That one of New York City's most visionary and inspired guitar bands has to hawk its own live CD at their sporadic live shows is a curious fact-of-life, and almost as puzzling as why they're not a bona fide mainstream success.
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- By The Barman
- Hits: 5817
There are obvious life lessons in the saga of the Sunnyboys and they’ve been related so many times that they probably don’t bear repetition here. If you’re a fan, you’ll know them all anyway (the results of crashing and burning, the enduring nature of brotherly bonds, the power of redemptive love.) If you’re not, you can wise up, musically speaking, with this collection.
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There's a lot of competition but this might just be one of the best Australian releases of 2005, certainly in the (self-imposed) sub category of Voodoo Psych Garage. Think multi-layered fuzz guitar entwined around chunky organ chords and you're in the neighbourhood. As good as their debut EP "Ladies May We Introduce Ourselves" was, "Sonic Seducers" is a quantum advance with the songs sounding more rounded, and the band much more in control.
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- By The Barman
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I was a fan of Sonics/Seeds/Shadows of Knight-inspahrd garage grunt right up until the moment when the likes of the Hives (My new favorite band? Not likely, pal) and the execrable Jet arrived on the set – which coincidentally was around the same time I started running, not walking, away anytime some SXSW shill offered me a new band’s CD-R that sounded “just like the MC5!” It seemed to me that the whole trip was starting to sound not just stale and derivative, but even a tad bit formulaic. What to do, then, but recede back into my bunker with my Boris and Ornette Coleman records? But The Barman pulled my coat to these guys, and the Barman is an honourable man.
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It’s finally arrived. Years late, but well worth the wait.
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If James Leg's record sounds uncannily like the guy who sings for the Black Diamond Heavies it's because he's John Wesley Myers of that same band. "Solitary Pleasure" dips into common musical paint pots (bluesy keyboards, greasy soul and raucous garage), mixes in a bit more pop and splatters the lot over a wide canvas.
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Cranberry-swilling Ken Shimamoto and I were only discussing this in the Bar the other day: We both mark Iggy harder than those so-called legends who present with a far less memorable back catalogue.
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Been waiting for this for some time so expectation levels were primed. If the prospect of another Igdisc doesn’t fill you with rabid anticipation after the ups and downs of the last two decades, the prospect of four tracks reuniting him with the Asheton brothers certainly should…
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I can remember a time back in the dark ages, a period I like to call my high school years, when a Stooges album was harder to find in Detroit than, well, the Stooges themselves, especially after that Michigan Palace brannigan immortalized on “Metallic K.O.”
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- By The Barman
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