The Passengers Reimagined - The Passengers (self released)
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- By Bob Short
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The talent that stumbled out of the late ''70s Darlinghurst scene in Australia was astonishing: a match for anything coming out of London, New York or Los Angeles. But geography and population density is a fucking bitch.
Even scene bosses Radio Birdman are considered an underground phenomena. So what chance is there for the small fry?
Meet The Passengers (if you have not already done so.). Hey. Make sure you find the right ones because there are some dodgy international acts with the same moniker. They briefly graced us with their presence as the seventies clicked over. A gift we clearly we did not deserve because we utterly failed to surrender the charts to them.
Birdman doco screening dates unveiled
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- By The Barman
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Yeah Hup! The Radio Birdman documentary public screening dates have been announced. You can indulge in post-screening Q&As at a handful of them. Book your own "Descent Into the Maelstrom" at these cinemas via the links after the MORE link.
The soundtrack (pictured above) is now available for pre-order on LP and CD. Go here to grab a copy.
City Lights b/w The Drunken Galah (Swashbuckling Hobo)
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- By The Barman
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UK-born, American-based Dan Melchoir is a longtime Holly Golightly and Billy Childish collaborator and his old band, The Broke Revue, had a string of albums out on Sympathy for The Record Industry and In The Red.
He’s not as prolific as Childish but he’s not far off. How he got to record in Queensland with two members of Australia’s Ooga Boogas (Richard Stanley and Perl Bystrom) is unclear. I'm willing to bet it came of paths crossing at one of those underground gatherings in the US like Gonerfest.
Brisbane b/w It’s Your Fault - Death of a Nun (Swashbuckling Hobo)
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- By The Barman
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Members of this early ‘80s Brisbane band went on to Subsonic Barflies and Splatterheads. Taking their cue from American hardcore, Death of a Nun put down these tracks as demos in 1984-85 and Swashbuckling Hobo has exhumed them - or, in the label’s own words, “reached deep beyond the S-bend”.
This single is very much of its time - an era of repression and extreme prejudice against any music that vaguely resembled punk (whatever that is) and “Brisbane” reflects that. It's two-paced (like the Gabba wicket used to be) and would have passed for sophisticated songwriting in the scene of the time. My guess is that somebody was listening to Minutemen.
First Radio Birdman film screening announced
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- By The Barman
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The first date of Australian public screenings for the Radio Birdman documentary “Descent Into The Maelstrom” has been announced. It’s in Adelaide on July 21.
Writer-producer-director Jonathan Sequeira will field a Q & A in conjunction with the screening at GU Film House in Hindley Street, starting at 7pm. Tickets are here and more dates in other Australian cities will be announced next week.
"Descent Into the Maelstrom" is the true story of Radio Birdman, from their original formation to the present. Like the band itself, it’s an independent production, made from outside the industry. It shows what the band meant to the fans, and how they changed Australia, by inspiring a golden age of indie music from Cold Chisel to Midnight Oil.
El Humo Te Have Mal b/w Te Pegare - Los Peyotes (Dirty Water)
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- By The Barman
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Every member of the Record Collector Scum fraternity knows that South America has the BEST acid punk garage bands. To paraphrase somebody with small hands and terrible hair, South American garage bands are TREMENDOUS. Los Peyotes might be the best since Los Yorks.
Hailing from Peru and Argentina, Los Peyotes borrow stylistically from The Sonics and The Music Machine and process it through their own blender of primal yet brutally skilful re-arranging. Both sides of this single are sung in Spanish. Comprendes?
Don’t Give It Up Now b/w How Do You Know? - Lyres (Dirty Water)
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- By The Barman
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These were the first recordings released by Lyres. What else do you need to know? It’s on UK label Dirty Water and listening to it is as close to the state of Garage Godhead that any of us mere mortals will reach.
Boston’s Lyres inarguably were, and probably still are, the pick of the turn-of-the-'70s US bands that went on to wear the “garage” tag. Not that you should use that term in front of Jeff Conolly (aka Monoman), the band’s leader on organ and vocals. And never append “The” to the band’s name. Just don’t.
On your marks...go! "Passengers Reimagined" on sale now
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- By The Barman
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That “Passengers Reimagined” CD is we told you about a few days ago is back in stock and selling here. It’s a limited edition of 200 and won’t be re-pressed.
This special release is hand-labeled, signed and numbered. The package includes the original acoustic album "In the Garden of Good and Evil” and “Reimagined” - the album with electronic instruments and drums added, played and produced by Jeff Sullivan.
Kim Salmon taking 1988 Scientists on the road
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- By The Barman
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Mark this one in your diary: Kim Salmon is taking the late period line-up of The Scientists out on the road in Australia for just four gigs later this year.
- Guitar maestro Charlie sits in with Terry Serio
- Heavy Liquid LP - The Stooges (Easy Action)
- Those Fucking Boys. A Decade of Disdain - The Hip Priests (Self Destructo/Ghost Highway)
- Voodoo Eye - WitchDoktors (Tribal Vibes)
- John Lee Hooker’s World Today - Hugo Race and Michelangelo Russo (Helixed/ Rough Velvet), Raw - Bob Short (self released) & Let Them…- Meat Cake (Conquest of Noise)
- Fast Cars album campaign nearing target
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