mark fraser

MILLY D'ALTON AND ADAM BRZOZOWSKI
Owners of Outtaspace Records
Co-owners of Link and Pinlive venue
Central Coast, NSW Australia

Hiss & Crackle Records, Wallsend
Old-school record shop with an owner who knows what you wanna hear before you’ve heard it; limited-edition local releases, live in stores and shitloads of support for non-mainstream artists.

Celia Curtis’s (White Knuckle Fever, Stone Cold Fox) highly entertaining live stream and Facebook performances
They kept us Covid-sane.

Tequila-based beer.
For when you’re torn between a frothy and and a marg, and Umina BWS shuts at 8pm on a Sunday.

Thee Cha Cha Chas and Fuzztoon Studios
They released a spookily prophetic 7” (‘It’s Coming After You’), always smiling despite hardcore Melbourne lockdown. And Lluis’s prolific art kicked 2020’s arse.

 _{Mark Fraser with Blackie of the Hard-Ons}

Ten best albums for 2021… no particular order.

HARD ONS- “Sorry Sir, That Riff’s Been Taken”
Is it pop? Is it Punk? Who cares, its fkn perfect.

THE QUICK SIXES – “Swamped”
Swampabilly meets surf in the most perfect of ways.

Top Tens for 2023: Mark Fraser of Vi-Nil Records and Redbackrock Surf & Snow Clothing. Former partner in Link & Pin Cafe, Woy Wo

Fave releases:

DMA’S – “How Many Dreams”
A virtual hit factory from go to woe. Melodies. Feelgood. Pretty much perfect. 

HARD ONS – “Ripper 23”
Clever cover art. Clever songs. Pop-etched perennial punk from here to Punchbowl.

LION ISLAND – “Pilot Termination Kiosk”
Infectious and dangerously catchy indie rock with an A plus report card. 

COUSIN BETTY – “Self Titled”
Hard and fast, some softer moments that build and explode, some quirky side-tracks, and plenty of sheer aural insaniity. This thing is a beast. 

OWEN GUNS – “Monks in Sexyland” 
Beautiful irreverence that never ever holds back. That’s The Owen Guns. This eight-slab smacker is a doozie! 

 Ten musical things I dug in 2024.

• The Hard-Ons got to celebrate 40 years of ravaging the stage. Still as high-energy and still as true-to-form, brutally honest as ever. And a brand new doco to boot. Go see it. It’s great. Oh, and next year marks 40 years since the release of their debut EP, “Surfin’ On My Face” (ED: On Mark’s label Vi-Nil Records). Just sayin’!

• Middle Kids released an album that was completely hitsville from go to woah. Their previous releases all had a couple of great standout tracks, but “Faith Crisis Part 1” is their ultimate opus. Infectious indie pop that sits on the edge of mainstream and subsequently shits all over half of the commercial shit that has been released this year. 

• Elestial are a band that hails from Newcastle in Australia, and their nicely structured dream-pop is a beautiful shot of razored honey.  I was lucky enough to have them do a chunk of the INDIE SOUNDS launch tour throughout July, and they nailed every show. A nicer bunch you couldn’t meet. 

• Chamberlane are an indie pop punk band out of the Sunshine Coast. They jumped onto a last minute slot on the INDIE SOUNDS tour to help us out, and despite being hungover to the max from a festival the day before, they kicked the shit out of it. They’ve just finished a bit of an east coast tour and I was lucky to have them on board as part of the recent Vi-Nil Records showcase at The Recky Pacific Palms. Fun at a furious rate! 

Indie Sounds from Newy and The Hunter – Various Artists (Vi-Nil Records)

He’s never been seen in anything other than a T-shirt and one of his own label’s trucker caps, but it’s easy to picture Vi-Nil Records label boss Mark Fraser as the Pied Piper of the New South Wales Central Coast and Newcastle music scenes.

The analogy has to stick like baby shit to a blanket after the release of his second collection in the Indie Sounds series. Fraser is batting 2-0.

Picking a bunch of local bands and presenting two songs each on CD and vinyl is some brave/crazy idea in these days of diminishing economic returns.