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robert brokenmouth

  • smallpox confidential coverThe only problem with avant garde music is that you need to be in the mood to absorb it. Or on really strong prescription drugs.

    Do you know anyone who’s listened to “Metal Machine Music” all the way through and hasn’t been scheduled under the NSW Mental Health Act, or who doesn’t think that much of John Cage’s output should be kept in one? 

    Taste really is in the ear of the beer holder. So strap yourself in with a cold six pack or two nearby for the rough ride that is the debut of Smallpox Confidential, a mysterious noise combo from Adelaide fronted by Robert Brokenmouth.

  • robert brokenmouth 2019Well. It's that time of year.

    The time of year when all right-thinking folk set out the Santa traps on Christmas eve, hoping for a big, juicy Santa (and not the scrawny weasel we caught last year, jesus, no meat on him at all) and the traditional charcoal spit-roast Santa in the back yard with all your mates and beer a-flowing. Done just right, the flesh falls right off the fucker's bones and melts in the mouth.

    Preferably with apple and cinnamon sauce, but maybe that's just me.

    Truth is that, while I heard a lot of wonderful music this year, I really don't feel up to delivering a Top Ten. Sure, there are some which leap out, but I didn't really listen that widely, I don't think. And I hardly went out. All were reviewed, look 'em out if you don't believe me.

    I mean, look:

    Gigs to remember:

    The Animals and FriendsThe Animals and Friends
    Gang of Four
    The Gig of Glory (which I didn't review, but was the same line-up as the Banned from the Fed gig, but with the immortal Sean Tilmouth bringing up Fear and Loathing to international status, and the proper line-up of the Filthy Gypsies - ditto international status)
    Cradle of Filth
    Chickenstones
    The Drama Dolls

  • robertb 2020Robert Brokenmouth
    Barfly
    Adelaide

    The Barman
    sent me a message asking some folks to tell us all about our 2020 top tens.

    Apart from new recordings from the likes of Hugo Race, Velatine and Michael Plater, and the other few I've written about during the year, I've not been listening to a lot of music. Read a lot (including the three books I've reviewed here - the best three music books I've read this year), including a few Stephen King, Clark Ashton Smith, John Wyndham and a few books on plagues past and present. 

    But really. 2020, huh? What a trip. So many dead. Wept more than a few times myself - but hey, my life's a doddle by comparison to the misery of so many.

    But hey! First, we got to see an utterly evil President of the United States trainwreck, taint (and generally fist-fuck with studded gloves) any world-wide respect the USA ever had. I don't use the term 'evil' lightly.

    Apart from being genuinely narcissistic and wilfully ignorant, Papa Ubu took great delight in splitting the country into a condition very close to civil war, while being utterly unmoved by the hundreds of thousands who got ill, and the thousands who have died, of which he is a goodly part to blame. If you wrote a modern take on Pere Ubu, Trump would be your starting point.

  • robert brokenmouth 2025Top Ten Sydney Tunnels and Bridges

    What? Tunnels and bridges not rock'n'roll enough for ya? So, sue me. 

    The Molly Fet Circuit were in Sydney for a couple of gigs recently and I could not believe how much the place has changed; I was here last only a year or so before covid - not sure how long it'd been for musician Shaun C. Duncan (Die Like a God, Council of Elders, Iron Phallus), but quite a bit longer I think.

    Our friend Nathan Iowa (Shark Arm) was extremely helpful, driving us hither and yon - to the point where I realised that, without his help, we would've been either frequently lost or forking out hundreds in cab fares. Never mind anything else, we might not have even found the fucking gigs.

  • 3d radio tent

    Is community radio the new face of music consumption for people who care about music? ROBERT BROKENMOUTH thinks so in this appraisal of the format, with a special focus on Adelaide station 3D Radio and its Mike Drive program.

    Napster, eh? Who remembers those sites? Where - wow - you didn’t have to pay for your music (if the site had it). Assorted court cases and many decades later we are stuck with several sad truths.

    The first, and most obvious, is that "file sharing" and "streaming", "burning" and "ripping" are as ordinary an activity as picking the newspaper off the lawn used to be. 

    The difference is that theft is now so common that it’s not comprehended as either theft, or wrong. 

  • robert barfly 2018Almost everyone I know seems to be mourning people they loved who passed on this year. Some staved off the inevitable until later in their lives, for which I am only one of many very grateful folk. Other people are coping as best they can.

