Skin and Bones – MD Horne’s Last Call (self released)

Last year’s “Red Dirt Bituman” album was a departure for 300 st clare and Johnny Casino bassist Mark Horne, and his 2021 incarnation MD Horne’s Last Call sounds like another. While “Bituman” headed for the wide open spaces of the Australian bush, framing Horne’s sparse songs against a stark, dry soundscape, “Skin and Bones” hops into a boat and sets sail on folk-punk seas.

“Skin and Bones” is the first track to be released (digitally, natch) from the forthcoming Last Call album, "High Tides, More Crimes", on OuttaSpace Records in Australia and both Folc Records and La Villa Nova in Spain.

Listening To Gospel Music On The Radio – Moonlight Five (self releseed video single)

"Listening To Gospel Music On The Radio" is the sophomore release from alt blues/country act from Sydney’s northern beaches Moonlight Five. Led by ex-Waxworks and Dwarfthrower frontman and I-94 Bar contributor Edwin Garland (and, no, we won’t hold that last point against him), "Gospel Music" leans heavily into the Tom Waits via-Dylan category, without being derivative.  

Identity Crisis b/w Song For Lulu –Kevin K & Ricky Rat (Vicious Kitten)

If you had to ask: Kevin K is an indefatigable product of the halcyon New York underground rock and roll scene and one of a handful of the CBGB crew still standing and delivering. Ricky Rat co-founded Detroit’s Trash Brats, larger-than-life dealers of flash glam, and more recently a member of the Cheetah Chrome and Johnny Blitz-led, reconstituted Dead Boys.  The pair spawned an album, “Party Store”, in 2020 and this single features two of its songs.

You shouldn’t be surprised that it rocks or that it’s on Vicious Kitten, the Aussie label that grew from the zine of the same name that variously championed Kevin K, his previous band the Road Vultures and the Trash Brats. The zine lives on in The Australian Rock Show podcast, by the way, and the record imprint has been revived after a 15-year hiatus to issue this seven-inch.  

H-Bomb b/w Supersonic Hero - Jupiter 5 (I-94 Bar Records)

First up I confess I only know one of the members, Peter Ross the bass player, and love him and label head The Barman. Even so, I wouldn't say I liked a record just to please them. They know if I didn't like this, I'd (1) tell them, and (2) refuse to review it.

The Barman asked if I wanted to review this. Funny, when friends ask me to review stuff, the paid professional refuses, because if the disc is shit, how do you say it's shit without pooping on your friendship? Also, the Chief Editor or Drunk In Charge will squeak about conflicting interests. Well, for some people that's invariably the case. Our pollies have always had a talent for entertaining us with stories like “I didn't know”, “It was like that when I got here, honest” and “Look, define blackmail...”

You've all been in a similar situation, I'm sure. Perhaps not as a reviewer (nor, indeed, as a blackmailing fuckstick), but maybe rolling out on a Friday or Saturday to see your friend's band and, boy, did they suck the fat one. Thereafter, each weekend until the band thankfully collapses amid acrimony and blame, your excuses come thick and fast, from “her indoors is sick” to “I crashed the car” via “the dog ate my mobile” and “the police found my nightstick”... 

Loaded – 50LgE (self released)

Nothing to do with the Velvet Underground record of the same name, this four-song EP on CD is from a trio based on the South Wales Far North Coast, whose antecedents include membership of the Psychotic Turnbuckles , Brisbane’s The Tellers and The Eastern Dark.  That should be enough to pique the interest of most Barflies.

“Hooked” is a steady instrumental work-out that showcases Tony Young’s brawny guitar tone. It’s a steady climb to the top where it peaks in a rash of distortion. “World” is moodier and sparse, underpinned by some sharp riffing and a solid Geoff Milne backbeat. The lyrics are about globetrotting and are as skewed as Alex Chilton’s “Bangkok”.  

Power trio they may be but 50LgE (pronounced: “50 Large”) don’t stick to conventions. The mixed tempos of “Raising Caine” come out of a place called left field.  Simulated rotor blades usher in “Coachella” which is an ode to a Californian hipster-orientated desert music festival. It’s a relief to realise it’s a sarcastic takedown. After their debut 12-inch single “Black Interceptor”, it’s a fun if uneven ride, and copies are procurable at shows or by hitting up the band on Facebook.

50LgE will make their Sydney debut at MoshPit on May 1, supporting Jupiter 5 who will be launching their seven-inch single. Tickets here.   

We Are The Normal – Joe Normal (New Jersey Phonograph)

This is a CD single. I think it's a little sad how the younger generation don't really keep hard copies of CDs or records on the shelf, anymore. They all prefer to store it in the cloud, or whatever, it's just virtualized and abstractly stored in their I-Gadgets. But older rock ‘n’ roll people like me, actually like the little gatefold sleeves with the lyrics and picture.

Joe Normal is my fave USA! USA! power pop contemporary - he writes emboldened singalong anthems for guttersnipes and barflies and aging dishwashers like you and me. He's got a kickass band and always delivers this beautiful pop ‘n’ roll that'll remind you of the freer, cooler, long gone glory days, before the oligarchy mass-hypnotized everyone you knew into eagerly signalling their obedience to the higher-ups, by abandoning their communal nature and critical thinking skills and viciously rat-racing for the most piles of stuff.