hard-ons

Top Tens for 2023: Mark Fraser of Vi-Nil Records and Redbackrock Surf & Snow Clothing. Former partner in Link & Pin Cafe, Woy Wo

Fave releases:

DMA’S – “How Many Dreams”
A virtual hit factory from go to woe. Melodies. Feelgood. Pretty much perfect. 

HARD ONS – “Ripper 23”
Clever cover art. Clever songs. Pop-etched perennial punk from here to Punchbowl.

LION ISLAND – “Pilot Termination Kiosk”
Infectious and dangerously catchy indie rock with an A plus report card. 

COUSIN BETTY – “Self Titled”
Hard and fast, some softer moments that build and explode, some quirky side-tracks, and plenty of sheer aural insaniity. This thing is a beast. 

OWEN GUNS – “Monks in Sexyland” 
Beautiful irreverence that never ever holds back. That’s The Owen Guns. This eight-slab smacker is a doozie! 

I prefer to refer to the list as BIG DADDY K'a 0 SIGNIFICANT EVENTS OF 2024 rather than a top 10, as it's not ranked in any particular order. 2024 was a year of milestones with several Australian bands and institutions celebrating significant anniversaries. Hewre are a few:

1. Public Broadcasting Radio Station RYDE REGIONAL RADIO (2RRRFM)
The station that I have been involved with for 37 years, celebrated its 40th anniversary. Started by a lobby group and initially only broadcasting for a few hours a day from a garage in the grounds of Meadowbank TAFE. Since 1988, the station has been located at Henley Cottage, where it currently has two studios. It now broadcasts 24/7, featuring a wide range of musical genres and talk shows of local community as well as general interest, and runs a radio training course.

The station hosts several alternative rock music programs that would be of interest to I 94 Barflies, most notably “Sonic Stew” on Monday nights, “Virtual Unreality” on Friday evenings, “Timeslides” on Saturday afternoons, and, of course, my program, Sydney Sounds, at 2pm on Saturdays. (Several of the shows are podcasted, or you can stream them live via 2rrr.org.au and all the streaming radio apps).

 Ten musical things I dug in 2024.

• The Hard-Ons got to celebrate 40 years of ravaging the stage. Still as high-energy and still as true-to-form, brutally honest as ever. And a brand new doco to boot. Go see it. It’s great. Oh, and next year marks 40 years since the release of their debut EP, “Surfin’ On My Face” (ED: On Mark’s label Vi-Nil Records). Just sayin’!

• Middle Kids released an album that was completely hitsville from go to woah. Their previous releases all had a couple of great standout tracks, but “Faith Crisis Part 1” is their ultimate opus. Infectious indie pop that sits on the edge of mainstream and subsequently shits all over half of the commercial shit that has been released this year. 

• Elestial are a band that hails from Newcastle in Australia, and their nicely structured dream-pop is a beautiful shot of razored honey.  I was lucky enough to have them do a chunk of the INDIE SOUNDS launch tour throughout July, and they nailed every show. A nicer bunch you couldn’t meet. 

• Chamberlane are an indie pop punk band out of the Sunshine Coast. They jumped onto a last minute slot on the INDIE SOUNDS tour to help us out, and despite being hungover to the max from a festival the day before, they kicked the shit out of it. They’ve just finished a bit of an east coast tour and I was lucky to have them on board as part of the recent Vi-Nil Records showcase at The Recky Pacific Palms. Fun at a furious rate! 

_{Scotty Bradbury. Photo by Lisa G Photography}

Top 10 Drum influences for 2024
Let me start this by acknowledging that John Bonham is a given for any rock drummer, so to make it fun I will leave him off this year, honourable mention to Zigaboo Modeliste of The Meters (Cissy Strut).. who had an influence on the great Bonzo of Led Zeppelin, for sure.

This list is a mix of old faithful and new players that got me off the sofa in 2024, only to land straight back on my ass … putting the drum throne through its paces.

1. Phil Rudd (AC/DC)
Phil Rudd is a feel, an adjective in drumming. Comments like “give it more Phil Rudd” can be heard in studios across the world. His less is more, play to serve the song, dig into the grove – see “Whole Lotta Rosie” approach is legendary. We only ever miss him when he isn’t there, because man… does he make a difference. The heartbeat to some of the most iconic rock songs ever, there is no other like him. I would refer the reader to the eight count at the beginning of “Back in Black”. The guitar scratches along for the first six beats … the last two hits on the Hi-hat “three…. four..” are to me, the best two notes ever played in rock’n’roll.

