i94bar1200x80

dm3

  • Datura4EuroTourjpgAfter a brief sweep up the Australian East Coast and a farewell show in home state Western Australia,  Stemsmainman Dom Mariani's boogie-psych powerhouse, Datura4, is embarking on its first European shows since 2019.
     
    The band is heading through Spain and Italy in September and October, promoting its latest album "Neathderthal Jam". Tickets are available through the venues.
     
    DATURA4
    SPAIN AND ITALY
    SEP
    Fri 22 -  Blow Up Fest, Bilbao
    Sat 23 - XiriaPop Fest, Carballo
    Sun 24 - Cocodrilo Negro Bar, Ponferrada
    Wed 27 - Wurlitzer Ballroom, Madrid
    Thu 28  -16 Toneladas, Valencia
    Fri 29 - Sala Japan, Villareal
    OCT
    Tue 3 - Raindogs House, Savona
    Thu 5 - Freakout Club, Bologna
    Fri 6 - Pippo Foodchillstage, Bolzano
    Sun 8 -Villa Arbrizzi Marini-Sanzenone Degli Ezzelini, Treviso
  • jangle webLegendary guitar-pop trio DM3 are set to tour Australia in April following a renewed interest in the band on iTunes and on vinyl.

    DM3’s “Monsters of Jangle” Tour will be a rare chance for fans of the WA-based, internationally revered power-pop outfit too see them perform live in limited venues around Perth, Melbourne and Sydney ahead of a trip to Japan.

    “Monsters of Jangle” will showcase DM3’s ‘Best of’ vinyl release “One Time Two Times Three Times More”, a collection of explosive highlights from their five albums released on the respected Sydney based independent label Citadel Records from 1993-2002.

    Formed in 1992 by The Stems’ founder songwriter Dom Mariani, the original line-up of DM3 includes Summer Suns’ drummer Pascal Barlolone and Someloves’ bassist Toni Italiano.  Together they are revered worldwide for an explosive sound that fuses melodic pop hooks, cool vocals and high energy rock’n’roll guitar.

    DM3’s first two albums “One Time Two Times Three Times Red Light” (1993) and “Road to Rome” (1996) were produced by the legendary Mitch Easter (REM, Pavement, Velvet Crush) and lauded by critics and fans alike as two of the world’s best in power pop genre.

    Album number-three “Rippled Soul” (1998) put Mariani’s unrivalled skill as a songwriter front and centre and won legions more fans at home and in Europe and the USA.

  • electric trailsHere’s the thing with pop music - at least for me and probably for many of you, too. First impressions count for a lot; I'm impatient. And the initial take-out from a spin of “Electric Trails From Nowhere” was how grown up the music sounded. 

    For two reasons. As the bio says, “Electric Trails” is the output of a 30-year songwriting partnership between Ian Freeman and Jeff Baker, the Melbourne-via-Perth principal members of The Golden Rail. The other factor is that The Golden Rail sounds like none of the music that passes for “contemporary pop” in 2017. 

  • domnickscoverGood things and small packages: Only seven tracks long, this debut from the Perth band led by Dom Mariani (DM3, ex-Stems and ex-Some Loves) and Nick Sheppard (a "Cut The Crap" Clash member) is a killer-no-filler collection of soulful rock and roll.

  • somtimes when lgeThe Golden Rail are bringing their consumate Mellbourne via Perth guitar pop to Sydney for two shows this month to launch their new album “Sometimes When”.

    As direct participants (or side players) in The Palisades, The Rainyard, Header, Summer Suns, DM3 and, more recently, The Jangle Band, The Golden Rail are eminently qualified to give Sydney a jangle pop lesson, and you can catch them at two shows.

    Friday, February 16 finds them at a new venue, The Butcher’s Block, In Dulwich Hill where they’ll be supported by Inner Western Delta locals The Smart Folk. The next afternoon, The Golden Rail will play Gasoline Pony with John Kennedy’s 68 Comeback Special. You can hear and buy the album here.

     

  • Datura4 CosmicWest Coast Highway Cosmic - Datura4 (Alive Natural Sound) 

    From the opening title track, Datura4 roars into life like a modern-day Steppenwolf. They’re all Hammond organ, vintage synths and a rock band, intent on making a statement.

    Datura4 employ a massive wall of sound that departs from Dom Mariani's preferred '60s space into late '60s-early '70s, Deep Purple shtick - without the overindulgence of Ritchie Blackmore. Datura4 still displays its garage roots, but is a blend of Arizona desert rock a la early Alice Cooper... albeit updated with modern sounds.

  • dm3 liveIt was in the days when we'd seemingly lost The Stems to posterity, the studio flash that was the Someloves had flared and expired and the DomNicks were a still yet-to-be realised glimmer in some ex-latter day Clash member's eyes. But we still had DM3.

  • monsters 45It’s been a long time between drinks but the DM3 cocktail remains as sweet as ever, without losing any of its bite. This limited edition, double A-sided 45 shows off the Fremantle trio’s trademark tight harmonies and guitar-fuelled melodies, just right.