    For many of us 2018 was a very mixed year. In many places great swathes of love came out, so the struggle was peppered with brilliant, unforgettable events, music, films and a few books.

    Normally I just do some sort of Top Ten for the I-94 Bar, but this year has been memorable for far too many of the wrong reasons, which has annoyed me quite a bit, and I'm an old shit, so cue meme of Granpa Simpson shaking his fist at a cloud.

    But let's start with Australia, the country which can't count on stable government, can't spot a recessionary bubble billowing up like a volcano, and increasingly puts local news first because that is, apparently, what we're really interested in.

  • robert bSo. The Barman (he of the stained apron and soggy socks) has suggested to me that I provide a Top 10 for 2017. 

    He doesn’t say of what, unfortunately, so I am greatly tempted to relate (in considerable detail) each of my Top 10 Excretions this year, including two in which I barely made it to the potty on time. 

    However, this is a family website, and we mustn’t say words like "shit’ or even "shitweasel".  

    I’ll have to write them instead. 

  • smallpox confidential live

    Adelaide-based writer, editor, and sometime-musician Robert Brokenmouth took the time, during lockdown — well, lockdown for us non-South Australians, at least — to reflect on his literary and musical trajectory. Its a curious bundle of projects and interests that Brokenmouth juggles — the war buff and the punk music-buff occupy the same territory (no military pun intended) without apparent contradiction.

    Brokenmouths published achievements include his chronicling of Melbournes punk scene in the 1996 book “Nick Cave: The Birthday Party and Other Epic Adventures” as well as editingfictionalisedmilitary histories such as Australian WWII navigator Ray Olliss 101 Nightsand air gunner John Bede Cusacks “They Hosed Them Out”.  

    For Brokenmouth, war and punk have one thing in common, perhaps: both are opportunities for adventure, in very different shapes and forms, but adventure nevertheless.

    With COVID-19 limiting opportunities to meet for an interview, Robert kindly responded to my questions via email — and though you might not getting him talking so prolifically in real life, its clear that when he puts pen to paper, or finger-pads to keyboard, hes got a lot to say, and a rollicking history all his own.

    Ive pulled out some choice tidbits from Roberts life and career to give you a sense of the BoysOwn, Boys Next Door fan.

  • mfc light shiningSam Geldart photo 

    What do you get when you mix middle-aged Adelaide writer, I-94 Bar scribe and self-described vocalist with Smallpox Confidential, Robert Brokenmouth, with veteran City of Churches synth exponent Shaun C Duncan? They call it Ambient Horror Goth Industrial Punk Drone Synth Machinery Slagheap, and it goes under the name Molly Fet Circuit.

    Molly Fet Circuit has never been sighted outside of Adelaide but has been well exposed on the city’s leading community radio station, 5AA. We’ve been treated to a taste of the Molly Fet Circuit oeuvre and songs like “Mustid”, “Liquid” and “Could Not” are starkly industrial, antagonistic and intriguing (in a Suicide sort of way.)

    Molly Fet Circuit is coming to Sydney this month, for shows at Lazy Thinking in Dulwich Hill (Novermber 28) and MoshPit (November 29).  Ticket links at the end.

    Now this Brokenmouth bloke is a Bar regular, often being swept out long after post-closing staff drinks, We’ve seen lots of him so we chased down his partner in decibels, Shaun C Duncan, for an interview - and he graciously accepted.

  • 101 nights"Yeah, I don't care if you throw all the ice in the world. You're payin' 5 bucks and I'm makin' 10,000 baby, so screw ya!"

    It won't won't cost you five bucks, actually, and it probably won't remotely resemble "Metallic KO" but do we have your attention yet? 

    Acclaimed Adelaide writer/filmmaker/journalist/musician/I-94 Bar reviewer Robert Brokenmouth will be doing a very special reading from his latest work "101 Nights" at the Lyrebird Lounge in Melbourne on Saturday, February 4, accompanied by Michael Plater and Nick Spaulding.

    Also performing will be Duet (Harry Howard, Edwina Preston and Craig Williamson), Michael Plater, and Cabin Inn.

  • prison columnIt was at band practice with Smallpox Confidential about four or so weeks ago that I discovered the car crash I had been in had walloped me so damn hard that apart from the soft tissue damage and concussion, I'd also lost a significant chunk of hearing. 

    I'd not realised because it was a certain range of sound rather than everything, and I was so preoccupied with all the rest of the time-gobbling nonsense that until something is dead obvious, you tend not to really notice. 

