You might find yourself listening for horns on a song like "Bullshit Blues" while a couple of the others (the title track and "Friendly Fire") are so simple they sound unfinished, but that's a reflection on Java Skull keeping it minimal, I guess. Production is mostly clean with a lot of time obviously spent on getting the drums to sound right - this is no lo-fi stomp despite the members' origins in Copenhagen garage band The Untamed.

Things get fuzzy on "The Gravedigger" where vamping keyboards are pushed to the front. The lyrical content isn't original - just how many songs can you name in a minute about working in a cemetery? - but Java Skull don't mind tapping into the ghoulish campiness that goes with the style. "Shithole Hotel" is the heavy one, fuzzed-up with clattering percussion and a heavy kick drum.

If you're looking for a reference point from Australia you might try the Intercontinental Playboys, whose suave, groove-heavy universe intersects with that of Java Skull.

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Heptown Records