sydney

They’re not its most prolific band but they’re one of Sydney’s best. The Straight Arrows seem like kids but have been around for nearly a decade and this is only their third long player. It’s doubtful they care about keeping score and neither should you.

What you need to know is that “On Top” is uncomplicated, nicely raw and melodic. Two guitars, bass and drums and well-crafted, economical songs. Tight but loose. Cleaner-sounding on this record than before but still rough enough around the edges. 

Owen Penglis writes good songs, alright. Cock an ear to the grinding yet light fuzzfest of “The One” or the buzzsaw burst of album opener “Nothing To Me”. They’re instantly catchy - like early Ratcat to cite a band that was around before these guys were born. Penglis and Al Grigg weave curtains of fuzz with their guitars and the energy level never sags. 

There are obvious life lessons in the saga of the Sunnyboys and they’ve been related so many times that they probably don’t bear repetition here. If you’re a fan, you’ll know them all anyway (the results of crashing and burning, the enduring nature of brotherly bonds, the power of redemptive love.) If you’re not, you can wise up, musically speaking, with this collection.

_{Sacred Cowboys on St Kilda Beach with the SS Minow.}

“Sydney audiences can expect to hear much of the ‘Diamond in the Forehead’ album and a number of songs that will comprise our second album. Expect rock and roll out of the early 1970s, expect high volume in the guitar department, expect Nobel Prize-winning freak flag songs”

Garry Gray wrote this to me, and I visualise him, pounding the keyboard with pride about his forthcoming shows in Sydney in mid-November.

Gray has been making music for 42 years. I imagine by now he knows when he has a killer album ("Diamond in the Forehead") and a killer live band (The Sixth Circle) locked in. As I wrote a few months ago who when I caught The Sixth Circle live at the Tote Hoteland was blown away by a great, pure rock, street-level band:

All that dark and shade in this set; theatrics and drama. The tempo pulls back with “Club Siren”. “Our God hangs #6” is wild rock beat and with the guitars blues-based. Gray’s menacing vocals howling: 'I got hung without a trial'. "Cadillacs” has that proto punk rawness and a blues progression. There are elements of deep soul with raw gritty urban blues, and a solid rock 4/4 backbeat. Live, it is a no-nonsense rock monster.

PISMO BEACH, CA. NOVEMBER 5 - A Message From Chester Chitworth, US business manager of the Psychotic Turnbuckles:

"It's the Xmas party you know and love and it's for one night only when the Kings of The Ring fly into Sydney from Pismo Beach and then depart, with no indication if and when they'll be back.

"Venue will be Marrickville Bowling Club on Saturday, December 21. Tickets are here.

"It's been a big 2024 for the Turnbuckles who celebrated their 40th year of slamming all challengers into the canvas, so be prepared for some surprises when Jesse the Intruder, The Grand Wizard, Count Forza, The Infliktor and Buddy Bam Bam Balam square off, one more time.

"Venue will be Marrickville Bowling Club on Saturday, December 221

"Supports will be Bahne Super-Flex and Chainsaw Four. Bahne Super-Flex (ex-Trilobites and Celibate Rifles members) are supposedly back by popular request. Whose request? Not ours! Chainsaw Four are a supergroup drawn from membership of the New Christs, Harpoon, Vanilla Chainsaws and a bunch of other bands. Who cares. They're going down, too.

"So it's nearly Xmas and there will be prizes for the best dressed (that's YOU - not the bands).

"You know it's going to be a gig to remember so reserve your spot sooner rather than later. The 40th show in Sydney was a sell out so if you snooze, it's a sure bet you will lose. Abdullah The Butcher wouldn't have it any other way.:

Here it is folks - this is the sound the “cool kids” make these days. “Cool kids” being what the wearers would dismissive as a totally pejorative term, but essentially being a title for whatever constitutes a “scene maker” in these musically fractured times. “Scene” being another pejorative word.

It’s hard to keep up with contemporary music once you pass a certain age - even when you’re consciously trying to cock an ear to what seeps out of cracks in the footpath and shuns daylight. Of course it’s a given that you shouldn’t pay attention to just about ANYTHING that makes it to commercial radio airwaves, but in this case "contemporary" means the underground shit, maaan. And Los Tones are under the commercial radar by any measure.

Old school punk from Sydney in the style of Johnny Dole & The Scabs. These guys are an evil trio, not a duo, but who cares about theirnumerically-challenged state-of-mind when the output is good?

