Hawaii, where Tek now lives and Williamson spends half his year at his vacation home. 

    After Williamson went back to his home in San Francisco, the songs were refined via file sharing before Tek flew to the mainland in December last year for rehearsals and a recording session for the basic tracks at Studio D in Sausalito, California.

    Sessions for vocal tracking and guitar overdubs followed on both sides of the Pacific. The record was mixed and about to be mastered when the first ripples of the COVID-19 pandemic became a global tidal wave.

  • After collaborations for singles with Petra Haden (“Blues Jumped The Rabbit”), Lisa Kakuala (“I Love My Tutu”) and Maia (“Sickkk”) in the last six months, ex-Iggy & the Stooges guitarist James Williamson is poised to release an acoustic EP with Radio Birdman’s Deniz Tek.

    “Acoustic KO” is being released digitally and as a vinyl EP on March 31. The track listing is “I Need Somebody”, “Penetration”, “Night Theme” and “No Sense Of Crime” and you shouldn’t need to be told that the first two come from “Raw Power” and the others from the Williamson-Pop “Kill City” album. Tek provides vocals and guitar on three cuts and Williamson contributes guitar (naturally) but expect acoustic drums, guest singers and an orchestra in there too.

  • fanforce 01

    Many people have tried to make a Radio Birdman documentary. For a variety of reasons, only one has succeeded.

    And it would have been so easy for Jonathan Sequeira to fuck it up.

    Don’t worry. He hasn’t. Not by any stretch of the imagination.

    “Descent Into The Maelstrom” was screened to a select audience of band members, followers, media and other hangers-on in Sydney last night. The venue was the Chauvel Cinema, deep inside – ironically enough – Paddington Town Hall, the scene of the definitive Radio Birdman line-up’s last Australian stand.

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