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garage

  • who is innocentTheir legacy was just two LPs and a stack of singles but Fixed Up’s punky and soulful garage rock touched people in their native France and all the way around to the other side of the world in Australia.

    A lot’s been made about the Sydney-Detroit connection, mainly through Radio Birdman and its now fading local musical legacy. The irrefutable fact was that Birdman and its associated influences ruled the Sydney roost in the early 1980s. As true as that was, you can make a strong case for the affinity between Australia and France being almost as important, once the Sydney underground scene started to diversify and expand. 

    The Franco-Ausstralian link was made when John Needham, chief of seminal Sydney label Citadel Records, started dealing with the likes of Sonics Records in France. Suddenly, there was a pipeline for Australian bands to have their music heard on the Continent - meaning outside the UK where the perpetually jaded music press briefly adopted Aussie arty pop, junkie rock and the swamp sound for a time. 

  • wolf-partyA compilation of 17 of the most bent, raucous and screwed up lo-fi musical artists from New Zealand? Sounds like a concept worth bottling and who better than Switzerland’s Voodoo Rhythm to bring it on?

  • mesacosaThis is an album awash with snarling, fuzzy guitars that sting sweaty skin like summer dragonflies and leak their business all over the place. The vocals are shout-sung in Spanglish to a tattoo of primal tub thumping. It’s self-described as the Stooges convening in a tequila bar - and that’ll do me.

    They came out of nowhere, got cold feet and went back there again but Eddy Current Supression Ring still casts a shadow over Melbourne’s bustling garage rock scene. Mesa Cosa mines the same rich vein of suburban humdrum for their lyrical themes, but it’s in the direction of Spanish madmen Wau Y Los Arrghs!!! that they most frequently nod their musical hat.