The A side is about being a punk who's lost in the once seedy and now gentrified suburb of Pyrmont. The anger is real. Flip the platter and the Twins are expressing how much they want to “kick this city in the balls”. Many share that sentiment and there's mor than a whiff of a singalong in this one.

It's all very basic in its production with a nice and meaty guitar sound. Thee Evil Twin aren’t flashy and that’s a good thing. This one’s a limited run of 150 and likely will sell out - just like their other 45s. Go here for a copy. 

_{Ashley Thomson photo}

Jim Atkins, singer in The Kelpies, The Bedhogs and other '80s Sydney punk bands, has passed away in a Darwin hospice after a long battle defying cancer. He was aged 56. 

Friends posted news on Facebook a few days ago that Jim (aka Jim Bedhog aka James Gelding) was extremely unwell. News of his passing landed today and sparked a string of online tributes.

Radio Birdman will warm up for its European tour with two intimate Sydney shows at the Factory Floor in Marrickville on June 5 and 6. 

In a Facebook post the band says: "With no other Australian appearances scheduled for 2015 these shows will provide a unique opportunity to catch the band in a small room - hot, loud and sweaty. This 'up close and intimate' experience, echoing the band's early days at the Oxford Funhouse, will not be repeated any time soon!"\

Support on both nights will be local rockers Black Heart Breakers and tickets are on sale here. European tour dates are in our Living Eye section.

Riding to Newcastle to catch the first show of Radio Birdman tour is the obvious choice. Didn’t quite seem like it, trying to get outa Sydney on a Friday arvo. I took a quick spurt up the footpath a few times to relieve the tension. Then we hit the freeway and Jenny gave me that tap on the left hip that means ‘slow down’ but I was doing 90mph through one of the tighter curves and slowing down wasn’t the point. Nor possible. Can’t brake a motorcycle unless it’s reasonably upright.

1982, the first time I really heard Radio Birdman was the 1976 2JJ show at midnight on a Monday. Used to be a lot of good movies on late back then, ‘Vanishing Point’, ‘Bonnie and Clyde’, ‘Five Easy Pieces.’ One night I walked into my little bedroom at the back of the house, flicked on the radio and my life changed.

Every friend and lover, every beautiful terrible moment, it all started then. It’s been one hell of a ride and the road rolls ever on.

Life At Night 1982-1984 – Rigid With Desire/Helter Skelter (Method Records and Music)

For every band that made an impact on Sydney's fevered 1980’s underground music scene, there are a thousand that left a fleeting impression.

Rigid With Desire was the next vehicle for Fast Cars singer-guitarist Di Levi after the first, mod-pop incarnation of that band dissolved. RWD melded ubiquitous (and very underlying) ‘60s melodies with a thick applique of fashionable post-punk, neo-Goth sounds. Their impression was more than fleeting and they made a mark on the then-serious Australian indepdent charts. 

“Life At Night” compiles their five recordings, including the indie chart single “Nightlife”, and two by Helter Skelter, their re-jigged, latter-day line-up.

Chickenstones main man Andy “Doc” Temple Ellard is fighting a battle against an aggressive cancer but that shouldn’t be the only reason you see his band’s last Australian show for 2018. 

Chickenstones are one of Sydney’s best straight-up rock and roll bands. 

Doc is also one of the Sydney scene’s most genuine characters, a fine frontman and guitarist and a tireless champion of underground music via the weekly Devil’s Jukebox on 2NSB and Radio 365.

The band’s most recent CD, “Johnny Streetlight”, is out on vinyl on French label Basil Records and the show - at Collaroy’s Beach Club on April 21 - is billed as a second launch for that erstwhile artefact.

The band plans to tour the record in Europe later this year, pending the outcome of Doc’s treatment.

The bottom line is that Doc will appreciate your support but Chickenstones shows are also one big party. For this one, they’ll be supported by locals Dias. Tickets are just $10. 

That Sydney gig by explosive trio The Schizophonics in March has moved to Friday night to accomodate a bigger crowd. I-94 Bar will co-present the Sydney gig at Marrickville Bowling Club on March 12. The Facebook event is here and tickets are here.

Supports in Sydney will be Fangin' Felines and Grinding Eyes.

How great are back-stories? Music on a record should always be able to stand up for itself, but the yarns behind it give context and (occasionally) help understand what lies beneath.

The tale behind "Second Prize in a Beauty Contest" is fraught with life. In the band's words, it encompasses "three divorces, one marriage, one baby, one European tour, countless Australian east coast tours, line-up changes (and) a 7” single". The Dunnies' last album (their third) was "Hulacide" in 2012. This one was recorded in two days in Sydney in 2017 and left to sit on the shelf while everybody got on with their lives.

