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helen cattanach

  • Tommys live Oldbar2JP

    It’s been a busy year for the Tommys: plenty of shows pushing our new 45 "Born To Follow" b/s "Window Pane” including a live-to-air on 3CR’s fabulous "Burning Vinyl" radio show.

    1. 1969 Ludwig Supraphonic snare drum
    There’s a reason why this is the most recorded snare in history. Just killer.

    2. Pork Pie Drum Throne.
    To any drummer or bar stool hog out there. Pay the extra and never look back

    Pork Pie

    3. Little Green Festival, St Kilda Bowling Club, March 2025

    4. The T Bones celebrated their 40th Anniversary with a cavalcade of lineups from over the years.
    Helen "Hellcat" Cattanach of Moler and I were the rhythm section on the first 45 and album. Great fun to rock out again including a warmup show at Bar 303, Northcote.

    T Bones 303

    5. Show with Kreep 500 Town Hall Hotel at North Melbourne
    Played some fun shows this year with Mick and Otto's raucous rockin’ garage two-piece.

    Tommys Kreep 500 Townie

    6. The Wraylettes with The Tommys - Bendigo Hotel, Collingwood

    Wraylettes Tommys

    7. Pearly Shells with Robert Susz - Jazz Lab, Brunswick.
    I lived in Darlinghurst in 1985 and used to catch Continental Robert and his bar band at the Piccadilly Hotel in the Cross every Sunday arvo for free. He still has the tone and chops, and the Pearly Shells Big Band nailed it.

    8. Ocean Vuong – The Emperor of Gladness

    9. Archie Moore, kith and kin – Queensland Art Gallery 
    Immense.

    10.  Perfect Days - Wim Wenders.  

  • ozone stThis record is so damned cool. So damned ultra-cool.

    It’s sorta- like the late ’80s indie punk art of Sonic Youth with its rocky side exposed, combined with The Pixies and with the classic English rock pop of T-Rex thrown in. There’s even a nod to US ‘60s girl pop and urban country twang. It stayed in my CD player for a few weeks, and I keep hitting the the play again.

    Los Dominados is essentially a band formed from the remnants of Moler, who mixed it up as a grungy, power pop band playing hip, street-level music with tough lyrics in the late ‘90s. Twenty years later, there’s been a vast development in song-writing - as shown in this, the band’s fourth album. We find a broader tapestry of influences and the band members have learned a lot about minimalism as well as using dark and light shade. And about sophistication.

  • spencer adl2 
    I missed the first band, but I’ve heard good things. I did catch The Pro Tools.

    Led by the extraordinary Pete Howlett, ThePpro Tools hammer at you - they’re a lot of noisy, in-your-face fun; coupled with Howlett’s almost Dolls-esque behaviour.

    “No-one flicks his hair with such elegant contempt as Johnny Thunders,” remarked fellow audience member Nazz Nassari tonight, in response to my observation that Howlett’s perfectly timed angry slash at his hair toward the end of their set expressed an eloquent contempt). I never saw Thunders, but Howlett has a sort of compressed loathing of his instrument, despite his dexterity and talent, as if somehow the instrument simply cannot do what Howlett wants it to. Therein lies part of the public persona/reality of the man.