the d4

If you hear a noisier, more brutal yet musical album this year, call your lawyer and sue Mitsubishi for opening a car plant in your backyard. 

Dion Lunadon used to be Dion Palmer, bassist for New Zealand-via-The-Lower-East-Side rockers The D4 back in the 1990s. He’s been living in New York City for the last 10 years, playing bass for abrasive noise merchants, A Place To Bury Strangers (APTBS). This eponymous LP is his first solo venture. 

There are elements of Kraut rock, hard rock, noise rock, psychedelic rock and almost everything that can be appended to rock on this record. It’s full of ideas to the point of near overload. Apparently written as a cathartic release after rigorous touring with APTBS, it reeks of grime, sweat , post-road angst and not a little desperation.

High-energy Kiwis The D4are reforming for a string of dates in their home country in 2025 as well as three shows across the ditch in Australia.

Promising all the hits for their two albums “6Twenty” and “Out Of My Head” as well as a slew of unreleased material, The D4 play Brisbane (February 13), Sydney (February 15) and Melbourne (February 16) with Tape/Off, Hard-Ons and Mach Pelican respectively. 

Australian and NZ tickets are here.

Is it really a surprise in 2015 to hear rocking garage soul that has its origins in the UK played better than almost anyone else around by a band that comes from Auckland in New Zealand? Meet Thee Rum Coves.

These guys (and girl) should be the toast of the summer festival circuit in Europe. They deserve to fill the vacuum left by the demise of The Jim Jones Revue. Thee Rum Coves have everything going for them for a shot at success in Europe…except geography. Not that this should matter.