The evidence of its difficult birth is in the music - some of it bitter and forthright. A song title like "That's a Fucking Lie!" doesn't reek of subtlety.

Tickets for the previously announced Radio Birdman Sydney Manning Bar show on Saturday, October 6 are selling fast, with a sell out expected. The band has announced a second show at the same venue on Friday,  October 5 and tickets are on sale here.

Radio Birdman is doing a limited number of Australian East Coast shows over two weekends this coming September/October before heading off for a 22-date tour of Europe. Supports on the Australian tour will include Adalita (Melbourne), Brisbane's HITS (Brisbane and Sydney) and all shows will feature special guests from Spain, Los Chicos.

Last year's Australian tour with co-headliner Died Pretty was surrounded by the buzz of the limited cinema release of "Descent into the Maelstrom", the Jonathan Sequeira-produced documentary about Radio Bifrdman. The local release on DVD with bonus content will coincide with the tour with a special edition available at the band's shows.  

_{Ross Knight.}  

COSMIC PSYCHOS
+ ZEKE 
Metro Theatre, Sydney
Saturday, January 13 2024

Nice Day To Go To The Pub? Aren’t they all during an Australian summer? Tonight in Sydney it’s muggier than a brickie’s armpit and there’s no reason to break convention, but, fuck me, The Sir John Young Hotel on Sydney’s George Street sure has changed. 

It’s been re-named “The Resch” (gee, wonder where they dug up that one), the front bar has been opened up and there’s not a TV set in sight. All that polished concrete makes for a brutalist existence. Of course, it lacks live music, with a DJ setting up while we sip our beers, and the usual crowd of pre-Metro gig people absent. The schooners have not unexpectedly crept up close to the $10 mark. That’s life in Sydney!

There was a time when sharp divisions ran like Pacific Rim fault-lines between underground musical factions in Sydney. 

One one tectonic plate stood the Radio Birdman-influenced, leather-clad, guitar warriors steeped in ramalama-fa-fa-fa and the Stooges, on the other an esoteric bunch of people making sounds with synthesisers and other assorted machines. Picket lines were established and few crossed them, unless by accident or if no-one was looking.

_{Craig Norman photo.} 

Shonen Knife
New South Wales Art Gallery, Sydney
Wednesday, November 7, 2019

In which we discuss the topic "can art be fun?".

Most young New South Welsh men and women encounter the Art Gallery of New South Wales but once on school excursion.  Packed off in buses to pay respect the big historical back drops and listen as the dead beat teacher saw the modern stuff and hear them proclaim they could have done that.

Of course they didn't.  They wouldn't be teaching mongrels like us if they could.

Pain! b/w  Wheels on Fire - Smitty & B Goode (Evil Tone)

 Been a long time since they rock and rolled in person. Sydney trio Smitty & B Goodeisn’t the most prolific act in terms of releases, but they’ve put enforced time off to good use with this power-packed 45. “Pain!” inflicts more pleasure than its title suggests, flipping mild self-loathing on its head. Anger is an energy and Smitty’s assertive vocal and downstroke guitar is set against a fierce sonic brew, “turning gasoiine into a symphony of sound.” Tight as a fish’s, as they say. Flip it over for more of the same garage grit goodness. Carly’s sunny bass-tone suits the up-tempo mood. Succinct and catchy, it’s a short tun of 200 copies so grab yours here while you still can.

Space Travels – Sonic Garage (self released)

It’s a a couple of years since Circus Chaplains from Sydney’s Northern Beaches fell by the wayside after the passing of Luke Lovelock,but his bandmates Phil Van Rooyen (Dr Fruitworld, Panadolls, Chickenstones) and Peter Bourke aren’t ones for standing still.

They’ve gone on to a new band with ex-Mushroom Planet bassist Pete Trifunovic, drummer Ronny Welsh and pianist Russell Parkhouse (ex-Riptides).

Sonic Garagerecorded their album at Zen Studios in Sydney in these odd COVID times and it’s a wonderful, ragged and righteous collection of songs that recalls familiar Harbour City high energy rock reference points.

It must be the season for re-issues from the Sydney underground. Spanish label Guerssen, which specialises in long buried gems, is issuing an album of the music of Australian punk/post-punk band Voigt/465.

The band existed from 1976-79 and stood apart from much of the guitar-dominated Sydney underground scene. Influenced by the likes of Can, Brian Eno and Perl Ubu, Voigt/465 recorded one album, “Slights Unspoken”, as they were about to break-up. Members went on to Pel Mel and Wild West.