- Details
- By Patrick Emery
- Hits: 2952
Author Mark Cornwall and "Proby and Me".
As a child growing up in the south-east South Australian town of Mount Gambier, Mark Cornwall recalls seeing an American singer performing on the Beatles’ television special, “Around the Beatles”.
“He had a pony tail and this was 1965. This weird stage outfit, buckled shoes, singing “Walk the Dog’,” says Cornwall.
The artist was Texan-born James Smith, known better by his stage name PJ Proby. Proby had first come to public prominence with the top 10 hit “Hold Me” and would go on to generate and foster a mixture of popular interest and media controversy over the course of the rest of the decade.
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- By The Barman
- Hits: 2338
The Dividing Line – The Primevals (Heavy Medication/Triple Wide/Ghost Highway)
It’s 40 years after they formed in the no-nonsense Scottish city of Glasgow and If you haven’t worked out what The Primevals are on about three songs into this, their latest and 14th album, you need to have a wee dram and a good, hard look at yourself.
Admittedly, a band that dates from 1983, worked the European circuit on the back of a French New Rose Records deal, disappeared and resurfaced to start a second life a decade-and-a-half ago and has undergone considerable member churn could be a hit or miss proposition, but The Primevals keep delivering.
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- By Ron Brown
- Hits: 2977
Rock ‘n’ Roll Homicide – Trading Aces (Ripple Music)
Hello I-94 Barflies , it’s been a while but there’s a bit to talk about with The Farmhouse rocking to the sounds of Trading Aces’ “Rock ‘n’ Roll Homicide”, and what a ripper this album is.
Trading Aces is a supergroup of well-known, and not so well-known, musicians coming from all over the world to pay homage to one, the late Eddie Van Halen, and, boy, does it rock.
Frank Meyer of the Streetwalkin’ Cheetahs is joined by Dennis Post of City Kids (both on guitar and vocals) .Bjarne Paamand (Warrior Soul) is on bass and Ivan Tambac (also Warrior Soul) is on drums. They got together to make some tunes and express their grief at the loss of Eddie into some hard rock, metal, punk and pop.
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- By The Barman
- Hits: 1734
One of the most irreverent bands ever to come out of the Southern Californian punk scene,Descendentsare returning to Australia and New Zealand this October, playing six headlining shows.
Descendents have one of the most enduring legacies of any punk rock band in history. Known for their early, defining timeless classic albums such as “Milo Goes to College” and “I Don't Want to Grow Up” and songs, “Hope”, “Suburban Home” and “Good Good Things”.
Milo Aukerman (vocals), Bill Stevenson (drums), Stephen Egerton (guitar) and Karl Alvarez (bass) will be joined by a swag of local supports listed below.
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- By The Barman
- Hits: 1947
Ride Hard Ride Free b/w Smokestack Lightning - Zeke (Hound Gawd Records)
Seattle speed metal merchants Zeke cop a perennial barberqueing from critics who perceive their Motorhead-meets-Black Flag to be one-dimensional thrash. That might be partially correct - the 2000 cover of “Rhiannon” was certainly an attempt to crack the mould - but what’s wrong with sticking to your guns? It never hurt Lemmy.
This vinyl-only single (as in it won’t be on any streaming service anywhere, soon) vindicates that single-minded approach. The production is more metal orientated than the band’s high-water mark album, “Dirty Sanchez”, but that won’t deter any more than a handful of followers.
With original members Blind Marky Felchtone (vocals and guitar) and Dohnny Paycheck (drums) “Ride Hard Ride Free” is as uncompromising as ever, with a furious whirlwind rhythm the foundation for a tidal wave of fast guitars. Feltchtone’s serrated knife vocal might be even more toxic than two decades ago.
Be forewarned: The B side “Smokestack Lightning” is not the Yardbirds-appropriated blues smoker from “Five Live” but a similarly pitched blistering aural assault.
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- By The Barman
- Hits: 2419
Half Deaf, Completely Mad: The Chaotic Genius of Australia’s Most Legendary Producer
By Tony Cohen with John Olson
(Black Ink)
“Unputdownable” is a word and it officially entered the English lexicon in 1947. That’s a full decade before Tony Cohen came into the world, but the descriptor could have been custom-built for “Half Deaf, Completely Mad”, his posthumous autobiography.
