This week's rhetorical question is about bands singing in faux Irish accents with traditional Celtic instruments, mixing it up with banjos, strings, pipes and punk rawk guitars. The query is: "Do we need 'em?" The quick answer is: "I'll get back to ya." From your perspective I know that's it's not really good enough so I'll spend the next 400 words so telling you how albums like this get to exist in the first place.
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- By The Barman
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Who says the French don't "get" rock and roll? There's plenty of evidence to the contrary - especially on these two albums from Brittany power trio Ultra Bullitt, who are coming to Australia in 2013 to show us how it's done.
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- By The Barman
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Melbourne songstress Crystal Thomas has woken up in too many emergency ward beds for her own good. Next time you or I do the same, let this album be playing in the background.
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Every so often, a record lands that knocks you sideways and leaves you wondering if anybody took down the registration number of the truck that just hit. The busy London borough of Hackney isn't known as Rock and Roll Central but The Dustaphonics sound like they're doing their level best to change that.
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If you can imagine a soulful, bluesy engine room with guitar that has a tone thicker than your great aunt's cankles, you're halfway to getting a grip on the sound John The Conqueror shoots for. Named after a psychotropic herb rather than a dead King of England and with members drawn from the Mississippi Delta, Philadelphia and parts in-between, this power trio hits their intended mark with accuracy, more often than not.
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Onetime Australian alt.country poster boy Dan Brodie has taken the low road. One wheel's scraping against the gutter on "My Friend The Murderer" and it makes the ride more interesting.
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- By The Barman
- Hits: 4993
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