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the dahlmanns

  • lindsay hutton 20182018 kicked off with the release of Amy Rigby’s “The Old Guys” (Southern Domestic). That was probably my outright, most spun album of the year and always played from start to finish in its proper sequence. Produced by Wreckless Eric, this really should be on every year end list. I hope that one day, the world will catch on because it could sure use her music as a balm right about now.

    The Dahlmanns “American Heartbeat” mini album (Beluga/Ghost Highway) features  six songs whereupon Moss Rock City’s finest team up with Björne Fröberg (Nomads) and Chips Kiesbye (Sator) to deliver another chapter in timeless pop. It has a semi-baroque, almost folk quality. Line’s voice really has that Linda Thompson quality come to the fore. When I say folk of course I mean the LOUD variety, not that finger in one ear malarkey. Not that there’s anything wrong with that.

    My patience with one and two-person acts is often stretched but The Courettes are the exception to that rule. This fuzztastic duo make records that actually live up to the dynamite show. It’s nice to see them receiving the praise they deserve and how things are actually growing for them. “We are The Courettes” is their latest and unreservedly recommended album.

    Lucy and The Rats, who are in Australia as I tap away, were the best thing I saw at the Wurlitzer Anniversary weekend in Madrid this past September.

  • life in reverseLife in Reverse – The Dahlmanns (Fabcom Records/Waterslide Records)

    Two full-length albums in 16 years doesn’t sound like the hallmark of a productive band, but appearances are deceptive and The Dahlmanns aren’t typical.

    Revolving around the axis of husband-and-wife founders Andre (guitar) and Line Dahlmann (vocals), this Norwegian outfit is best described as a “singles band”, with no less than 16 releases in that format or as extended plays (that’s EPs for the dummies). 

    The Dahlmanns aren’t exactly unknown among discerning music fans. They’ve featured on TV and movie soundtracks in their homeland, and have collaborated with the likes of Andy Shernoff (The Dictators), Chips Kiesbye (Sator), Francis McDonald (Teenage Fanclub) and Amy Rigby.Much of trhe back catalogue is here.