Let's Go Wild! - Kurt Baker Combo (Wicked Cool)
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- By The Barman
- Hits: 3844
Two thoughts sprang to mind after one spin of "Let's Go Wild!" and both are for sharing: (1.) What a cracking album and; (2.) Let's all move to Spain.
American-born Kurt Baker has done just that, calling Madrid home for about a decade and fronting his own Kurt Baker Combo, based over on the other side of the country in Leon, Spain.
If the fact that "Let's Go Wild!" Is on the Wicked Cool label isn't a clue, the sticker on the cover with the ringing endorsement from Paul Collins should tell you that it's a winner in the power pop stakes. Baker has a great voice, his band powers and the songs are full of fuzzy hooks.
Died Pretty's Ron Peno battles cancer
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- By The Barman
- Hits: 4814
Ron Peno, Died Pretty frontman and leader of his own band The Superstitions, has been diagnosed with cancer and is undergoing treatment in Melbourne.
Died Pretty was scheduled to play festival shows with Bryan Ferry and two gigs of their own in Australia this month. Died Pretty's management announced Ron's diagnosis via their Facebook page:
Died Pretty Management sadly advises that due to ill health all upcoming Died Pretty shows have been cancelled. Ron has been diagnosed with oesophageal cancer and will be commencing immediate treatment. Please direct any messages of support via this Facebook page and they will be forwarded to Ron. We know everyone will be hoping for Ron's speedy recovery.
You can send messages to Ron here.
Penny taking "Tokyo" to Europe
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- By The Barman
- Hits: 3819
Penny Ikinger is heading to Europe for some exclusive shows in France and Spain to promote her latest album "Tokyo" in March 2019. Penny will perform in France with musicians Dimi Dero (drums) and Vinz Guilluy (bass). They will also hit the studio with Jim Diamond (The Dirtbombs) as producer to record a new brand new track. She will perform solo in Basque Country (Spain).
Recorded in Japan, "Tokyo" is Ikinger’s third solo album and is an international collaboration with legendary guitarist and songwriter Deniz Tek (Radio Birdman) and musicians from the Tokyo psychedelic rock underground. "Tokyo" was released on Kerosene Records (Japan) and Off The Hip Records (Australia) and launched in Tokyo and in Melbourne (at Melbourne Museum’s Nocturnal) by Penny Ikinger with her Japanese band The Silver Bells featuring, Masami Kawaguchi on guitar.
Seminal Robots - Mad Macka and Panh Andler (Swashbuckling Hobo)
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- By The Barman
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Mad Macka's history should need no recounting but, fuck it, let's assume you're entirely clueless or you live outside his native Brisbane.
From the slamming punk of The Onyas to the fast and loose jams of The Egos and back to his recruitment into Cosmic Psychos, he's been a fixture on various levels of the Australian underground for years.
"Seminal Robots" finds him and his Brisbane band Panh Andler in gutter blues territory but don't slip it on and think you're going to hear "Fuckwit City". It's mostly music stripped back to its basic elements. The Big Fella is naked, more or less.
But "Panh Andler"? Mad Macka's far from uneducated - the man's been a lawyer as well as a pizza deliverer - so you can assume the name is an ironic reference to bluesmen. One of those many online dictionaries describes a "panhandler" as "an urban beggar who typically stands on a street with an outstretched container in hand, begging for loose change". "Buddy can you spare me a recording session?"
I Feel Alright - Space Boozzies (Outtaspace)
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- By The Barman
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With Sydney's long-running Dunhill Blues on hiatus, bassist Adam has opted to crank up the rumble with a new band, Space Boozies. "I Feel Alright" is their debut LP.
The Dunnies have been through several phases - garage big band, thrash country rock and battered blues rock - and but for a few superficial similiarities, Space Boozies sound a lot like none of them.
The Boozzies keep it short and sharp but there's a touch of bitter-sweet jangle in the guitars. Their music is still parked in the garage, but it's not as determinedly abrasive. Think of them as an Antipodean version of The Raunch Hands. Music to drink rather than to think by.
Where the Dunhill Blues wanted to tickle Nick Cave, Space Boozzies are keen to share some quality time with Australia's Queen of Decollage ("Tonia Todman's House") and swap egg recipes with Peter Russell-Clarke. The irreverence of the Dunnies hasn't gone away.
