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outtaspace records

  • home science cvr Home Science – The Warts (Outtspace)

    You have to look hard to find Uralla on a map of New South Wales. Nestled  in the Northern Tablelands, not on the way to anywhere in particular, it’s a town of 2,000 people and not the sort of place you’d expect to find a band like The Warts. Or so the cliche would have it.

    The Warts have been around for a couple of years and with the benefit of hindsight (along with their Bandcamp) it’s clear that they began life with more than a passing interest in Krautrock acts like Neu.

    At least that’s how their 2019 album “Weakened by Mange” sounds when they were a quartet. Fast forward to now and long-player number two, “Home Science”, is closer to Fugaziwithout the same sense of economy.

  • pilots landscape

    Canberra proto-punk-cum-metal band Pilots of Baalbek have released their second album, “By The Seat Of Our Pants”, on happening label Outtaspace and you night want cock an ear to what they're doing. 

    Said to be “a groovy platter of ‘70s-style space rock, punk, heavy metal, boogie and glam”, the LP references Hawkwind, The Sweet, New York Dolls, AC/DC, Stooges and MotorheadBig call but you can judge for yourself by this filmclip for "Cargo Cult" by Mike Foxall (Neptune Power Federation, Nancy Vandal, The Fizz. 

  • songs about cover lgeThe loveable (or hateable) knuckleheads, The Owen Guns, will release their new single "Me and My Big Mouth" across all streaming platforms on April 17.  You'll find the link to the premiere at 0900 (AEST) on the same day below, after the fold,

    It's the second single by the bnand based in Wollongong, New South Wales, from their forthcoming album "Songs About Fucking Idiots". The long player (with no apologies to Big Black) will be released on May 22 (on vinyl, CD, and streaming) through Outtaspace Presents and Booker/Bastard Records

    Says singer Sean The Bastard about “Me And My Big Mouth”: “It's a song about speaking out, getting into trouble because of it, and being unwilling/unable to change”.

    Backed by a pummelling drum track and the slashing guitar and basswork you've come to expect from this cheeky four-piece, it also features the sterling triangle playing of Jay Whalley (Frenzal Rhomb).