Tears without fears when Andrew and Melinda play
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- By Robert Brokenmouth
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If you’ve not seen or heard Andrew McCubbin play, or if you have but not seen his current set, drawn from his new LP “Where Once There was a Fire”, then I can only urge you to do so.
They're in Adelaide tonight but McCubbin and Melinda Kay toured Europe earlier this year to a strong response from crowds, most of whom it is fair to say, were unfamiliar with the music.
The new album is a deeply romantic, sweet, painful, exhilarating slow burn. So, no, they’re not Marky Ramone (who played tonight elsewhere) or the Cosmic Psychos or a Birthday Party covers band.
Aints no doubt about it
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- By The Barman
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The Aints in Sydney. Iam Amos photo.
It’s a concept both risky and bold. The Aints, as they were originally constituted, were a short-term thing that evolved into something more substantial. After a live record and two studio albums, they’d been put to one side for a time (25 years) while main protagonist Ed Kuepper did other things. Many other things.
Much water had passed under the Go Between(s) Bridge since then. History had also put on a lot of weight. The original Saints had re-convened for a tour that did a degree of justice to the band’s name, but was clouded by ill-temper.
Thoughts of doing it again apparently reside in the church of indifference, baby.
Marky Ramone tells: Why I didn't punch Bono
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- By Pete Howlett
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Ex-Ramones and Voidoids drummer, author and sc-fi fan Marky Ramone starts his first Australian tour in almost a decade this week. Marky Ramone's Blitzkrieg reprises the back catalogue of the Ramones with Marky driving the backbeat behind a crew of hand-picked punk rock players.
Pete Howlett of Adelaide band The Pro-Tools was given the chance to pitch him 10 questions. Here's the result.
Pimped By The Gods - Billy Tsounis & The Amazing Androids (self released)
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- By General Labor
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If you are just surfin' around the net on the lookout for this week's dime-a-dozen Richie Rich, aggression free, smiley-faced, redundant, Ramones tribute band with the obligatory Lewis leather apparel and Betty Page hair-do's, this might not really be your thing. But if your chakras are open to some really far-out psychedelic, cosmic consciousness, vibrating at a higher frequency, maan, this might be your new trip-room soundtrack.
Junkyard Prog, Freak-Jazz, Magic Mushroom instrumentals from other solar systems, other dimensions, other times. Kooky, Otherworldly, Stoner-Pop reminiscent of the Hendrix Experience, Blue Cheer, MC5 jams, King Crimson, solo Steve Vai records, it has an interplanetary sensibility, this guy obviously still communicates telepathically with Sun Ra, and Captain Beefheart, and Brian Eno and Lee Scratch Perry, ya know what I'm sayin'?
Drunk and Disorderly: Episode 34
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- By The Barman
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I Was a Teenage Sex Pistol by Glen Matlock (Rocket88, 2012/revised, 1990)
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- By Robert Brokenmouth
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Get this book. If you don’t have it, get this book now. If you do have it - but not this edition - get this book now.
If you do have a copy of this edition, get copies of "I Was a Teenage Sex Pistol" and give them to your friends, relations, people you know hate punk rock, everyone you know who reads biographies, and especially, your other half.
Why? Apart from coming across like he’s speaking the truth plainly without over-egging the thing, it’s occasionally so funny it makes your cocoa go down the wrong way and come out of your nose.
Or perhaps that’s just me; try this: After the Grundy Incident, "I didn’t speak to my mum for about a week. When I finally did talk to her, all she could say was, 'Glen, it’s terrible what you’ve done, you used to be such a nice boy, no every time I go to work … they call me Mrs Sex Pistol.'”
I had to change my top and leave it in the sink overnight to soak out the cocoa stain.
Ex-Pistol elicits miles of smiles
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- By Robert Brokenmouth
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Mandy Tzaras photo.
Glen Matlock's Adelaide show was such a fine, big smile-stretched-across-the-face, hugely enjoyable gig. Not because of the association to THAT band, but because Glen is who he is, likes the kind of music he likes, and brings it into you.
If you’re hesitating about whether to see this man’s gigs - don’t.
Just go.
Gin No Suzu b/w Ride on Cowboy - Penny Ikinger (self released)
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- By The Barman
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There’s more than a touch of Birdman about this Australian-Japanese collaboration recorded in Tokyo - and that shouldn’t be a shock. Deniz Tek’s involved as a player, co-writer and arranger. His guitar’s all over the both tracks of this CD single, with the rest of the backing provided by Japanese players.
“Gin No Suzu” - apparently it’s Japanese for a meeting place at Tokyo’s main railway station - is a neat rocker, one of those driving songs built on a tightly-wound riff and Penny Ikinger’s assured vocal. It’s more straight-up than Penny’s noir rock and psych pop outings and would sound great as enlightened radio fare.
“Ride On Cowboy” is a touch darker with a chunky bass-line, double-tracked vocal and compact guitar solo. If this is indicative of the album that’s currently being shopped, bring it on.
The Dark Clouds preview is one wild ride
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- By The Barman
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