greg hitchcock

A debut as strong as “Demon Blues” was always going to be hard to top, but but Perth’s hard rock combo extraordinaire Datura4 has scaled that mountain seemingly without trouble.

There’s a deeper psychedelic vein running through “Hairy Mountain” than its predecessor and the songs are just a touch stronger. Dom Mariani and Greg Hitchcock have solidified what was probably a fun idea involving teenage bandmates reuniting into a serious guitar partnership with some scorching sonic explorations. And the gun rhythm section of Warren Hall (drums) and Stu Loasby sounds in command and totally at home.

_{The Celebrity Roadie informs The Barman that he can't go out in public like that. As usual, he's ignored. Kyleigh Pitcher photo.}

This is a Top Ten of two parts. First, live gigs, and second, albums. You know. Second part, different from the first.The rule of not reviewing my own gigs goes right out the door from the get-go. Got an issue with that? See you in the carpark...

Chris Masuak and the Sydney City Wave Riders:
This was a sensational run of shows- a mini-tour in and around Sydney because that’s all that time allowed - by Klondike and his crack band of Tony Bambach (bass) and Stuart Wilson (drums). Great players, top blokes. Armed with a killer setlist drawing on most of Chris’s back catalogue, the guys fired from the get go. Many of the versions surpassed the originals with Maz playing two guitar parts, as few people can. The shows blew away much of the skullduggery and malakarey involved with certain ghosts from the recent past.

HITS at Marrickville Bowlo
You can’t keep playing the same old songs or you’ll get staid and there’s no sign of HITS doing that just yet. Members are now scattered the length of the East Coast so it can’t be easy getting together…or maybe that’s a blessing in disguise because it keeps things fresh. They continue to be THE Aussie band to follow.

It's Album Number Three for the blues-psych-boogie West Australian combo built by Dom Mariani (The Stems, DM3) and mates and it’s like the members sat in a studio and conspired to make everything heavier than what came before. If you want to be technical, they set the pan pots to Full-On Raunch and slammed the faders waaaay up to 11. All while wearing double denim.

While "Demon Blues" and "Hairy Mountain" had their feet stubbornly wedged in the mud of a rain-soaked Sunbury Festival paddock, "Blessed Is The Boogie" dives into the back of a Holden Sandman and posts a "If it's rocking, don't bother knocking" sign on the curtained back window and goes about its business.

_{Robbie Harrold photo}

One of the album highlights of 2016 was "Demon Blues", the debut release by Perth-based rock-psych-boogie band Datura4.

A quartet led by Stems/DM3 songwriter Dom Mariani and ex-New Christs, You Am I, Bamboos and Monarchs guitarist Greg Hitchcock, With Stu Loasby (bass) and Warren Hall (drums) completing the line-up, Datura4 conjure a heady mix of guitar-raunch 'n' roll and heavy melodic jams - in the tradition of the Colored Balls and Masters Apprentices, yet unlike any other Australian band currently treading the boards.

Their second album "Hairy Mountain" has recently been unleashed by US label Alive Natural Sounds and we chased down Dom Mariani for a brief grilling, ahead of a quick-fire tour of Australia's East Coast.  

The term “jam band” first flashed across my radar in a small bar in Ann Arbor, Michigan, in the early ‘00s. It was in a pub called The Eight Ball, underneath the much more famous Blind Pig. I was lucky enough to be sharing a drink with Scott Morgan. (Ooops. I dropped a name.)

“Who’s playing upstairs tonight?”

“Some jam band.”

“A what…?”

Johnny Casino albums are a treat for the converted and a revelation for those less fortunate. If you’re one of the latter, “Trade Winds” is as good a place as any to start.

It’s been way too long between records for Johnny - both this album and its predecessor "Time and Time Again" are old recordings woodshedded for later release - but well worth the wait. The big fella from Sydney’s Northern Beaches makes Spain his home these days, where he plies his dual trades of tattooing and playing music.

“Trade Winds” was recorded before he emigrated a couple of years ago with a crack band in North Fremantle, Western Australia. Drummer Warren Hall (The Volcanics, Datura 4, The Drones), a longtime Casino sideman, joined with Martyn P Casey (Nick Cave and the Bad Seeds /The Triffids/Grinderman) played bass. That’s as fine an engine room as you’ll find.