underground

_{Dave Studdert.}

When drawn to writing about Tactics, their new album and their forthcoming Australian tour, I had a youthful flashback to being a 17-year-old and moving down to Sydney from the bush. Armed with smudgy-ink copies of RAM magazine, I was aware of so many bands that I knew mostly in name only: Midnight Oil, Hitmen, The Saints…and some weird shit (at least in my mind) like The Tactics, Thought Criminals and Dead Travel Fast. I was like a sponge and I wanted to see every one of them.

I had a hunger for a tapestry of sounds and new, sharp sonic edges - stuff that was so far from the bland radio fodder like Cold Chisel and Dragon. I left a live music scene centred on a dilapidated pub by a river that often flooded…a place with peeling paint and populated by old tradies with battered faces, professional alcoholics and underage kids. We watched the odd cover band and the place was home to weekend rock-stars playing poorly -delivered Chuck Berry riffs. The alternative was the local blue light disco that usually ended in a bloodbath by the end of the night.

So, I moved. I headed to Sydney.

_{Hoodoo Guru Dave Faulkner adds his autograph to a copy of "Product 45" at the Sydney Spencer P Jones Benefit.                       Emmy Etie photo}

It was a few weeks ago that a parcel was waiting for me on my veranda. This is not unusual as I often order my vinyl from overseas. I even get the odd review copy of a record. This package was much larger and there was much more weighty. It was the stunningly beautiful book “Product 45 Australian Punk/Post-Punk Single Record Covers”.

I sat down and carefully unwrapped the packaging, opening the first few pages, and my first impression was the high-weighted GSM quality silky paper.  This was not the standard book that you would pick up at Dymocks. It had the sense of a limited edition, extremely high-standard production by people who had taken so much care and pride with their talent invested in the design.

It must be the season for re-issues from the Sydney underground. Spanish label Guerssen, which specialises in long buried gems, is issuing an album of the music of Australian punk/post-punk band Voigt/465.

The band existed from 1976-79 and stood apart from much of the guitar-dominated Sydney underground scene. Influenced by the likes of Can, Brian Eno and Perl Ubu, Voigt/465 recorded one album, “Slights Unspoken”, as they were about to break-up. Members went on to Pel Mel and Wild West.