Are you ready for a Descent Into The Maelstrom? Radio Birdman film becomes reality next month
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It's finally happening. Sydney filmaker Jonathan J Sequeira's long-awaited feature film on Radio Birdman is being released theatrically in Australia in June.
"Descent Intro The Maelstrom" will play across silver screens before being available on DVD.
No nostalgia, just blues and Animal magic
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- By Robert Brokenmouth
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Animals co-founder John Steel. Mandy Tzaras photo
Remember the screaming '60s? If not, you’ve seen the footage, in particular of the Beatles in "A Hard Days’ Night", of hordes of howling fans hurtling after their fantastic idols … when the object of pursuit becomes less than human, almost a fetishistic object.
Those days are gone, thank god. The other influential band which everyone remembers is the Rolling Stones, long regarded as the great survivors of the Sixties. Until their last LP of blues covers, their LPs were not selling well. One of the reasons I think their last LP sold so well is, I think, the intimacy implicit in the release. That, and the knowledge that the Stones are rediscovering their roots again.
Truth to tell, if you pull the original versions of the songs the Stones covered … you’d probably enjoy the originals just as much, if not better.
Time and Time Again - Johnny Casino (Folc Records)
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Recorded in fits and spurts across four years and multiple countries, “Time and Time Again” had a drawn-out, trans-national gestation and birth. That’s fitting because it’s an album with a spirit that doesn’t need a visa to work in any place that’s receptive to spirited, heartfelt rock and roll.
It’s been said before but bears repetition: Johnny Casino’s been a moderately well-kept secret in his birth country of Australia since he struck out under his own name in the ‘90s. With Easy Action and then The Secrets - the former a US-spawned crew, the latter a rotating cast of members in various Aussie state capital cities - he’s built a formidable body of work without bothering mainstream taste arbiters.
Cold Irons Bound - Cold Irons Bound (self released) & The Edge of Winter - Eden (Seraph)
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- By Robert Brokenmouth
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You need to know that I don’t know Melbourne band Cold Irons Bound from a bag of chops, while I do know Sean Bowley, the man behind Eden (a situation which I dread, because what if my mate produces some awful muck? How the fuck do you tell them?).
And the thing is, while I always give a band an even chance regardless of whether I do or don’t know the personnel involved, there’s always a risk that some irritable individual will go, "Hey… favouritism!"
Rush b/w Raw Ramp (Easy Action)
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Birmingham’s Black Bombers follow their rough ’n’ tumble, rambunctious eponymous debut album and "Crazy" 45 with a Record Store Day single and it’s a totally righteous effort.
A slinky bass-line and sultry vocal (that’s Rachel Mayfield in the duet, ex-delicious monster) give “Rush” a downright sexy feel.“You take my mind over the top/You make my senses stand up,” intones guitarist Alan Byron before the song’s consumed by a monstrous guitar break and a wave of horns. Sonically speaking, it’s simply spectacular.
Monsters b/w Before You Go - DM3 (Spider Music)
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It’s been a long time between drinks but the DM3 cocktail remains as sweet as ever, without losing any of its bite. This limited edition, double A-sided 45 shows off the Fremantle trio’s trademark tight harmonies and guitar-fuelled melodies, just right.
URRAH!! – Rattens Kater (Conquest of Noise)
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In Kärrgruvan, Sweden, where Rattens Krater apparently come from, they call it “terrorpop”. You might coin a different name. Go ahead, knock yourself out…
Stylistically speaking, “Urrah!” is a game of Musical Twister: One limb is anchored on the hard rock colour, another is on electronic-punk. A third is planted on grunge-pop and the other is flailing about, threatening to land somewhere else, depending on what you’re second-guessing them to be doing.
Death Of An Angel - Destination Lonely (Voodoo Rhythm)
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Trashy wah-wah skronk is what Destination Lonely delivers. In spades.
A bass-less trio from Toulouse, the members have done time in Jerry Spider Gang, The Fatals and Kung Fu Escalators. If those names mean anything to you, you’ll know what to expect. Just imagine them frolicking in a swamp.
This is rock and roll from the dirty side of the street. All the well-to-do people live somewhere else. Opener “Dirt Preacher” sets the scene: Barely audible, angsty vocals under layers of guitar. The wah pedal signifies music that opens up and bleeds, on a regular basis.
Speaks Evil – Giuda (Conquest of Noise)
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Italy’s best kept secret since the Bellini cocktail with Peroni chaser has an Australian record label. In an age of Fake News, this is significant Good News. It means there’s one fewer reason (like overseas postage) for Aussies not to pay attention.
So let's catch up with the rest of the world: Giuda play irresistible songs that marry all the best parts of glam rock to punk. That’s the simple story. Handclaps mixed with hooks… nasty, gravel rash chords…rifferama that’s sharper than a Rome pickpocket’s reflexes.
- Hate The Blues, Personal Frequency & Ballads of Chessells&Shooter b/w Only Happy - The Dope Smoking Morons (self released)
- Claw Machine Wizard - Left Lane Cruiser (Alive Natural Sounds)
- The Lonelyhearts - The Lonelyhearts (Buttercup Records)
- #1 Fan - The Pink Tiles (self released)
- A Sunny Afternoon At The Zoo - The Smart Folk (Studio 57 Recordings)
- Dangerous - Sugarchild (MGM), Get Bye Good High - Papaya Fuzz (Burning Sound) and Bigger than Life - Jack Lee (Alive Naturalsounds Records)
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