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trauma magnet

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    You can watch the World Premiere of the Ben Hamilton-produced film-clip for “Better Now”, the lead track from the forthcoming album  “Trauma Magnet” from Sydney supergroup Van Ruin here at 0900 (AEST) on Friday.


    Following on from last year’s debut EP, “Jails, Death & Institutions”(Crankinhaus Records), Van Ruin has rapidly upped the ante with their first album, ‘Trauma Magnet” ahead of their first European tour in September 2025. “Trauma Magnet” unveils a cast of characters whose fallible traits play out against a backdrop of high-energy rock and roll and hook-laden songs.

    The members of Van Ruin's history in Australian rock is pretty vast - they've been a part of crucial acts like the New Christs, Lime Spiders, Deniz Tek Group, The Visitors, ME262, Decline of the Reptilesand Chris Massuak’s Dog Soldier,as well as East Coast Low, Hell Crab City, Chickenstones, Loose Pills, The Panadollsand Aberration. 

    Van Ruin are Phil Van Rooyen - Vocals/Guitar, Alan Creed - Guitar/Vocals/Keyboards, Andy Newman - Bass/Keyboards and Stuart Wilson- Drums/Vocals

    “Trauma Magnet” is being released on vinyl, CD and streaming and you can pre-order on Bandcamp or the label site, or pre-save.

  • trauma magnetTrauma Magnet – Van Ruin (Crankinhaus Records)

    It has been an explosive 12 months for Van Ruin, a band formed in Sydney only a year ago that almost immediately began recording their first mini album. Band leader Phil Van Rooyen had a batch of deeply personal songs he had written about his years of counselling substance abuse in the underbelly of the city's Northern Beaches.

    Phil threw himself into a flurry of  writing and recording, working with his decades-long mate and Al Creed, of local legendary bands like Dr Fruitworld and Panadolls,as well as the New Christs.

    Enter Stuart Wilson (Lime Spiders, New Christs, Chris Masuak’s Dog Soldier and The Crisps)on drums. There were a couple of the raggedy, under-rehearsed gigs that were hanging by a thread at times, and as thrilling as they were they did not capture the brutal darkness and brilliance of what would the debut EP,  “Jails, Death and Institutions”.