1.         Jackbeast: No Mirror LP

            2.         CLAMM at La La La’s

            3.         Miners: Right of Way single

            4.         Mudhoney & feedtime @ University of Wollongong

            5.         Built To Spill @ Nothercote Social Club 

            6.         Gutwrench, The Eighty 6ix & Off The Rails Festivals

            7.         Moody Beaches @ Port Kembla Servo

            8.         Watching Scientists soundcheck Swampland at OAF

            9.         Body Type, Cable Ties, Our Carlson @ Servo, Port Kembla

            10.       People’s Burger after a Sydney gig

            11.       Purple Yam Gelato from Kariton Sorbetes in Footscray

Find Chimers on Bandcamp and Facebook

_{Photo by Alex from The Underground Stage.} 

I've decided to go with my Top 10 Concerts of 2023 since there were so many great ones! In chronological order...
  

Hi I'm Squatter the Cockatiel. I share a house with Chris Converse (4ZZZ and Punkfest) and Cathy Kerlin (Punkfest and Platform 5 Cafe and Bar) so I get to meet the really cool GC's* and hear some great music.

I am also a 4ZZZ subscriber.

Here is my top ten releases of 2022, in no particular order:

The Owen Guns- Dawn of the Braindead

Mitch, Please - Yes Thanks

The Square Tugs - "Monster Hits"

Eviction - "Demo"

The Interrupters - "In the Wild"

The Disables - "No more Rules, No more Ruled"

Mucho Sonar - "Under the Influence"

The Cutaways - "Cheap Curtains"

Topnovil - "Stand Tall"

Masochist - "Bloom"

Hope you enjoy my selection and like the picture. I am way more popular than Cathy or Converse.

Love and chirps,

Squatter

*Cockatiel for Good C_nts

_{Tony Bishop, Rob Lastdrager and Leon Beveridge. See item 2.}

With the world and me still waking up from the pandemic in 2022, my Top Ten consists of some old friends and favourites, re-visited, remembered and revived.

Experiencing Covid for the first time at New Year’s and enduring a heatwave in Melbourne, I’m not complaining. It’s given me quiet time to think and a chance to raise a glass to all my departed rock and roll compadres. RIP Chris Bailey especially. The raw energy of the early Saints powered my escape from Brisbane in the '80s, something for which I will be eternally grateful.

MARVELLOUS MUSICAL MOMENTS OF 2022 AND MORE MUSINGS:

Firstly, thanks to The Barman and I-94 Bar contributors Keith Claringbold, Dylan Webster, Matty Ryan and Edwin Garland who included my shows with my band in NSW and Melbourne in their Top Tens for 2022. That is so cool and greatly appreciated! Thanks to everyone who came to these shows! It was fabulous to see so many “old” friends there!

Thanks to the musicians who played in my band – Tim McCormack on bass, Jason McGann on drums, Julian Held on guitar, Sam Billinghurst-Walsh on guitar and Ryan Oliver on keyboards. They are worthy of the attention they have been getting.

In fact, thanks to all the musicians who performed live on the indie rock circuit in 2022. These are not easy times for many musicians, and it’s been fantastic to see so many artists back in action on stage, in the post lockdown world. Often, I cross paths with them when they attend other people’s gigs as well. It’s a wonderful thing to behold - intrepid rock’n’roll soldiers leading the charge to bring live music back into the forefront of our hearts and minds! 

Thanks to all the punters who have been supporting live gigs. Thanks to the music journalists for reviewing our shows and new releases and to the radio presenters who have been playing our music. Thanks to the venues and the promoters, with a special thanks to The Barman for his tireless efforts to keep our rock scene alive and well.

My radio program “Sydney Sounds” had been on 2RRR-FM in Sydney on Saturday nights from 6pm for almost 20 years.  Earlier this year, it was moved to the earlier time slot of 2pm Saturday, which is a more accessible slot for many of its listeners, so has managed to maintain its faithful followers and gain new ones. It can be streamed live via website 2rrr.org.au as well as all online radio streaming apps.

Woody Radio – DJs Gidget and Boris
A non-profit internet radio station based out of Canada run by Gidget and Boris alongside a team of international DJs that plays the best mix of indie power-pop, rock, punk, goth, electro and metal music that you probably never heard of (unless you keep your ear to the ground and finger on the pulse of the up-and-coming bands and artists).

For the past two years, both Gidget and Boris have kept Suburban Urchins in their charts, firstly with the "Born In The Suburbs" album, and Gidget has closed out 2022 with the Zed Girl EP climbing to number-one on her chart. LIsten here.

2022 was another year that was hampered by the pandemic; while we are seeing green shoots of recovery, the scars are still pretty deep. I’ve spent most of the year doing the usual stuff, so this is some of what has poked it’s head up in my rounds.

1. Guitar sales
2022 wasn’t all bad news for rock and roll. It seems that the market for new guitars has nearly reached $3b globally… which is a helluva lot of new Fender Strats. I know I’ve been doing my bit, but it does mean that the death knell for guitar based rock and/or roll may have been premature.

2. Young Rock Renaissance
On the back of those sales we’ve been seeing an increase in younger rock acts taking up the mantle. While the standard bearers of the Aussie bogan rock scene, Amyl & the Sniffers and The Chats,  have gone from strength to strength, I’m seeing a lot of younger acts finding their feet on the live scene in Sydney. Special mentions to Euterpe, Polly and of course, out of self interest, Pocketwatch.

_{The Barman at an I-94 Editorial Board meeting with Our Man in Dimboola, Ron Brown (left).}

THE BARMAN’S BEST ALBUMS OF 2022

Do The Understanding – Ron S Peno and The Superstitions (self released)
Ron S Peno has equalled and maybe surpassed his output with Died Pretty after a succession of excellent records with his champion Melbourne band. The man needs a muse and found an outstanding one in co-writer and guitarist Cam Butler. This is the Album of the Year.

The rest in no particular order: