rank outsiders

You might think of it as just another European label re-issuing an American artist’s old work on vinyl - a smart commercial move because nobody in Europe buys albums on CD - if they can help it.But you should consider Hound Dawg Records' engineering the re-appearance of the first record for Pat Todd’s post-Lazy Cowgirls outfit as a public service. Here’s why:

 _{Josie Jose photo}

Best Albums of 2021 (not in order)

Blowers – “Blowers”  
In the tradition of Jay Reatard and the Oblivions, Blowersare a band that proves less is more. Killer bare basics, as well as plenty of humour. One take, if there’s a mistake, fuck it, that’s the take. This LP is prime example of garage rock at its purists and best.

Civic – “Future Forecast”
After a few brilliant EPs it’s great to finally get a full Civicrelease. Combining elements of ‘90s Melbourne rock and US 2000s gunk rock, this stayed on the turntable for a good fortnight.

Cutters – “Australian War Crimes”
Six tracks clocking in at 10 minutes, including a diss on Rye, a suburb I don’t care for, and the title track, a reaction to revelations of Australian SAS soldiers’ behaviour in Afghanistan. Brutal and superb.

_{The Barman on tour in Japan at Mr Death's Crampstore with The Grand Wizard of the Psychotic Turnbuckles.}  

Top Ten Albums and Other Things In No Particular Order (with a qualifier that I never review gigs promted by the Bar but, fuck that, it’s my Top Ten.)

Ten Albums
1. Dark Country – Sonic Garage (self released)
This turned up on the eve of an overseas trip so a full review from yours truly isn’t among the glowing tributes already posted. A step up on the debut (which was pretty good in its own right) with lots of weaving guitars and classy keyboard textures. Sydney Old Man Rock and Roll. Just buy it.

2. Hackney Diamonds – The Rolling Stones (Rolling Stones Records)
You might have wanted to hate it. Lead “single” “Angry” was so-so but turned out to be one of the parts of a sum that’s much better than it could have been. There's a formula here but it's not a negative when it's in the hands of its inventors. Trust your own ears: It sounds contemporary but this is still The Stones being the Stones, even without Charlie.