the saints '73-'78

_{Katelyn Slyer photo.} 

Wollongong duo Chimers is hitting the road in Australia, in support of their new album “Through Today”, which is out on November 8 on Poison City Records in Australia and 12XU in North America.

It’s the second album for husband-and-wife Padraic and Binx  following their self-titled debut in 2021 and they’ll play their own shows in four states and as special guests to Party Dozen (Sydney in October) and The Saints ’73-’78 (in November).

 
Take a look at the photo. There they are. The original Saints, outside their Brisbane share house, Club 76. Now a posh real estate agent's rather scrappy-looking digs, the house still stands. 

Queensland does have a heritage register: the Saints' Petrie Terrace share house should surely be on the list, but it's not. Queenslanders, make it happen!

It's mid-winter in Adelaide, and I'm reflecting on the passage of time. As I get off the bus, I pass the new and improved Her Majesty's Theatre on the corner of Pitt Street and Grote, adjacent to the shop I worked in for a year nearly 30 years ago. A few doors up Grote, toward Victoria Square, was the one building I worked in periodically over 22 years, The Antique Market, run by Dean Donovan and his wife, Kathy.

Quite an awkwardly-designed building, after Dean sold all the stock in 2018, it was sold, remodelled and occupied for a few years, then finally emptied and demolished; today a huge hotel or somesuch is heading upwards with a great deal of clamour, gusto and grunt. 

The Saints ’73-‘78
Kim Salmon and The Surrealists
Enmore Theatre, Sydney
Friday 22 November, 2024

Words: THE BARMAN
Photos: MURRAY BENNETT

Polarising was the Word of the Night. You could have argued that there was no way Mark Arm would successfully replace the late Chris Bailey in a reconstituted version of the Saintsand if you did, you probably didn’t go to the show anyway.

It’s a truth that Arm’s yowl is as far removed from the patented snarl of Bailey as Brisbane is from Seattle. If you didn’t take Arm at his word that he wasn’t trying to fill the original singer’s shoes, you were never going to dig this show. He clearly isn’t Bailey and didn’t try to be.

^{Latter Day Saints: Chris Bailey (right) with drummer Peter Wilkinson and bassist Caspar Wijnberg, in Amsterdam in 2006. Elisabet Corlin photo.}

Here's some more news on long-rumoured posthumous recordings from late Saints singer Chris Bailey.

In an Instagram post today, Church Street Studios engineer Sean Carey flagged that the recent digital single, “Break Away”, comes from a forthcoming album, “Long March Through the Jazz Age", It is the first release of new material since Bailey's passing in 2022.

Recorded by Sean Carey in Church Street Studios, Sydney, Bailey is on vocals, guitar and bass and is aided by long term drummer, Pete Wilkinson and guest Davey Lane (You Am I) on guitar.