
- Details
- By The Barman
- Hits: 1255
Double Negative – The Strike Outs (Evil Tone Records/Farmer and The Owl)
If you’ve seen Sydney duo The Strike-Outs in the flesh, you’ll know they do not fuck around. The way they open their second album, “Double Negative”, is proof positive.
“Johnny” is a Chuck Berry-inspired instrumental (one of two on the album) that steamrollers out of the speakers, driven by Adam Vines’ industrial-strength backbeat and brother Simon’s squawling, Thunders-without-the-slop, guitar attack.
It goes for the throat and does not let up – and that’s the story of the album in a nutshell. The band sneers and soars through another 10 songs (including a killer cover of “Motherfucking Motherfucker” by Bored!) that launch, one after each other, like Exocet missiles.
- Details
- By Robert Brokenmouth
- Hits: 1825
Blistersticks - Harry Howard and David McClymont (self released)
It’s an odd thing, creativity. You might recognise David McClymont’s name as the bass guitarist in Orange Juice, who had several bright, accessible pop hits in the late 1970s, initially with the Scottish label Postcard. Orange Juice played frequently with friends like Josef K and The Go-Betweens. The Scottish expats found common ground with the then-plentiful Australian ex-pats such as The Moodists and The Birthday Party.
Orange Juice weren’t an easy fit with the skinheads of the day; theyd walk onstage to cries of “poofs” from the skins. Their retort? “Hare Krishna!”
Coming within a whisker of serious UK pop stardom (including two appearances on “Top of The Pops”, David left in late 1983, and the recordings for his own outfit, the brilliantly-named Ape the Scientific, which recorded for Polydor.
- Details
- By Edwin Garland & The Barman
- Hits: 3547
Fowl Weather Vein – Fowl Weather Vein (Vi-Nil Records)
The years 1978-82 produced the greatest explosion of music in the last century. Only the mid to late 1960s rivals it. Some called it New Wave, others came up with Post-Punk.
Record companies were opening cheque books as fast as new labels arrived and there was the buzz of a DIY ethos. More importantly though, the period produced an artistic tidal wave surfed by one-hit wonders and more enduring artists whose music careers have continued for decades.
Consider the massive diversity of a crop that included Wire, Echo and The Bunnymen, Pere Ubu, The Fall, The Pop Group, XTC, The Cure, The Jam, Siouxie and The Banshees, Joy Division, Talking Heads, Blondie, Psychedelic Furs, Gang of Four. There was also the rise of Ska. There were was no single blueprint or style, just an explosion of creativity.
- Details
- By JD Misfortune
- Hits: 1967
Dinner At Mr Billy’s – Blue Ash (Peppermint Records)
Summa the magical, mystical Blue Ash powerpop just feels so ‘60s, like some lost tracks from the "Beyond The Valley Of The Dolls" or "Easy Rider" soundtracks, or the incidental music from "Love American Style" or some kinda hippie exploitation marketing hoax.
Remember when 7-Up was selling themselves as flower child psychedelic? Blue Ash was around then and woulda been perfect to write their far out, hey man, garage punk jingles. So Good! The guitar playing feels like Strawberry Alarm Clock or 13th Floor Elevators sometimes, and the singer coulda been in "Hair".
- Details
- By The Barman
- Hits: 1655
Luminary – The On and Ons (Jem Records)
Just when you think it’s safe to go back in the ring, The On and Ons deliver a triple combination of power-pop punches to open their new album and leave your critical faculties flat on the canvas.
“White Ships”, “Constance” and the stunning single “Speck of Smiling Faces” are the opening tracks and as good as anything the Sydney band has recorded. Even better news is that it doesn’t end there and The On and Ons’ sixth full album, “Luminary”, is their best to date.
- Details
- By Steve Lorkin
- Hits: 2020

Fun House (High Fidelity Edition) - Rhino Records (Rhino Records)
Loaded (High Fidelity Edition) - The Velvet Underground (Rhino Records)
Theoretically, an album pressed in 2026 should sound a lot better than an album pressed in the 1970s. I mean, haven't there been vast technological advances in the sound world? Or for that matter, just about anything and everything since the 1970s?
Judging by the majority of LP reissues these days it seems not. Quite often those pre-digital era 1960s/1970s pressings sound a whole lot better than today's "$95 at JBHiFi 180 gram remastered by some genius" reissues.
- Details
- By JD Misfortune
- Hits: 1364
24 Hours in Detroit - Troy Toma and The Lousy Lovers (Jett Plastic Recordings)
So, my good friends, I hesitate to even commit my thoughts to paper very often nowadays cause I'm just so curmudgeonly and grouchy and pessimistic, I've totally turned into one of those ruined, scarred, and bitter men muttering to himself about the MC5, and wishing all these new kids in their expensive hats would get off my fucking lawn.
I got the oldness; walk with a cane, been having some scary health issues, with gratitude for some narrow escapes, my old friends are dropping like flies, and many of those remaining suddenly look like Uncle Jessie from "Dukes" Of Hazzard".
- Details
- By The Barman
- Hits: 931
The Jane Does – The Jane Does (self released)
It seems hard to find good bands fronted by women no longer aged in their teens in Sydney these days. The reality is that the city’s small roster of rock and roll venues means the sisters (mums? aunts?) aren’t hiding, you just need to look for them at the right time.
Along with The Sugar Beats and Raising Ravens, The Jane Does are the pick of the semi-femme crop (although technically you could say that the former come from Wollongong.)
The Jane Does are Rebecca Halley (vocals and guitar) and Joanne Bennett (bass and vocals) sharing front-of-stage duties with guitarist Matt Allison. Rebecca and Jo are cousins and have shared stages before. They’ve had a series of drummers but Tim Savage now seems firmly sequestered on the stool, barring spontaneous combustion or bizarre gardening accidents.
- Details
- By Steve Lorkin
- Hits: 1205
Zeno Beach - Radio Birdman (Citadel Records)
By Steve Lorkin
Quick quiz: Which legendary band who broke up in the 1970s but reformed several decades later and recorded a album of new material which actually honoured their original legacy?
1) New York Dolls
2) MC5 (aka MC1)
3) The Stooges
4) Radio Birdman
If you answered “Radio Birdman” you win a million in prizes!
- Let Flippin' Kick Outs steer you through the Sonic Maze
- Young Charlatans' legacy laid bare in a stunning time capsule
- Harem Scarem founder Charlie Marshall (and Louie's) Family Affair
- They're still Not Like Everybody Else
- It's Alive! Canadian rocker Rich Hope and his red hot band hit the mark
- Punk pioneer Brian James bids us ciao
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Artifacts and reviews from days gone by.
