Drunk and Disorderly: Episode 35
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- By The Barman
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Look out honey, we're using technology: Episode 35 of "Drunk and Disorderly" is live. Play it through your browser, through the Mixclud app, share it, whatever. Spread the Rock Action!
Suzie Stapleton flies home for solo dates
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- By The Barman
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Australian alternative artist Suzie Stapleton is heading back home in 2018 for a long overdue homecoming tour.
This is Stapleton’s first time back to Oz since relocating to London in 2015 and she'll perform solo shows in hometown Melbourne and Sydney in March with more to be announced.
Over the past three years Suzie has been captivating audiences with her electric live performances, midnight vocal, and guitar-driven noir soundscapes whilst touring the UK and Europe with artists such as Mark Lanegan, Mick Harvey, and Jim Jones & The Righteous Mind.
In 2017 she appeared as guest vocalist on Lydia Lunch & Cypress Grove’s unlikely album “Under The Covers” - a continuation of Stapleton’s collaborations with Cypress Grove on "The Jeffrey Lee Pierce Sessions Project", featuring Iggy Pop, Nick Cave and Debbie Harry.
The Scientists announce European dates
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- By The Barman
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The Scientists have announced an extensive European tour in May-June, covering seven countries and featuring the band's classic 1986 line-up of Kim Salmon, Tony Thewlis, Boris Sudjovic and Leanne Cowie.
The run follows an Australian tour of mostly sold-out shows.
MAY
UNITED KINGDOM
31 - London @ The Borderline
JUNE
01 - Glasgow @ Nice & Sleazy
2 - Newcastle @ The Cluny
3 - Brighton @ The Albert
FR
6 - Rennes @ Mondo Bizarro
7- Paris @ Petit Bain
8 - Périgueux @ Le Sans Réserve
GERMANY
13 - Freiburg @ Café Atlantik
14 - Berlin @ The Roadrunner’s Paradise Club
DENMARK
15 - Copenhagen @ Loppen
NORWAY
16 - Oslo @ Krøsset
ITALY
29 - Salsomaggiore Terme @ Festival BEAT #26
Why? - Ich Ben Ein Esel (Pitshark/Swashbuckling Hobo)
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Nearly six years after it came out on vinyl, French label Pitshark has re-issued this unpolished gem from deepest, darkest Brisbane on CD in a fold-out seven-inch single pack.
Back then we opined that "Why?" was "equal parts wrecking ball guitar, sledgehammer bass and drums and can't-give-a-fuck punk slop" and there's no reason to resile from that.
We also said that "Ich Bin Ein Esel ("I Am An Ass") will sit you on your arse quicker than a six-pack of Coopers Pale Ale drunk through a straw on a stinking hot day", so if the rest of this lazy review reads like you've heard it all before, then you have...
The twisted, ordered sounds of feedtime
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Belated reviews are the best reviews. You know, better late than never.
Eleven days have elapsed since feedtime played Marrickville Bowling Club. The excuse for the late review is that the tinnitus needed time to subside. No, there are never excuses, only reasons. After experiencing two - Two sets! Count ‘em! - sets by feedftime in one night, you need time to get over it.
Not time to analyse it. Music like theirs should never be picked over like an insect that ends up pinned to a back-board in a display case at the Australian Museum. As if you didn’t know, feedtime plays music from the guts, not the head.
Allow me a brief Robert Brokenmouth-style digression.
Magical Thinking - The Dangermen (Swashbuckling Hobo)
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Being a punk rock institution in Brisbane and six bucks might buy you a banana thickshake in Brunswick Street Mall. Reality is that you’re as likely to lock ears with the harsh blare of techno as dirty rock ’n’ roll in today’s Fortitude Valley.
That’s why you have to admire the underground rock and roll scene in the capital of Australia’s sub-tropical north, for its quality as much as its resilience.
Which nicely segues to The Dangermen, whose 17-year existence must qualify them for rock and roll’s version of seniors cards. Which, along with their Brisbane Institution status, should at least get them that thickshake at a discount.
Chris Masuak's Dog Soldier to assault French stages
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Chris Masuak is embarking on his first French tour in three years in January 2018 with a new band, Chris Masuak’s Dog Soldier.
Masuak carries one of rock 'n’ roll’s proudest pedigrees, his musical history reading like a “Who’s Who” of the Australian underground, so he should need no introduction around here.
The Canadian born Masuak first achieved notoriety as the teenage guitarist for legendary Radio Birdman, the torch-bearers of punk rock in Australia.
He subsequently went on to form The Hitmen, played in the New Christs and the Screaming Tribesmen and now lives in Spain where he plays and tours regularly.
Dog Soldier celebrates and preserves that proud tradition, with members from Europe’s underground and cult elite.
Bruno Mondo, bass player from The TV Men, Gunners, Trotskids and The Outside, is a veteran of France’s punk rock scene. Juan Martinez El Karaq is the drummer, from Spain’s hardcore elite and Masuak's power-punk trio, Viveiro Wave Riders.
JANUARY
10 - Paris/Montreuil - Armony Live
11 - Le Havre - L’Escale
12 - Brest - Le Ptit Minou
13 - Rennes - Mondo Bizarro
14 - Vannes - Jam Session
15 - Rennes - Ty Anna Tavarn
City Primeval. New York. Berlin. Prague. Curated by Robert Carrithers and Louis Armand (Literaria Pragensia Books/ Univerzita Karlova)
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- By Robert Brokenmouth
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You may, or may not, see this book in shops. If you do, buy it. Most of the readers here will want to read the New York section. So don’t hesitate.
But I’m s’posed to be a critic or something and The Barman wants to know: how many McGarretts? In spite of the several things which annoy the hell out of me, "City Primeval" rates a mighty Three McGarretts. Yep: 100 percent..
Why so high, Grand-dad?
Well, the concept alone is mighty. And it could’ve been seriously terrible. But "City Primeval" is one of those unique, slanted historiography things which are invaluable to any music/ culture enthusiast. Sure, the book could’ve done with a decent editor, and sure some of the people writing here don’t usually write so it’s not the smoothest.
But that’s not the point, at all, and in fact is part of the charm. Reading "City Primeval" doesn’t just give us a bit more context, but part of the "ah-HA!" understanding which so many outsiders to any florid scene lack.
Adelaide's Mike Drive Show a microcosm of the changing face of music consumption
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- By Robert Brokenmouth
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Is community radio the new face of music consumption for people who care about music? ROBERT BROKENMOUTH thinks so in this appraisal of the format, with a special focus on Adelaide station 3D Radio and its Mike Drive program.
Napster, eh? Who remembers those sites? Where - wow - you didn’t have to pay for your music (if the site had it). Assorted court cases and many decades later we are stuck with several sad truths.
The first, and most obvious, is that "file sharing" and "streaming", "burning" and "ripping" are as ordinary an activity as picking the newspaper off the lawn used to be.
The difference is that theft is now so common that it’s not comprehended as either theft, or wrong.
- Rumble: The Indians Who Rocked The World (Rezolution Pictures)
- Time for two Aints encores before going into the studio
- Negative Fun - The Fiction (Off The Hip)
- Cordyline Australis - Michael Canning (Ghostjogger)
- Back Behind The Kit - TV4 documentary
- Nothing Ever Gets Lost - Claire Birchall & The Phantom Hitchhikers (Off The Hip/Night Owl Records)
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