Mythologies - Michael Plater (Evil Keys Music)
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- By Robert Brokenmouth
- Hits: 5251
The first time I saw Melbourne guitarist Michael Plater I confess I didn’t get it. He was working on a style, which involves building up a mixture of tone and counter-tones, emotion in the strings lending timbre to the vocal.
I only saw a couple of songs, however; since then I’ve seen him on his last two trips to Adelaide, and can tell you that first, on his own he is a very different kettle of vermin, and second, with folk like Dean Richards or Cabin Inn, the stage is not a safe place.
Fly High - Hunky Punks (Hunky Punks)
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- By Robert Brokenmouth
- Hits: 3709
Hunky Punks have been playing the traps around Adelaide over the last year or so, gaining an enthusiastic following, and look like heading interstate. Telling you now: see them. The sheer breadth of improvement over such a short space of time is somewhat gobsmacking. Get "Fly High".
Unlike those bands who practice twice before their next gig, the Hunkies are well-tight, snappy, light, powerful, strong and basically "Fly High" is going to get well and truly into your head. I love the way each song veers away from the last; there’s so much rich variety here, so much gritty eloquence you’re dancing way before you know it. Matt Hills’ production is damn fine, and if the world were a bit fairer, the majors should be crawling up the arses of Messrs Simpson, Omsby, Becker and Grasel.
Beast Records Night at the Tote Hotel in Melbourne
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- By Patrick Emery
- Hits: 5726
Tamara and Evil Dick. Caroline Burston photo
In a parallel historical universe the vast southern continent now known as Australia might have been conquered by France.
While France was still a functioning monarchy at the time Captain James Cook invoked the now discredited legal fiction of Terra Nullius to claim the territory on behalf of the English throne; by the time Arthur Phillip lobbed into Botany Bay in 1788, France was starting to buckle in the face of rising bourgeois unrest, and had bigger internal fish to fry (or heads to lop, as the case may be).
Reptile Brain b/w Reptile Sludge - Imperial State Electric (Bootleg Booze)
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- By The Barman
- Hits: 4559
Imperial State Electric being the current band (or more like a collective with rotating membership) for Helicopters main-man Nicke Andersson. That alone should tell you what to expect.
Imperial State Electric had passed me by before this but if the single is anything to go by, the sound and spirit of the ‘Copters is alive and kicking.
This single is the same song done twice ("City Slang" style) and it comes from the 2013 album, “Reptile Brain Music”. Neither side lets anyone down: It’s bristling with guitar riff Rock Action and an uncompromising drive in the bottom end. One of the people responsible for all that engine room power, Bassist Dolf de Borst (The Datsuns), does the honours on vocal. The flip is a dirtier version of the song with Nicke behind the microphone.
This is a second pressing which tells ironed-on Helicopters fans (and even casual ones like me) that it’s not too late to make sure they don’t miss out.
3/4
Leftovers and Rarities - The Dead Brothers (Future Folklore Records)
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- By Robert Brokenmouth
- Hits: 5226
Future Folklore is very much a new label; "Leftovers and Rarities" bears the product number FFR001. It’s a vinyl record first; and limited at that, which means because the band are damned popular in Europe, if you’ve heard the Dead Brothers, you want it and you’re going to regret forking out for Prince last week or whenever it was.
The odds ’n’ sods of most bands don’t usually make for decent records, though, let’s face it. For every great KISS LP, there’s a wagon-load of stinkers. “Black Moose”was the last time I reviewed The Dead Brothers; so rather than be fair about this, I’m going to ignore all the trainspotterish notes other journos will jump on, and treat “Leftovers and Rarities” as a new, possibly “lost” album.
My Script - Kim Salmon (kimsalmon.com.au)
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- By Robert Brokenmouth
- Hits: 4812
Contrary bugger that he is, while this hasn’t quite been released, quite a few radio shows are playing tracks; this is probably because the DJs have all contributed to Kim’s crowdfunding site and have been snaffling the thing. And no wonder, because My Script is a ripper of a CD, all raucous yet bedroom-y, intimate and deafening by turns.
It’s also quite clear that this is Kim’s first "real" solo LP, allowing us to see the full gamut of his talent. Miles Mumford is in the production chair, in between contributing poignant soundscapes.
On the back cover, “All Rights Reserved” is followed by “All Wrongs Righted”. In a way that’s typical of the man Salmon; I mean, yeah, it’s bit of flung-out wordplay, but imagine setting out a task so hopelessly impossible to complete…
The Passing Parade - Jack Howard (Jack Howard) and False Idols - Hugo Race and the True Spirit (Glitterhouse)
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- By Robert Brokenmouth
- Hits: 4393
Seems that the long EP is the way to go. A CD single was always a bit naff, a CD EP was okay but seemed a little wasteful in terms of time; a full CD these days is the equivalent of a double vinyl LP back in the mists of time.
Speaking of going back, a decent 7” was a work of art, whether it be by the Clash or the Psycho Surgeons, the Cramps or The News (I’ll never forget the first and only time I’ve held a single-sided single in my hands - utterdelight and incomprehension all at once). An EP was harder to achieve but was still a work of art.
Get Cooped up with a bunch of underground rock stars
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- By The Barman
- Hits: 5087
Emmy Etie photo.
It will be an all-supergroup affair when the eminently well-credentialed Joeys Coop (pictured) launch their debut album in Sydney on April 8 with help from an all-star supporting cast.
The On and Ons (featuring ex-Hoodoo Gurus, Screaming Tribesmen, Kings of the Sun and Stems members) and Cub Calloway and The Revolutionaries (featuring ex-New Christs, Saints and Died Pretty members) will join them at The Factory Floor in Marrickville.
“Service Station Flowers” is the forthcoming album on CD on the Citadel label.
Joeys Coop was formed by Mark Roxburgh (ex-Decline of the Reptiles) who co-wrote the album with bandmate and Died Pretty guitarist Brett Myers. It will be the first record with Myers credits in almost 10 years and the band includes past and present members of The Barbarellas, The Visitors, Deniz Tek Group and Loose Pills. You can score tickets here.
Diamond In The Forehead - Garry Gray and The Sixth Circle (Off The Hip)
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- By Edwin Garland & The Barman
- Hits: 9118
Now I have to be upfront here. During the early '80s I was a huge Sacred Cowboys fan. I only saw them twice in Sydney but felt they were The Real Deal: a band in this territory of cool, alternative cowboy/Delta punk be that was coming from USA via people like The Gun Club and Wall of Voodoo, yet with a savage savage edge that was a nod to the "Blood River" period Scientists.
“Nothing Grows in Texas” simply was one best Australian singles of the '80s. Of courses Molly Meldrum slagged them off on TV on "Countdown". So we all knew they had so much going for them. At the centre was Garry Gray and his sneering vocals, somewhere between Alex Chilton and Jonathan Richman with a belly-full of hard, home brewed liquor.
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