    Anyway, there we were in the same room in the same places with the knobs at the same volumes... and I couldn't hear Marduk's guitar. Naturally, I asked our bass player, Bob, to turn down, which he reluctantly did (do you know a bass player? do they EVER turn down?). Then I asked Marduk, to turn up, which somewhat puzzled, he did. Then I asked Bob and Marduk again, because I still couldn't hear the guitar. 

  • banned brokenmouth

    You recall the Monty Python sketch about the poor sod who goes on telly to promote his book and discovers to his horror that the TV presenter is only interested in his lame nickname, “Arthur ‘Two Sheds’ Jackson”?

    Books are damned difficult to start, maintain and complete; any author should be proud of their achievement in completing a book, never mind getting the sod published. However, Jackson's long hours and hard work are worth precisely zilch in the eyes of the TV presenter and his bosses: all they care about is the ratings scored by making far more of Jackson's pathetic nick-name than it deserves.


    prison modifiedEven after he explains that he's got rid of one of them, it's still Jackson's lame nick-name, this trivial bit of information, that the TV presenter pursues.

    Those of you who know me from Facebook might guess where this is heading, and my reason for writing this piece today: my usual Facebook account has been disabled, and so has the replacement I set up almost a month later. Rather than be known as “Robert Brokenaccounts” or “Robert Two-Fucked-Facebook-Pages Brokenmouth”, I thought perhaps a brisk explanation might be in order.

    First, however, a statement of intent: I never want to go on Facebook (or Instagram, or WhatsApp) under my own name again. 

    Now, back in early December 2025, I was asked to “prove I was a human being”.  The usual captcha-style numbers and letters followed. Fine. FB has sent waves of data checking before; seven months ago or so it deleted ten million pages.

    So, after the captcha schtick, I was asked to upload a video of my face. I was extremely unhappy about this because this facial recog looks like being the equivalent of fingerprint ID of the future - the UK Electronic Travel Authorisation (or ETA) uses this facial recognition technology, as does Europe. I expect most other countries will be adopting it soon too.

    Now, never mind the obvious (like, what happens if your face alters...?), I was not a little irritated at being asked to demonstrate that I was a human being in such a privacy-tossing way when a simple glance at any of my FB messages would confirm that I was, in fact, a human being.

    Ah, but as I've been told, “mate, they don't care about that, or you. They're a data farm!”

    Mmm. Anyway, I reluctantly began the process and - lacking any prompts or further instructions from FB - I couldn't get the bloody thing to upload. So I tried a few more times, each time increasingly dubious about the wisdom of what I was doing.

    As I did so, I questioned whether I really needed my Facebook page at all. I mean, it's damned useful, certainly. I considered that I didn't have real contact details for most of the friends that I wanted to remain in contact with (you know, phone and email). That's what kept me trying to upload the wretched video.

    If you've been on Facebook for any length of time, you'll notice the increasing amount of adverts, often wildly inappropriate (often sexual in nature). If you've looked at their 'business' accounts, FB seems to want us all to monetize our accounts by uploading reels and adverts - several per week. Irritated, I would occasionally pull a main image of one of these noxious ads down and post it on my page - you know: "FB! why do you think I need incontinence pads/ leather boy BDSM gear". Imagine my amazement when these posts would get me banned for breaching “FB community standards”..

    I don't know about you, but I went on FB to connect with friends and meet like-minded folk and have a fairly innocuous time poking fun at how we take ourselves too seriously. Bit difficult to do that now they've placed limits on how many of your friends see your posts. I began to wonder why the hell I was bothering with this frustrating upload. Also, I felt like my pocket was being picked.

    Have you ever been scammed? Or sold something expensive that you really don't need, but were so captivated by the manner of the salesman that you bought it anyway, to find that, when you got home, you felt like you were no end of a chump? That's kind of how I felt going through this process.

    I won't go on about the facial recog thing - if you see no problem with providing your date of birth and address to a social media site, then fine. I've never used the real things - which is to me just basic security. Do I trust the security - and honesty - of a social media site? No, of course not. You, on the other hand... I've got a bridge I'd like to sell you. Or a castle. Anything. Just have your bank details handy, this won't take a moment...

    As I persevered with this upload, I pondered that perhaps the machine was having  difficulty comprehending the cluttered background of books on shelves. And - perhaps the lighting wasn't bright enough. But I can't pick my computer up and lug it round the house looking for the right light and background - nor did I want Facebook on my phone. And as I say, there were no prompts - unlike the UK ETA.