  • musictochasecarsCanines chase cars and humans drive them, so I’m not sure where the name comes from for this second album for Dom Mariani’s instro/surf music offshoot. It is probably just a signal that they’re not taking it all too seriously. It’s doubtful the disc contains sounds with frequencies too high for all but animal ears, but it sure sounds damn fine when you’re behind the wheel.

  • datura4 factory floor

    The term “jam band” first flashed across my radar in a small bar in Ann Arbor, Michigan, in the early ‘00s. It was in a pub called The Eight Ball, underneath the much more famous Blind Pig. I was lucky enough to be sharing a drink with Scott Morgan. (Ooops. I dropped a name.)

    “Who’s playing upstairs tonight?”

    “Some jam band.”

    “A what…?”

  • oh my golden rail singleMelbourne-via-Perth power-poppers The Golden Rail have released this as a taster to their forthcoming album. With a cv that includes playing with Header, The Rainyard, The Jangle Band, DM3, The Palisades, and Showbag, you could suspect it’s going to be good - and it is.

    “Oh My!” Is lilting jangle-pop with with a sweet chorus reminiscent of a Robert Forster song. Written by the band’s creative core ofJeff Baker and  Ian Freeman, it sounds like it dropped right out of the sky during paisley pop’s mid-‘80s heyday...right after the Go Betweens had seeded the clouds. 

  • popboomerang3Great pop music is timeless. The proof is right here in the 37 rare or previously unreleased tracks on this compilation of Australian bands from Melbourne label Popboomerang.

    Ask yourself this question: When did Pop - as the ‘60s defined it - become uncool with the masses? Who forced it to go sit in the naughty corner with its rowdy sibling Rock and Roll and its odd cousin Free Jazz? Best guess is when the corporatised music industry ate itself in the 1980s and all the people with emotional intelligence were replaced by spreadsheets. 

    Melbourne pop fan Scott Thurling and his prolific label just deals with it. With more than 100 releases in the back catalogue, for almost 20 years it’s been the go-to place in Australia for “real” pop - not the soulless pap that passes for the same for most people. As you might work out from the title, “Shake” is the third volume in a series and the label’s fourth compilation. A handful of these tracks date back 20 years but you'd never know.

  • sometimes whenIf you heard the debut album you know what to expect: These four veterans - supplemented by producer and multi-instrumentalist Nick Batterham - have been around too long to put a foot wrong, so it’s stellar guitar pop all the way.

    With origins going back to Perth popsters like The Palisades, The Rainyard, Header, Summer Suns, DM3 and The Jangle Band, a
    re-grouping in Australia's music capital, Melbourne, would be hard-pressed to fail.

    The 10 songs are co-writes by guitarists-vocalists Jeff Baker and Ian Freeman and they're exactly what you don't expect to hear on mainstream radio. In other words, they're full of understated melodies, feels that sit back in the pocket and chiming guitars.

    The Golden Rail's evocative sound winds things back to the '80s, capturing echoes from the preceding decades.

  • sunnyboys-logosComeback kings the Sunnyboys have announced a full-blown Aussie summer tour, along with deluxe releases of their second and third studio albums.

    The 2015 tour will include shows in Brisbane, Sydney, Melbourne and Adelaide plus a slot at the Perth International Arts Festival, just the second Sunnyboys appearance in the W.A. capital since 1984.

    Brisbane and Sydney will be treated to appearances by their former sparring partners, the Riptides. Other guests on the February tour include The New Christs (Melbourne and Sydney) young punks Bad // Dreems (Adelaide) and Dom Mariani's post-Stems vehicle DM3, in Perth.

  • christian-gig

    Friends and former bandmates are staging a memorial gig in Sydney on Saturday, September 20 for the late Christian Houllemare, bass player for the Happy Hate Me Nots, New Christs, Someloves and Bad Brains. Funds raised will go to his family in France. 

  • turn-up-the-sunStar billing for Mr Mariani in the band name these days is no surprise. He's been leading this diverse and floating crew for years and they've never failed to deliver on a promise of broadening the limited palette of traditional surf music. Putting Dom's moniker on the cover won't hurt sales and most of the playing is his own work.

  • kelpIt's winter in Australia so it's time to launch a surf album. Not sure of the logic of that but "Underwater Casino" is not your average instro' surf effort.

  • west of anywhereDM3 are from Western Australia and make peerless powerpop. If you didn’t know that already here’s another chance to catch up.

    Chances are you do already know that DM3 are Dom Mariani and (mostly) Pascal Bartalome on drums and Tony Italiano on bass. With surnames like that it’s no wonder Italy adores them as much as Berlusconi loves bunga bunga parties. You could think of DM3 as a musical version of the family-sized Neapolitan pizza: Chunky pieces of melody on a solid base of guitar - and easy on the cheese.

    If you listen hard enough it will be apparent that it’s all in the hooks. Chronologically-speaking, Dom assembled this band after the ‘60s pop of The Stems and the even sweeter pop of The Someloves. Stylistically speaking, DM3 sits somewhere in-between them both.