peter booges werth

OK, in no particular order - and probably not 10 of them either

Råttens Krater “URRAH!” (Conquest Of Noise)
Stoked to release this gem. Slightly demented noisy punk rock from Sweden. Thankfully none of these blokes are parading fucking mullets. You can hear plenty of different influences from The Misfits, The Wipers to The Hives

Marvelous Mark “Buzzin’” (Drunken Sailor)
A bunch of unreleased demos & ep’s combined to make this great album from ex Marvelous Darlings guitarist. He’s a power pop writing machine. This is no pedestrian piss poor pop effort, which I see plenty of. Plenty of 90’s influence going on here from Dinosaur Jr, Teenage Fanclub to Big Star.

The Cowboys “Volume 4” (Drunken Sailor)
Killer lo-fi garage punks from Indiana. There’s some real bangers on this one. A total grower. All kinds of shit going on here from The DK’s, Thee Mighty Caesars to Devo. Make your own mind up.

 _{Booges filling in on drums for Brisbane band HITS on a string of Radio Birdman supports.}  

After a weird couple of years and having to shelve my label for family reasons and a pandemic, you could say I’ve dropped out of music to a certain degree. Anyways I do have a Top Ten.Some are releases, some arte new bands and some are life choices. Onward, upward and ideas flowing for the label and a possible live venue. In no particular order:

Belle Phoenix - “The Glorious Dead”
One release that got affected by my situation. Thankfully Beast and Spooky released this absolute gem. Belle was living in Brisbane a few years ago when my friend Mary Mihelakos contacted me, saying I should talk to Belle. I did, we met up, listened to the recordings she did a few years ago and put my head down to help her as much as I could behind the scenes. I was planning on releasing the album but family issues and then COVID put my label at a standstill. I’ve been listening to it for a few years now and haven’t stop listening to it.

Yes, 300 St Claire were another of those noisy, intense and hard-as-a-cheap-pub-steak bands that were around in a crowded Sydney backyard at the cusp of the 2000s and never made a substantial mark anywhere else.  They self-released an EP, gigged around and more or less fell off the radar before the decade was half-done. 

My own memories include taking away tinnitus from a support they played to Asteroid B612 at the Iron Duke in Sydney one Friday night. By the time Johnny Casino and Co came on, the damage had been done, and every note The Big Fella played fell on ringing ears.   

As is the way these days, 300 St Claire has reformed - to have fun and sink a few beers, the members will tell you - so now is a good time for their long, lost EP to resurface on Conquest of Noise, complete with extras. It’s every bit as bludgeoning as you’d expect.