    In the end? I realised that no matter what I did, I was going to lose the page, so... I accepted it.

    However, I was seriously inconvenienced by the loss of the page. There were dozens and dozens of folks I knew but only had FB details, so had no immediate way of contacting them.  For example, friends died and I couldn't reach out to mutual friends. The clutter of Christmas is always painful, so the timing was annoying in that sense as well. 

    And of course, I couldn't tell people about the gig this Thursday night at the Arthur Art Bar. (see below)

    A bit over a week ago, a friend persuaded me to set up a new page, mostly to allow other friends and music fans to contact me more directly. I did so, using a different email, trying to befriend the friends I'd lost.

    Apparently trying to befriend too many people sets off this particular FB algorithm which bustles over with all the charm of a little robot vacuum cleaner, and within 36 hours I got the same FB request to prove I'm human. 

    Of course, there was no point in proceeding because I couldn't do the video thing. And so by now, not only am I annoyed, I'm disgusted and not a little insulted. It's pretty easy, surely, to detect whether someone behind a page is a human or not? Surely the nature of messages between people cannot be mimicked so readily? Quite apart from the fact that, like many people, a simple Google search of my name will bring up numerous results.

    But of course, FB are a “data farm”'. What they want from us is our data, our compliances, our money. They've been outed as having too many malicious pages set up by bots to promote all manner of outlandish and unpleasant shitfulness. And, because they apparently initially established their network up without sensible checks and balances, the shitful crap stays - while the rest of us... well. 

    Let's just say you may have a choice to make over the next year.

    Anyway, fully accepting that I was dealing with bots not people, I fired off a complaint to two emails at FB, providing as much background data to demonstrate my human-beingness. I needn't have bothered - the weight of FB's structure is an upside-down pyramid. No humans could possibly be accountable for maintaining the unwieldy, clunky old temple.

    Among other things, I wrote: "First, you might take a look at the other 'Robert Brokenmouth' page on FB, the one without a profile pic and damn-all friends. It's fake - it's not me.  I did report it at the time as a fake page, but since the page is still up I can only suppose that you disagree. Laughable, isn't it? particularly given the current circumstances? FB cancels my actual two pages but leaves up the fake one."

    I asked them to shut the old FB page, the one you may be familiar with, with its long lists of innumerable posts and interactions with my friends, as "this entire episode has left such a very bad impression on me that even if it were restored to me I would immediately shut it down."

    I also asked them to restore the more recent page. 

    About a week later, it looks like the FB bots are "investigating" the reality of the fake FB page, but have entirely removed my new one. The old one is still apparently waiting for me to upload a facial recognition video, despite me explaining that I can't do it, and that I am real.

    A couple of things give me pause. First, I recall my old school-chum, Paul Le Poideven who, in either 1979 or 1980 explaining with amusement (screwing his face up in his unique and wonderful elastic fashion) that "computers are only as smart as the programmer". Rest in Peace, Paul. He'd be laughing his head of at my frustration. 

    And here we are in 2026, thinking that computer wonks are so terribly clever. They're not, and never have been. These thoughtless nerds run vast companies which involve billions of people in over 110 languages... and because they treat us like data sources, not human beings, they're unable to provide us with transparency, or decent treatment. 

    Which brings me, finally, to my point. 

    If you've been on Facebook for any length of time, you'll also have been told off for posting something which 'goes against Facebook community standards'; perhaps you've served an apparently vindictive reduction of FB use, or even been banned for showing a nipple in a picture ten years ago - or what looks like a nipple to an indifferent bot. 

    Now, none of us are going to be arsed looking up what Facebook community standards are, are we? Much of their finger-wagging claptrap is not about what you've done, or that they give a shit, but other - outside, often political - things. I mean, come on, Facebook doesn't have control over its empire of pages now because it didn't impose useful - and detailed - checks and balances in the first place. And they're fine with that, apparently, because they're busy flogging our data, and inappropriate products to us. Every click another 50 cents, perhaps.

    As far as I can see, from my own experience and watching other people's frustrations, FB's actual community standards involve: normalising abrupt and often baffling removal of services without adequate explanation, rudeness to strangers as well as acquaintances, imposing rules without adequate explanation, and farming our personal details to persons or conglomerates unknown. Basically, the absence of friendliness, decency and honesty, and the increase in preferring distance to actual interpersonal relationships, and of course, what I can only characterise as contempt for customers. 

