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  •  Saints76
    Take a look at the photo. There they are. The original Saints, outside their Brisbane share house, Club 76. Now a posh real estate agent's rather scrappy-looking digs, the house still stands. 

    Queensland does have a heritage register: the Saints' Petrie Terrace share house should surely be on the list, but it's not. Queenslanders, make it happen!

    It's mid-winter in Adelaide, and I'm reflecting on the passage of time. As I get off the bus, I pass the new and improved Her Majesty's Theatre on the corner of Pitt Street and Grote, adjacent to the shop I worked in for a year nearly 30 years ago. A few doors up Grote, toward Victoria Square, was the one building I worked in periodically over 22 years, The Antique Market, run by Dean Donovan and his wife, Kathy.

    Quite an awkwardly-designed building, after Dean sold all the stock in 2018, it was sold, remodelled and occupied for a few years, then finally emptied and demolished; today a huge hotel or somesuch is heading upwards with a great deal of clamour, gusto and grunt. 

  • c bailey bruce tindaleChris Bailey by Bruce Tindale.

    I first met Chris Bailey in early 1977 when I was given the assignment of interviewing The Saints, who had recently arrived from Brisbane, and were staying in a semi-derelict block of flats on Berry Street, North Sydney. The last time I saw Chris was a few years ago when he was playing an acoustic set in a small venue in Draguinan, in the south of France. In between there were hundreds of shows, thousands of drinks and millions of memories.

    Others will write about his legacy as a pioneering musician and the lasting influence on subsequent generations. However, today I just wanted to remember two of the times spent together.

    In 1977, The Saints had arrived in Sydney after EMI Australia had been instructed by Head Office in London to sign and record them on the strength of their self-released single, “I’m Stranded”. Next door to flats was the office of their recently acquired managers, Together Management, who had been brought in as part of the upsurge in interest from EMI.