brian mann

_{Brian Mann and Mick Medew trading licks in Thirroul. Shona Ross photo.}

Gonna break that rule about not reviewing I-94 Bar gigs, as the second of this two-night engagement was badged thus. If you can’t write about things you like, what’s the point? It’s the ethos of why we do this e-zine thing.



So let’s be up front and say that Mick Medew is a good mate and his band, The Mesmerisers, are lovely people. In customary evangelical spirit, I’m unashamedly going to tell you that if you love rock and roll then you have to see them - in their native Brisbane or on one of their few forays outside of Queensland. 

The first leg of this two-night weekend stand was a support to the mighty Sunnyboys, opening a bill shared with the mercurial Ups & Downs. The venue was the magic Anita’s Theatre in Thirroul, an hour-and-a-bit south of Sydney. The second was a Sydney show at the increasingly familiar stamping ground of Marrickville Bowling Club. The Mesmerisers are making the road trip a family affair with partners and two offspring in tow.

Psychopharmacologist - Mick Medew (I-94 Bar Records)

Issued by this website's very own head honcho, The Barman, who is responsible for organising many, many gigs which you've all thoroughly enjoyed. The kind of punter who decides he wants to see bands, and figures you will, too, so he puts them on. 

This LP rates 5 bottles, and that's not because I know Barman and he's slipped me a brown envelope behind the cistern at Central Station, but because “Psychopharmacologist” is bloody lovely, and you absolutely need it in your collection. The press release explains that this is “Mick Medew’s first true solo album and his most surprising musical adventure yet with its broad stylistic sweep and kaleidoscopic use of sound”, and that's a fair comment.

Mick Medew and the Mesmerisers
+ The On and Ons
+ Pocketwatch
Marrickville Bowling Club, Sydney
Saturday, 5 November 2022

Photos by Vic Zubakin of Look Sharp Photography

The 1980s was in many ways a dire period in music: if you look at the charts or are forced to endure a few re-runs of “Countdown”, you’ll agree. Mainstream music was based on synth and a chorus pedal, gated snare and re=recordings of “Funky Town”. And there was fucking Phil Collins and his drums.

The padded shoulders and “eat the poor” mentality that saw the rise of the trickle down economics of Reagan and Thatcher.  Whenever I see any sentimental recall of the ‘80s, I run the other way. The exceptions lie in pockets of underground music

Sydney particularly reacted against the culture of Ken Done tea towels and pastels and third rate sounds. We real street music with some of best bands in the world, many of whom you could see live for five bucks.

Just as then, we still have a Sydney underground music scene in 2022. We can still see shadows and glimpses of the past and talented young bands who have been handed the baton.

“I FEEL YOUNG, I HAVE FUN, I'M NOT DONE!"

1. This year I've been back writing songs. To have Mick Medew as a collaborator is fantastic. Hope you've enjoyed them on our second album, “In The Zone”.

2. I've seen some amazing gigs this year. Here’s the highlights. Human League!!Halfway's 20th anniversary of “Any Old Love”. (I was asked up on stage to play harmonica on one song, but I danced instead). Dave Graneyand Clare Moore and Adele Pickvance at The Bearded Lady.  Glycereens at our single launch. Radio Birdman, Sabrina Lawrie, Salt & Steeland Sarah Stockholm at Stranded, Loves a Blur as part of the Going Nowhere Fast exhibition and book launch. The Worm Turns at PFR Lounge (plus I got to meet Ildi Babu). The Melancholics single launch. The Saints ‘73-‘78at The Princess Theatre. The Donnybrooks at Lismore.

3. The 23rd March is a special day for Mick Medew and me, because that's when we saw Stuart McLaughlin drumming in Sarah Stockholm's band. We both looked at each other and said. “I like his style; he could suit us”. I approached Sarah and she said, “Go for it! He’s got his own studio too!” Turns out said studio is five minutes from us. Stuart was keen. We asked Mick's former bass player, Lois Andrews to join, and she said Yes too!! The Mick Medew and Ursula 4was born and April 1 was our first rehearsal. We’ve since played four gigs and we are looking forward to next year's shows in Newcastle, Sydney, Ipswich and good old Brisbane.

4. On the 24th of January we got a new fridge! The door actually closes and seals the cold air in!! How about that??!!!!

In The Zone - Mick Medew and Ursula (I-94 Bar Records)

Hello I-94 Barflies. Well folks, The Farmhouse has been rocking this past week because I’ve been listening to the new Mick Medew and Ursula “In The Zone”. What a follow up to “Love Is Calling”.

“In The Zone” is classic Mick but what makes this so interesting is how Ms Ursula has taken over some of the songwriting duties to come up with some bloody classic tunes

Mick and Ursula have been joined in the studio by Mick’s Mesmerisers bandmate, the wonderful Lois Andrews, on bass guitar and newcomer Stuart McLaughlin on drums. Ex-Mesmeriser Brian Mann also lent a hand on production while contributing some guitar, drums, bass and vocal parts.