    And we let them do this - because it all took place gradually, over twenty-plus years. Also, we're so accustomed to responding to being told what to do by our computer/ phone, that the computer sets our guidelines.

    If that's the kind of community the Techbros represent, the ultimate digitisation and de-meaning of human life, quality of human life, and all its creative expressions (like Spotify) I don't want a bar of them, and I'm rather glad to have had the scales yanked from my eyes. 

    So, sure. I'm an old fart who remembers what decent customer service is. So when you increasingly encounter folks who just don't give a shit about you, do note that their main example in how to treat people is likely the Techbros' example, followed by everyone else's.

    For the time being, I still want to be able to reach out to like-minded folks on this particular platform, so I will co-operate with a friend whose account is still up, and who also has an Instagram account. 

    How long these last is anyone's guess. After that it's back to emails and phone numbers. 

    EMOM 2026

    Lastly, did I tell you about the gig this Thursday night at the Arthur Art Bar? It's a full-on flesh-to-flesh interface, from 8.30pm, The Molly Fet Circuit, Blu J and Gaston: 66 Currie Street, Adelaide.

    Since I can't plug our gigs on Facebook (gig guides in newspapers are long gone, as are Adelaide's respected music weeklies), and most interesting shops only allow government-funded posters in their windows, I guess the future is taping flyers to street-poles and spray-painting the walls.

    Remember: at the end of the day, when we die, it's not “dust to dust”, but “data to corruption”.

  •  

    You recall the Monty Python sketch about the poor sod who goes on telly to promote his book and discovers to his horror that the TV presenter is only interested in his lame nickname, “Arthur ‘Two Sheds’ Jackson”?

    Books are damned difficult to start, maintain and complete; any author should be proud of their achievement in completing a book, never mind getting the sod published. However, Jackson's long hours and hard work are worth precisely zilch in the eyes of the TV presenter and his bosses: all they care about is the ratings scored by making far more of Jackson's pathetic nick-name than it deserves.

  • prison columnWhen is a cover band not a cover band?

    “Doing The Fall songs can often feel a bit like driving a juggernaut with no brakes, or falling down some stairs, pissed...” according to Ben Toft - one of the singers in The Fall tribute band,  The Look Back Bores.

    So, no. It's not as easy as you think.

    The Animals(and Friends) have just finished an encore tour of Australia with 83-year-old John Steel behind the kit and a well-seasoned group of younger English musicians, all steeped in r'n'b, boogie and so on. The band provides high quality entertainment, doing justice to a time and place that the participants can only remember but hazily.

  • robert brokenmouth 2022"Oh look, Mummy. The weird man singing with that nasty band Smallpox Confidential is telling me his IQ."

    It’s really stupid. I hardly saw any bands (Dapto Dogs and George Thorogood were stand-outs) and heard far too few new releases. Instead, here’s a list of my Top Ten Sleb Shitbags and what curse (with permanent effect) I would put on them.

    Tom Cruise:
    Wake up every morning another two millimetres shorter.

    Vladimir Putin:
    His brain to empty, grow a beak and webbed feet and go nekkid except for a foolish weskit.

    Donald Trump:
    To wake up and always tell the complete truth.

  •  robert brokenmouth 2023

    Is it that time of year again? The Top Ten music things?

    Well, I've barely seen 10 bands, or heard anything like a cross-section of music this year to be honest about any sort of top ten in music. 

    So, I thought, what else is there? Ten top heroes from Doctors Without Borders? Ten top stupid religions? Ten top pointless and cruel conflicts?

    So, what's my other thing? Books. Ten top books I've read this year? Hmmm... Kim Stanley Robinson, Richmal Crompton, Edwin Balmer and Philip Wylie and a ton of Conan books and Robert E. Howard, H.P. Lovecraft and Clark Ashton Smith ... and a pile of Bomber Command books. Uh-huh. Top ten Conan books? Top ten 1930s scifi? Perhaps not.

    ... or ten top books on the topic I'm burrowing into again...

  • robert brokenmouth 2024

    A bit like last year, this one was pretty rotten.  Anyway, here's a short list of bands I saw that I rate very highly.

    If you have the chance, the opportunity... don't be wedging your sweaty dewflaps to the couch and watch the cricket or footy or some TV series fuck up their “story arc” (ie, find more reasons to extend the season - will it ever, ever end?)... but do what I couldn't do this year...