screaming tribesmen

Faith and Practice in Bedlam
By Chris Masuak
(High Voltage)

The rock and roll biography, usually ghost written within an inch of near life, seldom rises above the squalor of tabloids in terms of literary merit. A chronological narrative structure occasionally framed as a flashback is as good as it gets.

Think of sports biographies with guitars.

Unsurprisingly, reviews of Chris Masuak's new book have been thin on the ground. Firstly, because the book will probably upset his old band mates and their wrath has become legendary.

Secondly, I suspect, because - like its author - this book is quite the odd duck.

When confronted by the unusual, most pundits wait for someone else's opinion before voicing their own. Especially when they don't want to miss out on the chance of potential support slots.

Copies of these four songs have been circulating for years and two have surfaced on compilations. The balance were re-recorded by members’ subsequent bands. But don’t kid yourself that you don’t need this vinyl only 12-inch EP.

The 31st started when future members of Died Pretty (Ron Peno and Chris Welsh), the Screaming Tribesmen (MIck Medew) and the Hitmen/New Christs/Screaming Tribesmen (Tony Robertson) started playing shows in a strip club and anywhere else that would have them. Evidently, they played no one style of music - which must have been confusing for the Brisbane punks, boogie-heads and blues fans to pin a tail on.

The 31st were a future supergroup before those things were called that in Australia. They kicked around the undergrowth of Brisbane’s downtrodden music scene in the early 1980s, and fell to pieces before anyone outside of it saw or heard them.

Future Hoodoo Guru Brad Shepherd was to briefly become a member although he's not on these recordings. 

“What's he doing reviewing THAT?”

Only people of a certain age will “get” this review. The term "Guilty Pleasure" will not be used at any point.

Admit it, punk. If you grew up in Australia in the 1970s and ‘80s (OK, you were might have been underage and still growing up, but you could sneak into licensed premises) and lived anywhere outside of Melbourne and Sydney’s inner-city regions, a dose of Pub Rock was unavoidable. A way of life, even.

Merry Christmas and a Happy New Year to you all and thank for your support throughout another year.  Things right across the board have been slower and less frequent although there are still many good things to report.

1. In March Ursula and I began recording out first full length album together.
It is due for release early March 2022 on I-94 Bar Records.

2. April 25 – Died Pretty  
Mick Medew and Ursula supported The Died Pretty  at The Triffid. Ron was in wonderful form as was the band and I continue to find The Triffid one of my favourite venues in Australia to play or have a night out.  

3. May 9  - Dave Graney and Clare Moore at The Junk Bar, Ashgrove. 

_{Chris Masuak at Resurrectionfest 2022 by Santiago Carollo}

CHRIS KLONDIKE MASUAK’S TOP SEVERAL FOR 2022

Is it really that time again? 

I can never summon up the ennui to diss Christmas. I get that it pushes some people’s buttons but I’m bucking the buzzkill. 

This is the time to be relentlessly cheerful, if not for your sake, for those that  need it.  

 So, put “A Christmas Gift For You”, “Rockin’ Little Christmas”, and “It’s Christmas Time Again” on high rotation.

 At mind numbing volume!

_{Ron Peno with his most recent co-writer Cam Butler at his last Sydney show with The Superstitions in November 2022.}

Died Pretty, The Superstitions and Darling Downs frontman Ron Peno passed away at his Melbourne home on Friday night after a four-and-a-half-year fight against cancer. He was aged 68.

Died Pretty announced the news earlier today. The band’s statement reads:

With great sadness we announce the passing of our singer Ron S Peno who left us peacefully on Friday evening in the presence of his loving wife Charity and his son Zebadiah, at his home in South Yarra, Melbourne. 

For the last four-and a-half-years as he battled cancer, Ron displayed a resolute positivity and a profound depth of character that has proved inspirational to his fellow band members, manager and many friends. In the face of adversity he was towering.

Great guitar pop is timeless and that’s what Sydney’s The On and Ons have delivered (again) on their second long-player. 

Well established on the strength of their 2015 debut, “It’s The On And Ons Calling”, Morris and Co have doubled down on the pop factor on “Welcome Aboard”. The rock is turned down just a tad and (to these ears at least) it takes a few more listens for the songs to take hold.

Truth-be-told, I almost marked it down half-a-beer for not rocking as much as the debut - but the pop smarts won out. 

Their legacy was just two LPs and a stack of singles but Fixed Up’s punky and soulful garage rock touched people in their native France and all the way around to the other side of the world in Australia.

A lot’s been made about the Sydney-Detroit connection, mainly through Radio Birdman and its now fading local musical legacy. The irrefutable fact was that Birdman and its associated influences ruled the Sydney roost in the early 1980s. As true as that was, you can make a strong case for the affinity between Australia and France being almost as important, once the Sydney underground scene started to diversify and expand. 

The Franco-Ausstralian link was made when John Needham, chief of seminal Sydney label Citadel Records, started dealing with the likes of Sonics Records in France. Suddenly, there was a pipeline for Australian bands to have their music heard on the Continent - meaning outside the UK where the perpetually jaded music press briefly adopted Aussie arty pop, junkie rock and the swamp sound for a time.