2. Dave Grohl (Nirvana, QOTSA, Them Crooked Vultures, Killing Joke, Probot)
Yeah look, a lot has been said about this guy musically …my wife rolls her eyes and leaves the room whenever I mention his name …I probably do talk about him a lot, so what, he really is that fucken good…albums like “Songs for the Deaf” or “Them Crooked Vultures “ and songs like “No One Knows” or “Elephants” come on!! Oh and please listen to “Killing Joke” (2003 album) this album lived rent free in my head for a full year when it came out, it’s a really cool record, the drums were recorded last and Dave Grohl worked to adapt parts written on a drum machine all of which is a little unconventional.

Dave doesn’t play fancy, lots of doubles and Triplets where the hand speaks to the foot in reply, he is creative and hits hard. You have to hit the drums to make em sound good, dynamics are fine but …tapping them won’t work. Drumming and music come naturally to Dave; he manages to play great parts most every time. “Dave Grohl – Play” (Official Video) is a good example of the level that this guy is at, it’s a journey no judgment if you don’t watch it all the way through. If an artist sounds like themselves then you are truly serving the moment. You can be influenced and inspired by anything, but when you play, if people recognise that sound as you, you channelling through an instrument …. That’s a most excellent moment.

Back in the 1980s, Sydney indie label Vi-Nil Records released the likes of singles by Hard-Ons, Lipstick Killers, Psychotic Turnbuckles, Labradogs, Conspirators, The Klerks and more. Forty years on, a new compilation album "Indie Sounds From The Harbour City (1983-1987)" showcases the cross section of bands on the label, and has been pressed on 14-track splatter vinyl and a 20-track, digipak CD.

To celebrate the album and the re-launch of the label, a series of kickarse live shows are locked in for late July. The first album launch is at Marrickville Bowling Club in Sydney on Friday, July 22, featuring the seasoned power pop of The Labradogs, the garage/punk/psych sounds of newly signed teensters Shacked, the stripped back intimate airs of Peter Black (aka Blackie from Hard-Ons) the Detroit garage energy of The Conspirators (playing a very rare show). 

Tickets go on sale hereon Tuesday. 

Lion Island, Labradogs, Shacked and Blackie will play a second launch at Link and Pin Cafe in Woy Woy onj July 23 and the4 Hamilton Station Hotel will host a Newcstle launch on July 24 with Disgraceland, Shacked and Labradogs. Pre-sales for the album are open here.

Indie Sounds From The Harbour City (1983-87) – Various Artists (Vi-Nil Records)

The Vi-Nil label lurched into life in 1983 with The Klerksand spawned more notable offspring such as the Hard-Ons and the Psychotic Turnbuckles before winding down at the end of the decade. This collection marks the label’s re-birth, and features a representative selection of its first era stable.

There are 20 tracks and it’s a diverse output, ranging from power-pop to acid punk and back to new wave and garage rock. Vi-Nil’s release of “Sockman” by the Lipstick Killers was my introduction to the label and to these ears it still epitomises the frenzied attack of the first era line-up.

Australia most enduring musical contradictions the Hard-Ons have pulled another surprise out of the hat by recruiting You Am I’s Tim Rogers as frontman.

The announcement was quietly made on Facebook via a change to their page’s` listed line-ups on Tuesday. A photo of the reconfigured Hard-Ons was released on social media overnight, along with word that a single with their new singer would appear digitally on August 13.

The band parted ways with founding drummer-turned-frontman Keish de Silva in March this year after historical allegations of sexual impropriety.   

You Am I released their 11^th studio album, “The Lives Of Others”, in May.  

Online reaction to recruitment of Rogers has ranged from incredulous to delighted. Rogers' recruitment has beewn a closely-guarded secret for some months.  

There’s no word on live shows yet although lockdowns in Australia are making touring problematic for any act with dispersed members.  

“Yummy!” marked the Hard-Ons’ arrival on a major label's promotional roster and you had to be mad, deaf, both or no longer breathing not to hear the greatness in the songs. A decade-and-a-half later with a re-mastering job in place, it sounds even better.