Stand for Nothing - Hip Priests (Gods Candy Records/Ghost Highway Recordings/ Speedowax Records/Digital Warfare)
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- By The Barman
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The Hip Priests are angry as fuck and want you to know about it. The urgency and energy of past albums are intact but leery innuendos and odes to drinkis-and-drugs excess are toned down on their latest long-player, replaced by a seething fury.
There's no mistaking the target of the musical Exocet that's opening track "Welcome To Shit Island". It's an all-guitars-blazing assault on the pro-Brexit brigade wrapped up in a punk rock letter bomb. And there's more in store on the other nine tracks - with a focus on everyone from the forces that would wipe out rock and roll to the man down the road at number 19. .
Hip Priests hail from Nottingham in the UK and if you think Little John's longbow was the most dangerous thing to come out of Sherwood Forest, adjust your green tights. The Priests play it like Backyard Babies. TBNGR and the 'Copters - which means they sound like all those dirty arse Scandirock bands of the late '90s and early '00s.
You could say "Stand For Nothing" is not for the faint-hearted or the hard of hearing. You would be right. You could also say Hip Priests are in that last-man-standing category of Real Rock and Roll Bands. Correct again. You win a cigar.
All the Young Droogs. 60 Juvenile Delinquent Wrecks, Rock’N’Glam (And A Flavour Of Bubblegum) From The 70’s - Various Artists (Cherry Red)
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- By Robert Brokenmouth
- Hits: 4842
What a fucking great title. Almost as good as The Clash's "All the Young Punks" - itself a take on that Bowie song "All the Young Dudes" - wonder how many 1977 punks got that? Even though it was right in their alley?
You know how, during summer, assorted neighbours will play loud music, usually horrible, and, when the hours wind down and the drink begins to blur the world, they get maudlin and soppy and play those lachrymose ballads...? Sure you do. Well, when this happens at 230 am, that is your cue to dash over, swap their copy of Kamahl's Greatest Hits with any one of these three discs, flick the switch and revel in their dismay.
Either that or, rather suddenly, the party's on again and the police want to know your personal details. Again.
Cherry Red describe this collection as "60 tracks of the finest slices of JSG in its various guises, as established by collectors around the world over the past decade. Including tracks from the USA, New Zealand, Netherlands, Sweden, Iceland, Australia as well as homegrown UK. Some previously unreleased, many first time on CD."
Hey Sydney: Make a date with The Golden Rail
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- By The Barman
- Hits: 3721
The Golden Rail are bringing their consumate Mellbourne via Perth guitar pop to Sydney for two shows this month to launch their new album “Sometimes When”.
As direct participants (or side players) in The Palisades, The Rainyard, Header, Summer Suns, DM3 and, more recently, The Jangle Band, The Golden Rail are eminently qualified to give Sydney a jangle pop lesson, and you can catch them at two shows.
Friday, February 16 finds them at a new venue, The Butcher’s Block, In Dulwich Hill where they’ll be supported by Inner Western Delta locals The Smart Folk. The next afternoon, The Golden Rail will play Gasoline Pony with John Kennedy’s 68 Comeback Special. You can hear and buy the album here.
John Dowler brings the jangle that's hard to resist
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- By David Laing
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John Dowler with his band The Vanity Project. David Laing photo.
In his 1981 feature on Australian powerpop pioneer John Dowler in Roadrunner magazine, Melbourne rock writer Adrian Ryan commented on Dowler’s then-new band, the short lived Everybody’s So Glad. He said they played with a certain kind of soul, and a type of sound that hadn’t been heard in town since Paul Kelly & The Dots underwent a line-up change too many, and since the Saints were last here. It was the kind of sound that “had nothing to do with horn sections and screams, but rather with jangling guitars, a passionate beat, allusions to something half forgotten.”
I love that soul and those jangling guitars. Being Melbourne born, I heard a bit of at as I was getting into music. It’s not the jangle of some insipid jangle-pop band, it’s a hard jangle, which is where the Saints come in. Ryan was referring to the Saints that recorded such classic tracks as “Call It Mine”, “In The Mirror” and “Let’s Pretend”.
- Nuder than Nuder than Nude - The Nudists (Swashbuckling Hobo)
- Still Here - The Beasts (Bang! Records/Rocket)
- Still here, The Beasts continue to challenge
- The Other Band Sucks - The Denyals/Gun Addiction (Antitune Records)
- No farts are sacred when these girls light up
- Brothers-in-arms, Chickenstones put on a pearler of a show on their home turf
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