Hard – Fast Cars (Method Records and Music)
In a digital world where old rules are made to be re-written or not read, Fast Cars have resolutely done things their own way.
The one-time Sydney mod band reformed virtually in 2015, assembling music from composite parts written and recorded by principal members, vocalist-guitarist Di Levi and guitarist Fabian Byrne, on opposite sides of the world. It was polished pop with hints of its Sussex Hotel beginnings, lush in lots of places and moiving into the realm of dream pop.
Virtual band, huh? Live shows were where Australian bands traditionally honed their act and of course people interacting in a studio adds an energy that can’t easily be replicated. With Levy visiting Australia from the UK, Fast Cars did a handful of pre-pandemic shows, and part recorded “Hard” with Peter Bennett (The Welcome Mat, Fiction Romance) on drums and David Pye on bass.
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- By The Barman
- Hits: 2852
Sociopathfinder - Dang!!! (Apollon Records)
What the difference between a “supergroup” and a “super group”?
The answer and five bucks will get you a cappuccino, but only if the pandemic-induced labour shortage that’s hit coffee shops in these parts mean there’s someone on deck to make it for you.
While you’re pondering the problem you might go cold turkey with your Wordle obsession and cock an ear to what’s in these grooves.
Dang!!! is a Norwegian studio collaboration that started with Arne Thelin (ex-Lust-O-Rama, Kwyett Kings) and Stu Manx (ex-Gluecifier) swapping guitar riffs over the Internet during lockdown. One thing led to another and by the time they convened in a real studio with drummer Havard Takle Ohr and keyboardist Geir Nilsen, emailed music parts were flying in from all over the globe like members of the International Olympic Committee on their way to a fine dining festival.
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- By The Barman
- Hits: 3143
Games, Sex and Life – Little Green Fairy/Go To The Station – The Sonic Preachers (Zombies on Mars Records)
This split vinyl album pairing of French veterans Little Green Fairy and evangelistic garage rock countrymen Sonic Preachers is très cool
The concept of a split single or EP is common, but two bands sharing a side of an LP less so. Maybe it’s some canny French move to save money in the pandemic, or a reflection of both bands coming from the picturesque port city of Sète, (“the Venice of the Languedoc”) and sharing a guitarist? Who knows? Slap it on the turntable and stop worrying. The sound of both bands complements each other.
Little Green Fairy (it's an absinthe) has come a long way in their 20-plus years. Originally taking a derivative leaf from the rough and ready psych garage rock of The Vietnam Veterans, they’ve broadened their sound and it’s not easily pigeon-holed. They remain the go-to band for support spots on the French Mediterannean coast, and have an impressive back five-album catalogue.
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- By The Barman
- Hits: 2660
Damo The Musical – The Celibate Rifles (self released)
Sunday, September 22, in the year 2019 P.P. (Pre Plague) was the date when The Celibate Rifles took to The Enmore Theatre stage in Sydney to pay tribute to their late frontman Damien Lovelock. The show was originally scheduled for The Factory Theatre, but demand for tickets outgrew the room. And it sounded something like this…
This LP is a dozen songs from the night and a fitting tribute to the man widely known as Damo. With his place at the centre stage mic vacant, some friends had to fill it. More on them later, but first some observations.
The instrumental mix is as punchy as fuck; with an big bottom-end. The vocals are up and down - but put that down to the vagaries of varying mic technique. It was a round robin of singers without the luxury of extended rehearsals. The Rifles excelled in accommodating the rotating cast which gave its best in return.
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- By The Barman
- Hits: 3750
Reverse Light Years – Even (El Reno)
This double album features Even at their creative best – a beautifully crafted 17-track, 81 minutes with something for all tastes. It provides a definitive, seminal record for long-time fans and will certainly open the door to new legions.
Ash Naylor is arguably the hardest working “stop and go man” in Oz music. He, (Wally) Roderick Kempton II (bass) and Matt Cotter (drums) make a formidable three-piece. And a durable one.
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- By John Ventoura
- Hits: 3086
Double Meaning – The Stinkbugs (Swashbuckling Hobo)
Drop the needle in the groove. Ready? The pedigree tells you a lot: Hekawis and Shutdown66 among prior convictions. So does the opening track, “Atom Bomb”: Extreme fuzz guitar and basic, almost primal production. But don’t lay a bet, just yet...
Just as you have The Stinkbugs pegged and, suddenly, the sound’s stripped right back for two songs, “Don’t Want Me Around” and “Fly”. It’s like someone sucked out all the mid-range with a straw.
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- By The Barman
- Hits: 2942
High Tides, More Crimes – MD Horne (Outtspace/FOLC/La Villa Nova)
Only a shit stirrer would start a review of an album with the rhetorical question: “How do you know you’re getting old? You start listening to bush bands”. Guilty as charged – on the shit stirrer charge, that is. Lock me up.
Yes, the second solo album from Sydney’s MD Horne contains mandolin, didgeridoo, his own bass, a sprinkling of bush balladry, and even a sea shanty of sorts but, thankfully, no lagerphone. It’s also damned good.
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- By The Barman
- Hits: 3290
U – The Undermines (self released)
Bands that echo, without imitating, the sound of Radio Birdman and its precursors are always welcome around these parts. Canberra’s Undermines made an impression with their “Tenzeroeight” album a few years ago and do so again with “U”.
“U” is a five-track CD EP recorded at Infidel Studios in Queanbeyan and positively drips guitars. Understandable, given the band’s lineage, which is drawn from local legends Hell Yes (home to future The Eastern Dark bassist Bill Gibson), Newcastle’s renowned high energy machine The Fools, and local contemporary British Invasion and garage enthusiasts, Il Bruto.
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- By The Barman
- Hits: 2839
Set Yourself Easy – Kent Steedman (self released)
Adjust your expectations. This is not a collection of Celibate Rifles-styled pyrotechnics -although some (notably, “Lockdown Shuffle” and the title track) could have worked for them.
Anyone who’s been paying attention knows that Kent Steedman has never been just about flamethrower rock. His work outside the Rifles has spanned the oblique, avant noise of Crent, the proto-boogie blues of Jim Moginie and the Family Dog, sonic adventurism with the Deniz Tek Group and live shows using Tibetan singing bowls.
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- By The Barman
- Hits: 3903
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