Died Pretty Live – Died Pretty (Citadel)
Live albums were things a band pulled out of its collective arse when members were short on ideas and had “contractual obligations” to a label. These days, they’re a quaint anachronism in a market that treats digital singles as a currency.
The only contractual obligation Died Pretty has these days is keeping their record label boss and manager, John Needham, in the lifestyle to which he is accustomed (that's a joke, John), so a live recording of a February 2008 performance of the cross-over album “Doughboy Hollow” at Melbourne’s Forum Theatre is probably of interest only to diehard fans.
Guilty as charged but thousands of others will take the same plea.
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- By The Barman & Steve Lorkin
- Hits: 3068
Drop Out With The Barracudas Deluxe Edition – Barracudas (Lemon Records)
Increasingly, the recording companies attempt to milk the last of the boomer dollars before retirement homes steal the last of our bank accounts. They’ve already worked out that there's bugger all money in new recordings. Even dependable old cash cows like KISS and The Who have made public statements to that end.
So record companies have learnt to spew out deluxe editions of the familiar, the obscure and the criminally ignored. And, if someone is going to put out a multi disc collection of every taped concert on Sunset Strip, well oops. My finger slipped on the buy button before I read about the goddamn postage.
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- By Bob Short
- Hits: 2121
John Kennedy and the New Originals - John Kennedy and the New Originals (Foghorn/MGM)
Brisbane-raised English expatriate John Kennedy patented the Urban and Western genre after he transplanted himself to Sydney 40-something years ago and found underground success. It’s been a long (and winding) road since.
There’s been a decade living overseas in Los Angeles, Berlin, London, Holland and Hong Kong. Kennedy on paper’s had what appears to be a revolving cast of backing bands - J.F.K. And The Cuban Crisis, John Kennedy And The Honeymooners, John Kennedy's '68 Comeback Special and John Kennedy's Love Gone Wrong.
Reality is that there’s been an intermingling of players in those bands and the line-up’s been stable in recent years, but perseverance has been a by-word.
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- By The Barman
- Hits: 2449
Memento Mori - Hugo Race and Josh Lord (independent)
You shouldn't put “Memento Mori” on as background music while you do the dusting or writing funny memes. I mean, you can, of course. But it's a lovely slow-paced creature, and it will snare you.
You'll find yourself slouched on the couch, wanting sleep and comfort but ... despite all the gorgeous sounds, it's damned unsettling. You'll wake with a stiff neck and your limbs out of joint, I promise. No, skip to the end for how to fully appreciate this.
But first, I must apologise unreservedly to both Josh Lord and Hugo Race. I was unable to do this review quickly enough.
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- By Robert Brokenmouth
- Hits: 2372
Ready! – Plastic Section (Outtaspace)
Self-consciously retro rock and roll bands can be a real problem. There are ones that overplay their hand and fall back on gimmicks. They almost always have a name with “Thee” appended to the front. And then there are those that apply their three chords with genuine regard for where the music emanated.
Plastic Section is part of a loose Melbourne aggregation of bands in the latter category; their peers are The Breadmakers, The Vibrajets and The Cha Cha Chas. Each faithfully plunders the past while applying their own take.
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- By The Barman
- Hits: 1896
My Circus! My Shitshow!! - Ben Gel (Ben Gel)
You're gonna love this one. It’s kicking, rampaging, no-holds-barred, pounding rock'n'roll.
I've written about Ben Gel before. He's a no-nonsense, hammer-down-the-line bass player (currently playing in Perdition and Cull-The Band) and guitarist ... in his own outfit. On “My Circus! My Shitshow!!' he plays lead and rhythm guitars, bass and handles lead and backing vocals. Chris Charlton also handles lead and rhythm guitars, and Nick Hadley is on the kit.
Geez, I'd love to see this lot live. It looks like the drums were recorded in Camden Town, UK, and the rest in Rosewater, South Australia. How the fuck this ended up sounding so damn tight I have no idea. Loads of talent and patience, I assume.
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- By Robert Brokenmouth
- Hits: 1856
I Won't Be Civilised - Velatine (Spooky Records)
Melbourne duo Velatine is now a constant in my life, in the same way that (say) disco was a constant in some people's lives every Friday and Saturday night, or punk was, or AFL every season, or cricket... you know?
I'm not alone, it seems - this week my local independent radio station, 3D in Adelaide, made it LP of the week. And it's not out till Friday.
However, I must be frank here. Velatine ain't for everyone. It ain't yer commercial radio fodder for sparkies and housewives. The independent radio stations should love "I Won't Be Civilised", but of course, you know. They have zero taste after being told for so long what's hip and cool by ... paint salesmen. Sorry, I mean “record executives”.
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- By Robert Brokenmouth
- Hits: 1844
Mercy - John Cale: (Domino)
I confess my age: I missed John Cale’s Australian tour in 1975 (being 11 is no excuse, of course) but caught him at the Tivoli in Adelaide in ‘83, and again a few years later. Heard and have many of his albums, but confess that some are hit and miss, while others are (for me) spectacular.
I-94 Barflies will recall that Cale was one of two “foundation members” of the Velvet Underground (which didn't stop him from being booted when Lou Reed felt threatened) and, shortly after, he produced a record by a bunch of laid-back savages from Detroit. If you're not sure who I mean, ask The Barman, he'll fill you in.
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- By Robert Brokenmouth
- Hits: 2122
Superioridad Moral – Dr Explosion (Slovenly)
Long story short: Spanish garage rock band that’s been on hiatus for 11 years resurfaces on an American label with a German office that sells records to the USA, Mexico and Japan as well as the EU. Sounds about right in today’s digital world, but it’s also proof that rock and roll still spans multiple cultural borders.
As a confirmed Monolingual, I know when I’m beaten. “Superioridad Moral” (“Moral Superiority”) is sung entirely in Spanish. I have no clue what Dr Explosion is singing about. But the songs sound strong with touches of psych rock and pop running prominently throughout.
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- By The Barman
- Hits: 2027
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