This is a tale of hyper-energy and off-the-wall sonic experimentation cleverly disguised as a 230-page paperback. It’s a weaving, sometimes wobbling story told through Cohen’s often bloodshot or pinned eyes, with dry wit and self-deprecation.
People who worked with the man and saw his excesses first-hand might question his ability to recall fine detail, but in the same manner that Tony would feverishly splice three-inch tape to insert a crucial edit, his co-writer John Olson stitched the bits together.
Not familiar with Tony Cohen’s work? The music he produced was the soundtrack of the life of anyone into Australian underground music in the 1980s and ‘90s. The Boys Next Door, the Birthday Party, Nick Cave and the Bad Seeds, Michael Hutchence, The Johnnys, Beasts of Bourbon, Go-Betweens, Hunters and Collectors, Kim Salmon, Laughing Clowns, The Cruel Sea, The Saints, X, TISM…the list goes on. Flick through your own record collection and get back to me.
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- By The Barman
- Hits: 2096
A war of wordss has broken out between Brisbane bovver boys Shandy and Pismo Beach-based Intercontinental Tag Team Champions the Psychotic Turnbuckles and it isn't pretty.
The Turnbuckles make one of their sporadic visits to Australia in July as part of their preparations for an October onslaught on Japan, with gigs at La La La's in Wollongong (July 28) and Marrickville Bowling Club in Sydney (July 29.) Tickets for the respective shows are here and here.
Shandy are undertaking an East Coast tour and will be sharing the undercard at both shows with high-energy Wollongong outfit The Dark Clouds.
Psychotic Turnbuckles vocalist Jesse The Intruder started the ball rolling with his motivational video about teamwork:
The full list of dates on the Shandy run are Badluck in Brisbane ( June 3), Eddie’s Grubhouse on the Gold Coast (June 6), Golbey’s Basement in Ipswich (June 17), La La La’s in Wollongong (July 28), Marrickville Bowlo (July 29) and Link and Pin in Woy Woy (July 30.
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- By JD Misfortune
- Hits: 3133
Who Cares Anyway? Post-Punk San Francisco And The End Of The Analog Age
By Will York (Headpress)
Will York has done such an exemplary job here, in that it is a deeply entertaining read even if you aren't already intimately familiar with bands like Caroliner, Flipper, Tuxedomoon, Thinking Fellers Union Local 282, Toiling Midgets, or Pop-O-Pies.
This thoroughly researched and frequently tragic tome is sure to appeal to any music fans who still long for the pre-gentrification era, when creatives could still afford to pay the prohibitively astronomical rent for warehouses and rehearsal spaces in big cities before unscrupulous landlords with big tech money killed off urban Bohemia in this country, with Judge Dredd "stop and frisk" class patrols and a nearly universal lack of accessible egalitarian neighborhoods for working class artists.
York delves deep into the avant garde, Flipper-informed history of Faith No More and Mr Bungle - way back when metal deedler Jim Martin was still partying with high school dude-metal stoner buds Cliff Burton and all through Courtney Love's inflammatory stint as vocalist. This pre-dates the Chuck Mosely era, when "We Care A Lot" crossed over into college radio and MTV airplay, long before when Mike Patton joined the group and they went supernova mainstream in the hyper-polished commercial whiteboy funk era of the band and their defiantly unpop experimental endeavors that followed.
I find the startlingly dangerous, death taunting, law scorning, ledge dwelling excesses of the Sleepers’ Ricky Williams and Michael Belfer of particular interest, but the heavy book is spilling over with twisted tales of debauchery, comedy, community and collaboration in the post-punk era. Recommended.
- Details
- By The Barman
- Hits: 3401
Artists (from left) Glenn Smith, John Foy, Simon Day and Ben Brown are ready to sign and validate your poster collection.
They’ve literally mapped the history of Sydney underground rock and roll shows on telegraph poles and walls for more than 50 years and now they’re taking a stand against bootleg artworks.
Poster artists Glenn ‘”Glenno” Smith, Ben Brown, John Foy and Simon Day are making themselves available to fans to have their rock posters officially verified in Sydney on Saturday, July 1.
It’s a free service but for an optional extra fee, The Poster Boys will sign and encode your poster confirming its authenticity and value for now, and into the future. It starts at 11am at: 11-13 Burnell Place, Darlinghurst - look for the big red doors.
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