Gypsy Mojo - The Hollerin Sluggers (self released)
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- By The Barman
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Born out of a surf club fundraiser, this trio from the Manly Dam Delta on Sydney’s Northern Beaches have just rolled out album number two. “Gypsy Mojo” makes it clear that if The Hollering Sluggers have sold their souls to the Devil at the Brookvale Oval crossroads, they ain’t getting a refund.
The Sluggers are a trio playing blue collar blues with a distinct rock and roll edge. There’s no new ground being broken on “Gypsy Mojo” but that’s not going to worry fans of this style. It’s honest and unpretentious blues-rock.
How Dave Weyer helped Jimi and Neil shape the sounds of the '60s
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- By Ken Shimamoto
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Dave Weyer circa 1969: Sought after Hollywood sound architect.
DATELINE 1999 - If you're a regular here at the I-94 Bar, chances are good that you have a more than passing interest in the music of Deniz Tek. Granted, the Radio Birdman mastermind's music has taken a markedly experimental turn over his last couple of albums -- one which hasn't found universal favor among fans of Birdman and his earlier solo work. But give the Iceman his due for hewing true to his uncompromising vision and never failing to make challenging, stimulating music.
Since the "Italian Tour" and "Bad Road" EPs and the "Le Bonne Route" album, a key element in the Deniz Tek sound has been one David Weyer, owner/operator of the studio in Laurel, Montana, which bears his name. As engineer and co-producer, Dave is the man who's helped realize Dr. Rock's prescriptions on tape and disc, and he has a fascinating story of his own to tell...
He's been a musician, inventor, a resident of L.A.'s Laurel Canyon during the frenetic '60s, amp technician to a host of guitar greats including Neil Young and Jimi Hendrix. Over a virtual beer or two, we talked about Dave's facinating past and his work with Deniz on projects past, present, and future.
Dave Weyer bellied up at the bar with me from his home in Laurel, Montana, on Sunday afternoon, October 3, 1999.
…disasterpiece – Powerline Sneakers (Kasumuen Records)
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- By The Barman
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There’s a beautiful, sleazy rock and roll feel to “…disasterpiece” that’s refreshingly hard to pin down. From the rumbling and seedy “Dream Feature” to the girl-group-on-steroids swagger of “Don’t Shit Me Now”, and even more Spectoresque glow of “Spectre” (ha!), it’s an avalanche of hard-boiled hard Rock Action.
That Powerline Sneakers rock like motherfuckers should come as no surprise, given the pedigree of the players. Lead guitarist John Nolan was in the Powder Monkeys and Bored!. Sly Faulkner, on vocals and guitar, fronted the Splatterheads, who were well regarded even if I never got into ‘em. Bassist Katie Dixon was in Ripe and Mark Hurst pounded the tubs for The Yes-Men and Gutternsipes.
Datura4 bring their heavy jams east
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- By The Barman
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Robbie Harrold photo
One of the album highlights of 2016 was "Demon Blues", the debut release by Perth-based rock-psych-boogie band Datura4.
A quartet led by Stems/DM3 songwriter Dom Mariani and ex-New Christs, You Am I, Bamboos and Monarchs guitarist Greg Hitchcock, With Stu Loasby (bass) and Warren Hall (drums) completing the line-up, Datura4 conjure a heady mix of guitar-raunch 'n' roll and heavy melodic jams - in the tradition of the Colored Balls and Masters Apprentices, yet unlike any other Australian band currently treading the boards.
Their second album "Hairy Mountain" has recently been unleashed by US label Alive Natural Sounds and we chased down Dom Mariani for a brief grilling, ahead of a quick-fire tour of Australia's East Coast.
TENZEROEIGHT - The Undermines (self released)
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- By Robert Brokenmouth & The Barman
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It’s taken me a little while to get to this one, and I wish I’d got here sooner.
There’s 12 tracks, nine by guitarist Dylan Webster, three by other guitarist Jason Sharples. With your bass by Dave Lundquest, drums by Serge Ou (no, really, that’s what it says here) and vocals by Michael Preiss… we’re looking at a band capable, if we read the back of the CD right, of constructing and delivering the twin guitar assault.
Do they?
My oath they do.
Turn On With - The Stoneage Hearts (Off the Hip)
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- By The Barman
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The best re-issues are a reminder of how great an album was the first time around. “Turn On With” is exactly that - 11 songs of prime garage pop, exhumed and revived after 15 years.
The Stoneage Hearts started as a vehicle for drummer Mickster Baty (Finkers, Pyramidiacs, Crusaders) to play with some mates and collaborate on writing some spiffing tunes after he moved from Sydney to Melbourne. It was also the first CD on his own Off The Hip label and 160-plus releases later it’s still going strong. There have also been several incarnations of the band, with Dom Mariani a notable member. Another version of the band lives on today.
Broken Blues - Evil Twin (Off The Hip)
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It sneaks up on you. “Broken Blues” kicks off modestly enough with “I Don’t Mind”. It sounds like a sparse blues and winds up sounding like a monstrous fuzz workout, in the vein of Midwest duo Left Lane Cruiser. From then on in, the ride gets better.
Evil Twin set a high bar with the 2014 debut “Kill The Funk” and set out to record a follow-up EP. When he heard the new songs, label boss Mickster Baty suggested something more substantial. (He probably had a Cooper’s in his hand at one of the bacchanalian fests that pass for an in-store at his shop, and he’s one bloke you don’t argue with when he’s got beers on board.) So “Broken Blues” came into full bloom.
See the Descendents and you will believe that biochemists can dance.
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- By Robert Brokenmouth
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Andreas Heuer photo
You heard about the body of a murdered man being found in Goodwood, South Australia?
After the gig, me, Ocky and Robert Stafford (of Meatbeaters fame) were perched at the back of the tram as it lurched and whined its way homeward. This is Adelaide, not Melbourne, and we can only afford one tram. So it whines.
Anyway, we’d got through the city and were on the last stop before the parklands when suddenly there were cop cars everywhere, zig-zagging before parking on the tram tracks. A crim ute appeared, and a rather scary-looking Alsatian as one cop ran up to the driver while others peered in at us with a worrying hopefulness.
Spurts! Punk & Post-Punk From the 70s & Beyond - Various Artists (Festival)
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You’d be hard to please if you couldn’t find lots to love here. A whopping 93 tracks spread over four CDs - and it’s all yours for the price of three (large) beers in your local watering hole. Playing it might help you forget that your pub’s now a shiny, yuppy brasserie these days, without a trace of loud music or beer-soaked carpets, and serving food on wooden boards.
Let’s start with the obvious. It's a collection of music that can be labelled "punk" in the broadest sense of the term. Yet, there’s not one selection by the Sex Pistols or The Clash. It shouldn’t faze anyone. If you’e not familiar with their output, are you reading the right e-zine? Rhino couldn’t get the Pistols to play ball for their “No Thanks!” box and nobody shed too many tears. Joe Strummer’s “other” band The 101’ers do get a guernsey. Omitting the obvious leaves room for names that aren't as well known.
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